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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Songs for the Canyon - John Vincent III
Features, Interviews, Music, Track-by-TrackApril 3, 2024<April 7, 2024

“What’s a little pain without sunshine?”: John Vincent III Spills His Heart & Soul in Sophomore Album ‘Songs for the Canyon’

Brimheim 'RATKING' © Andre Hansen
Features, Interviews, Music, Track-by-TrackApril 3, 2024<April 3, 2024

“Violent, But Beautiful”: Brimheim Is Unfiltered & Unleashed on ‘RATKING,’ a Bold, Breathtaking Record of Raw Humanity

Night Flight's Harry Phillips (left) and Sam Holmes (right) © 2024
Music, Reviews, This Just InApril 2, 2024<April 3, 2024

“Summer came and left along with you”: London’s Night Flight Return With “English Noise,” a Dreamy, Nostalgic Reverie

h. pruz © Felix Walworth
Columns, Music, Today's SongApril 2, 2024<April 2, 2024

“Forget everything else is real”: Basking in the Sweet Heat of h. pruz’s “Dark Sun,” an Intimate & Love-Soaked Indie Folk Daydream

Naomi Kimpenu © 2024
Music, Music Videos, PremieresApril 1, 2024<April 1, 2024

Premiere: East London’s Naomi Kimpenu Returns with “Naomi’s Lament,” a Soul-Stirring Ballad of Raw, Unfiltered Heartache

Bea and her Business © Lewis Vorn
Columns, Music, Today's SongMarch 29, 2024<March 29, 2024

“I’m a wet wipe”: London’s Bea and her Business Catches Big Feelings on “WOW!” an Irresistible Ode to Falling in Love

Close Talker © Nicole Plett
Features, Interviews, MusicMarch 29, 2024<March 29, 2024

Track-by-Track: Close Talker’s Achingly Intimate, Self-Reflective ‘The Sprawl’ Dwells in Vulnerability & Soul-Stirring Sound

Temme Scott © Caity Krone
Interviews, Music, Music Videos, PremieresMarch 28, 2024<March 28, 2024

“What if I don’t love you in the morning?”: Temme Scott Premieres Her Beautifully Aching Anti-Love Song, “Softly”

Brett Altman © Hayley Altman
Music, PremieresMarch 28, 2024<March 28, 2024

“I want you to see me as I am”: The Heat, Heartache, & Dark Pop Passion of Brett Altman’s “Eye Masking”

Cinders © Sarah Fender
Music, PremieresMarch 28, 2024<March 28, 2024

“I feel it in my blood”: Salt Lake City’s Cinders Fuel the Fire Within on “Don’t Wait Up”

Fright Years © Rory Barnes
Columns, Music, Today's SongMarch 27, 2024<March 27, 2024

“When I see you, I’m all blue”: Edinburgh’s Fright Years Embrace the End in “Blue,” a Messy, Sweaty Breakup Anthem

EEVAH © Simon Walker
Music, PremieresMarch 27, 2024<March 28, 2024

“Why don’t you say what you feel?”: Leeds’ EEVAH Erupt With a Fiery Passion in “Heartbeat Is Missing,” a Cathartic In-Your-Face Anthem

Jodie Nicholson © Ellen Dixon
Music, PremieresMarch 27, 2024<March 27, 2024

“What if I lose sight of you?”: Jodie Nicholson Dwells in Haunting Hypotheticals on “What If I”

Coma - Hayden Everett © Joey Wasilewski
Columns, Music, Today's SongMarch 26, 2024<March 26, 2024

“I miss the sky”: Hayden Everett Bares His Aching Soul in “Coma,” a Breathtaking, Broken-Hearted Reverie

Bridget Kearney © Rodneri
Music, Music Videos, PremieresMarch 26, 2024<March 26, 2024

Premiere: Bridget Kearney Ponders the Death of Empires on “Roman Sunset”

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Recent Posts

  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
  • “All You Need Is Community, Food, Nature, Music”: Hannah Cohen Is Finding Her Way Forward June 2, 2026
  • “Tell the Kids We Tried”: Jacob Brodovsky Faces the Future with Love, Dread, & Grace on “Kids,” a Driving Indie Folk Reckoning June 2, 2026
  • ‘Overnight Delivery’: How the New Delicate Steve EP Is Reviving the Role of Guitarist June 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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