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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Eden Rain © 2024
Music, Reviews, This Just InMay 6, 2024<May 5, 2024

“If it isn’t broke, don’t fix it”: Eden Rain Mourns Another “Great Nothing” In Her Angsty & Aching Non-Lovers’ Lament

Joy Oladokun © Republic Records
Music, Reviews, This Just InMay 5, 2024<May 5, 2024

“I have traveled all the world looking for songs and girls and God”: Joy Oladokun Sits in Her Grief on “Questions, Chaos & Faith,” a Spiritual, Soul-Stirring Exhale

Skylar Simone © Nick Walker
Features, Interviews, MusicMay 3, 2024<May 3, 2024

Interview: R&B Artist Skylar Simone on Her Def Jam Signing, Sensual New Single “Shiver,” & Ten Years in the Music Industry

Mae Krell © Alex Lyon
Debut, Features, Interviews, Music, Track-by-TrackMay 2, 2024<May 2, 2024

‘I think I might be grown’: Mae Krell Charts Her Coming-of-Age in a Debut Album of Healing, Hope, & Choosing Life

Leslie Mendelson © Mary Ellen Matthews
Music, PremieresMay 2, 2024<May 2, 2024

“Won’t you cut yourself some slack?”: Leslie Mendelson Cheers to “The Good Life” With a Gentle Song of Light and Love

Brie Stoner © Mark Andrus
Debut, Features, Interviews, Music, Premieres, Track-by-TrackMay 2, 2024<May 2, 2024

“An Erotic Sigh of Surrender”: Brie Stoner Premieres Her Empowering and Vulnerable Debut Album ‘Me Veo’

Large Brush Collection © Syd Fuller
Debut, Features, Interviews, MusicMay 2, 2024<May 2, 2024

Feature: Austin’s Large Brush Collection Find Their Balance on ‘Off Center,’ a Delicate & Sweeping Tapestry of Folk

Joshua Hyslop © Emma Rossum
Features, Interviews, Music, Track-by-TrackApril 30, 2024<April 30, 2024

“The golden days will come”: Joshua Hyslop’s Inner Light Shines on ‘Evergold,’ a Warm & Wistful Folk Reverie

Mia Dyson © Brendan Willing James
Features, Interviews, Music, Track-by-TrackApril 30, 2024<April 30, 2024

“Dare turn and face me”: Melbourne’s Mia Dyson Wears Her ‘Tender Heart’ on Her Sleeve in a Radiant Record of Life, Love, & Human Connection

Bridget Kearney © Rodneri
Features, Interviews, Music, Track-by-TrackApril 30, 2024<May 15, 2024

“You sink or swim or you learn to fly”: Bridget Kearney Rises and Shines in ‘Comeback Kid,’ a Record of Resilience, Rebirth, & Reconnection

Jae Soto © Sara Laufer
Music, PremieresApril 29, 2024<April 29, 2024

“A slow way down to your world inside”: The Achingly Beautiful Fragility & Vulnerability of Jae Soto’s “Honesty”

denn. © Emma Pilkington Mead
Columns, Music, Today's SongApril 29, 2024<April 29, 2024

“I’ve been losing everything that I believe in…”: NYC’s denn. Spills His Heavy Soul in “think,” an Intimate Inner Reckoning

steinza © courtesy of the artist
Artist to Watch, Columns, Music, ReviewsApril 29, 2024<April 28, 2024

Artist to Watch: Steinza Says the Quiet Parts Out Loud in “Visions of You,” an Achingly Intimate Folk Rock Singalong

Pacifica © Mateo Gonzáles
Debut, Features, Interviews, Music, Track-by-TrackApril 26, 2024<April 26, 2024

“Laughing at the life we’re wasting”: Argentine Indie Sleaze Duo Pacifica Are Unleashed on Debut ‘Freak Scene’

BAILEN © Erica Snyder
Interviews, MusicApril 26, 2024<April 26, 2024

“There’s something both awful and liberating about it”: NYC’s BAILEN Are Crying on the Subway, but “You Would Never Know”

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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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