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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Nectar Woode © Grace Pickering 2025
Features, Interviews, Music, Track-by-TrackAugust 6, 2025<August 6, 2025

“It’s the feeling of finally being at peace with your identity”: Nectar Woode Comes Home to Herself on ‘it’s like I never left’

Odhran Murphy © Aoife Moloney
Features, Interviews, Music, Track-by-TrackAugust 6, 2025<August 7, 2025

Chaos, Honesty, & the In-Between: Odhran Murphy Bares His Soul on Debut EP ‘Stuck in the Middle,’ a Folk Rock Journey of Self-Discovery and Reclamation

Jack Schneider © Annie Loughead
Music, PremieresAugust 5, 2025<August 5, 2025

Premiere: Jack Schneider’s “Stone’s Throw Away” Breathes Folk Warmth & New Life into an Early ’70s Barbara Keith Deep Cut

Upstate © Bridget Badore
Columns, Hudson Valley Artists, MusicAugust 5, 2025<August 5, 2025

Hudson Valley Artist Spotlight: Upstate

Hushtones © Jen Campbell
Artist to Watch, Interviews, MusicAugust 4, 2025<August 4, 2025

“Keep This Close to Your Heart”: Liverpool Artist-to-Watch Hushtones Shine Bright with Harmony, Warmth, & Light

Sydney Sprague © Ellie Carty
Features, Interviews, MusicAugust 1, 2025<August 1, 2025

“I’m Just a Person with a Lot of Feelings”: Sydney Sprague on Channeling Emotional Extremes into Indie Rock Catharsis

Bec Lauder and the Noise "Nobody Cares" © 2025
Artist to Watch, Interviews, Music, Music Videos, PremieresJuly 31, 2025<July 31, 2025

“Nobody Cares”: NYC’s Bec Lauder and The Noise Premiere Their Explosive Glam-Punk Anthem of Chaos, Rebellion, & Release

CLOVER "My Kind of Woman" © Caley Senters
Music, Music Videos, PremieresJuly 30, 2025<July 30, 2025

“I’m not afraid to be my kind of woman”: CLOVER Premieres Her Bold, Beautiful, and Unapologetic Celebration of Feminine Power & Truth

Winnetka Bowling League © Heather Saitz
Features, Interviews, MusicJuly 30, 2025<July 30, 2025

“Wait ‘Til You See My Next Trick”: Winnetka Bowling League’s Matthew Koma Is Ready to Rock Lollapalooza – and Make More Songs

mary in the junkyard "drains" © Vittoria Pagliaro
Artist to Watch, Interviews, MusicJuly 30, 2025<July 30, 2025

Slipping Down the “Drains” with mary in the junkyard: British Band-to-Watch on Chaos, Connection, & Catharsis

Liam Bauman © Rachel Weber
Artist to Watch, Interviews, Music, Music Videos, PremieresJuly 29, 2025<July 29, 2025

Artist to Watch: Liam Bauman’s “Old Friends” Is a Raw, Unfiltered Reckoning with Grief, Guilt, & Emotional Fallout

Soft Loft © Flavio Leone
Features, Interviews, Music, Track-by-TrackJuly 28, 2025<November 6, 2025

Track-by-Track: Soft Loft Illuminate Longing, Intimacy, & Emotional Release on Their Lush ‘Modern Roses’ EP

Atwood Magazine's 129th Editor's Picks!
Columns, Editor's Picks, Features, MusicJuly 25, 2025<August 7, 2025

Editor’s Picks 129: total tommy, Park National, Zzz., Florentenes, mary in the junkyard, & DR DR!

hard life's Murray Matravers © 2025
Music, ReviewsJuly 25, 2025<July 25, 2025

Album Review: hard life (FKA easy life) Peel Back the Layers on Their Raw, Resurgent, & Unfiltered ‘onion’

Debbii Dawson © Jennifer Juniper Stratford
Artist to Watch, Features, Interviews, MusicJuly 24, 2025<July 24, 2025

“I’m a weird girl who makes weird music for weird people”: Inside Debbii Dawson’s Magical Musical World

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Recent Posts

  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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