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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

44phantom © Jacq Justice
Features, Interviews, MusicJuly 16, 2026<August 23, 2026

“I Am the Best Artist I’ve Ever Been”: 44phantom Breaks Through on ‘IN RETROSPECT,’ a Raw, Bruising Reckoning With Himself

GRESLEY ‘Songs I Wrote Since She Left’
Debut, Features, Interviews, Music, Track-by-TrackJuly 15, 2026<July 15, 2026

“Yearning Season’s Here”: GRESLEY Lays His Heart Bare on ‘Songs I Wrote Since She Left,’ an Achingly Intimate Portrait of Love Under Strain

“Blood Ties” and Hard Truths: Rowena Wise Is Making Peace With the Mess of Being Human Through Smoldering, Unflinching Indie Folk Songs © Nick Mckk
Features, Interviews, Music, Today's SongJuly 15, 2026<September 6, 2026

“Blood Ties” and Hard Truths: Rowena Wise Is Making Peace With the Mess of Being Human Through Smoldering, Unflinching Indie Folk Songs

Anne-Claire © Jillian Clark
Interviews, Music, Music Videos, PremieresJuly 14, 2026<July 14, 2026

“Where the Water Meets the Sky”: Anne-Claire Makes a Spellbinding Return on “River,” a Lush, Sweeping Portrait of Love and Longing

Lee Emi © Lori M Gottschling
Debut, Interviews, Music, PremieresJuly 13, 2026<July 14, 2026

“There Will Always Be Ghosts Following You”: Lee Emi Confronts the Myth of a “Clean Slate” in a Raw Reckoning With the Inescapable Past

Notes From Under Ground's Lachlan Caskey © 2026
Interviews, Music, PremieresJuly 13, 2026<July 14, 2026

“The Cover Story Stands”: Notes From Under Ground Skewers Music-Industry Nepotism on “Names In Blue,” a Sun-Kissed and Scathing Satire

Nora Kelly Band ‘So Wrong For So Long’ album cover art
Interviews, Music, Today's SongJuly 10, 2026<July 10, 2026

“Sometimes, Strength Looks Like Softness”: Nora Kelly Band Are Rewriting Alt-Country’s Tough-Guy Mythos With Wit, Twang, and Heart

Atwood Magazine's 160th Editor's Picks!
Columns, Editor's Picks, Features, MusicJuly 10, 2026<July 17, 2026

Editor’s Picks 160: Medium Build, BAILEN, Valley, Debbii Dawson, Petey USA, & Hank Heaven!

BendreTheGiant © Anthony Johnson
Interviews, Music, Music Videos, PremieresJuly 9, 2026<July 9, 2026

“Take a Leap of Faith, or You Can Be Brave”: Portland’s BendreTheGiant Turn a Moment of Crisis into a Spectacular Act of Empathy & Endurance

Baby Snakes & the Electric Co. © Will Von Bolton
Debut, Interviews, Music, PremieresJuly 9, 2026<July 9, 2026

“Twist the Key to a Brand New Start”: Baby Snakes & The Electric Co. Hit the Gas on Their Debut Single “Dark Horse,” a Cinematic Ode to Electric, Enduring Love

corook © 2026
Interviews, Music, Today's SongJuly 8, 2026<July 22, 2026

“Being Liked Is Nice. Being Honest Is Better”: corook Steals Their Power Back on “Kleptomaniac,” a Buoyant Pop Anthem for Choosing Yourself

Sid Simons © Will Foerster
Interviews, Music, Music Videos, PremieresJuly 7, 2026<July 7, 2026

“I’m Not Singing for You”: NYC’s Sid Simons Shakes a Bad Love Loose on “Under My Skin,” an Achingly Intimate Indie Rock Confession

Starter Car © Robyn Black
Debut, Interviews, Music, Music Videos, PremieresJuly 7, 2026<July 7, 2026

“It’s a Feeling I Can’t Shake”: Starter Car Run Headfirst Into Life’s Beautiful Mess on “Kicking,” a Rowdy Indie Rock Rush of Survival & Joy

Houndmouth's Matt Myers © Tommy Moore
Interviews, Music, Today's SongJuly 7, 2026<July 7, 2026

“Come On, Let It Out Now”: Houndmouth Unleash the Wild Within on “Tiger Blood,” a Feverish Release of Heat and Raw Animal Instinct

James Smith © Freddie Pearson
Features, Interviews, MusicJuly 7, 2026<July 16, 2026

“Life Is About the Now”: James Smith Steps Fully into His ‘Golden Age’ With a Rousing, Triumphant Portrait of Youth Under Pressure

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Recent Posts

  • Premiere: Masahiro Okamura Finds Beauty in the Uncertainty of Being Alive on “A Wonderful World of Death” October 22, 2026
  • Editor’s Picks 169: Jahson Paynter, Sarah Crean, St. Panther, Jaïr Faria, Sesame Girl, & Grace Robinson! October 21, 2026
  • “Something Within Us Continues to Sing”: Valerie June Makes “Trouble in Mind” Unmistakably Her Own October 20, 2026
  • “I’m Happy to Be Messy”: Adelide Dances Through the Chaos of Her Twenties on Sun-Kissed Soul Pop EP ‘The Way Up’ October 20, 2026
  • “The Beauty Is a Strategy”: Laila Smith Conjures a Spellbinding World of Grief, Games, & Tenderness on ‘Something Dreadful Is Going to Happen,’ Her Visionary Debut EP October 20, 2026
  • “Two Things Can Be True”: Lottie McLeod Embraces Heartbreak & Hilarity on ‘The Boathouse,’ a Coming-of-Age Indie Pop Triumph October 20, 2026
  • Music & Cities: Aitana’s ‘CUARTO AZUL’ in València, Spain October 20, 2026
  • Nick Stefanacci Captures a Late-Night Allure on “Midnight Affair” October 20, 2026
  • “There’s a Lot of Freedom in Letting Go”: MUANH Reclaims Her Voice on ‘hush,’ a Spellbinding Debut of Love and Self-Trust October 19, 2026
  • “Dream or Die”: N8NOFACE on Sobriety, Keeping His Inner Child Alive, and ‘Tomorrow’s World’ October 19, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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