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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Al Nicol © Nada Temerinski
Debut, Interviews, Music, PremieresJuly 29, 2026<July 31, 2026

“A Bow of Optimism”: Al Nicol Bathes Hope in Sweet, Soul-Stirring Light on “Blue Stained Glass” ft. lighthearted

Radium Dolls © Saskia Kovandzich
Interviews, Music, Today's SongJuly 28, 2026<July 28, 2026

“A Bit Frantic and Sometimes Sweet”: Brisbane’s Radium Dolls Bottle Heartbreak, Pressure, & Raw Release into Sweaty Rock ‘n’ Roll

Petey USA © 2026
Interviews, Music, Today's SongJuly 27, 2026<July 28, 2026

“I Love the Idea of Making Hard Left Turns”: Petey USA on the Art of Making the Other Mistake, the Freedom of Not Thinking Too Hard, and the Push-Pull of Trying to “Kiss the City”

Twilark © Ladye Jane Vickers
Music, PremieresJuly 27, 2026<July 27, 2026

“I’m So Tired of Being Me Without You”: Twilark Gives Longing a Lush, Aching Indie Folk Soundtrack With “Tired to Sleep”

Ruti "Flowers" © Christian Sayers
Columns, Music, Today's SongJuly 24, 2026<July 29, 2026

“One More Little Life Is Starting to Bloom”: Ruti Basks in Love’s Glow on the Sun-Soaked, Summery “FLOWERS”

Atwood Magazine's 161st Editor's Picks!
Columns, Editor's Picks, Features, MusicJuly 23, 2026<July 23, 2026

Editor’s Picks 161: Hollow Hand, Noonzy, Nautics, Maggie Miles, Closebye, & Flowers for the Dead!

Frontlawn's Tyler Buckser-Schulz and Viv Tullis
Debut, Interviews, Music, ReviewsJuly 23, 2026<July 23, 2026

“The Fear and Joy of Being Seen”: Oberlin Folk Duo Frontlawn Hold Love and Loss Close on Debut Singles “Jenny Says” and “Commack”

Jupiter Winter © Jasmine Safaeian
Interviews, Music, PremieresJuly 23, 2026<July 31, 2026

“I Don’t Wanna Just Be Your Girl”: Jupiter Winter Seizes Her Moment on “Golden Boy,” a Dreamy Indie Pop Reclamation of Ambition

Soft Loft © Flavio Leone
Interviews, Music, Today's SongJuly 22, 2026<July 22, 2026

“Last Year Is Still All Over Me”: Soft Loft Reckon With Old Ghosts, Bad Timing, and the Gamble of Growing Up Through Restless, Radiant Indie Pop

Brooke Annibale © Sasha Pedro
Interviews, Music, PremieresJuly 22, 2026<August 8, 2026

“It Seems Too Personal When We’re Not Friends”: Brooke Annibale’s Achingly Sweet “Birthday” Captures the Awkward Afterlife of Friendship

Medium Build's Nick Carpenter © Beth Garrabrant
Artist to Watch, Features, Music, Today's SongJuly 21, 2026<July 22, 2026

“I Hate Myself, So I Turn It Into Art”: Medium Build Rips Through Every Defense Mechanism on “Armor,” a Feverish Reckoning with the Terror of Being Known

Fenne Lily "Uh Huh" © Sage Szkabarnicki-Stuart
Features, Interviews, MusicJuly 21, 2026<July 23, 2026

“The Music Is the Softest Part of Me”: Fenne Lily on Saying “Uh Huh” to Love – Even When It Hurts

Saudi Oil © 2026
Interviews, Music, Music Videos, PremieresJuly 21, 2026<July 21, 2026

“Can Someone Please Help Me Out?”: Saudi Oil Make Panic Public on “Wires,” a Jagged, Feverish Riot From NYC’s Frayed Nerves

Luca Wilding "Ocean Mother" © 2026
Music, Music Videos, PremieresJuly 21, 2026<July 21, 2026

“Hold Me Like You Used to Do”: Luca Wilding Bathes Maternal Love in Boundless Light on “Ocean Mother,” a Soul-Stirring Dream-Folk Reverie

Houndmouth's Matt Myers © Tommy Moore
Features, Music, ReviewsJuly 20, 2026<July 20, 2026

“I Was All Raw Emotion”: Houndmouth Drag Themselves Back into the Light on ‘Lordy’

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Recent Posts

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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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