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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Atwood Magazine's 157th Editor's Picks!
Columns, Editor's Picks, Features, MusicJune 11, 2026<June 11, 2026

Editor’s Picks 157: James Smith, Fenne Lily, Rowena Wise, Alex Izenberg, Essence Martins, & The Army, The Navy

Gerrard © Lauren Kim
Debut, Interviews, Music, PremieresJune 11, 2026<June 11, 2026

“How Much Can You Divide Time?”: Gerrard Splits the Present Open on ‘ii. How Many Seconds in a Moment?,’ a Genre-Melting Debut of Memory, Rupture, & Release

verygently © Chase Denton
Interviews, Music, Today's SongJune 11, 2026<June 11, 2026

“Panic Attack, I’m an American Psycho”: verygently Sing Through Love’s Withdrawal on “STRONGER THAN THAT,” a Smoldering Indie Folk Reckoning

Cherry Bomb "Sorry You're Not Sorry" © Matty Vogel
Artist to Watch, Music, Music Videos, PremieresJune 10, 2026<June 10, 2026

“I Feel Everything”: Cherry Bomb Claims Her Own Salvation on “Sorry You’re Not Sorry,” a Feverish Disco-Pop Exorcism of Guilt, Glamour, & Release

Big Guy & The Very Large Men © Caleb Hoh
Interviews, Music, Music Videos, PremieresJune 9, 2026<June 9, 2026

“Couldn’t Love Myself the Way That I Loved Him”: Big Guy & The Very Large Men Bring Hidden Love Into the Light on “Only Sin,” an Achingly Beautiful Acoustic Reckoning

Litvar © 2026
Interviews, Music, Music Videos, PremieresJune 9, 2026<June 9, 2026

“Even God Won’t Guide You Now”: Litvar Give Grief’s Breaking Point a Voice on “Yeah I Know,” a Charged Indie Rock Eruption

Tired of Fighting "Just for Me" © Adam Lang
Artist to Watch, Interviews, Music, Today's SongJune 9, 2026<June 9, 2026

“Let’s Sing So Loud”: Tired of Fighting Trouble the Heavens on “Just for Me,” a Soul-Shaking Emo Punk Reckoning

Wishlist "I'm Sorry" © Evie Vlah
Artist to Watch, Columns, Music, ReviewsJune 6, 2026<June 6, 2026

“Deep Falling Towards Myself Again”: Melbourne Duo Wishlist Drift, Pulse, & Unravel on the Hypnotic “I’m Sorry,” a Weightless Emotional Spiral

William Harries Graham Traces the Afterlife of Connection on "NYC" © Col Elmore
Interviews, Music, PremieresJune 4, 2026<June 4, 2026

“I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’

Satya © Lola Lankford
Debut, Features, Interviews, Music, PremieresJune 4, 2026<June 4, 2026

“This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release

Atwood Magazine's 156th Editor's Picks!
Columns, Editor's Picks, Features, MusicJune 3, 2026<June 3, 2026

Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!

Watashi Wa © Nate Young
Music, PremieresJune 3, 2026<June 3, 2026

“Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit

chantel "Into Song Again" © Mitch Fielder
Debut, Music, Music Videos, PremieresJune 3, 2026<June 3, 2026

“I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return

Conor Miley "Peepshow" © Michael-David McKernan
Interviews, Music, Music Videos, PremieresJune 2, 2026<June 2, 2026

“It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age

Jacob Brodovsky "Kids" © Matt Horseman
Interviews, Music, Music Videos, PremieresJune 2, 2026<June 2, 2026

“Tell the Kids We Tried”: Jacob Brodovsky Faces the Future with Love, Dread, & Grace on “Kids,” a Driving Indie Folk Reckoning

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Recent Posts

  • Editor’s Picks 167: Medium Build, Heathers, Spanish Love Songs, Carrie Okay, INOHA, & Celia Grace! September 11, 2026
  • Magnus Ferrell Wants to Fill the Void: The Making of “Asleep Talking” September 11, 2026
  • “Must I Just Brace the Bruise?”: London’s Tooth Crash into Adulthood on Feverish Debut Single “The Age of Innocence” September 10, 2026
  • “Fools Love Better Than Anyone”: Paris Paloma’s Fatal Flaw Might Be Her Greatest Strength September 10, 2026
  • Live Review: Arlo Parks Urges Us to Dance Through It All, While Never Forgetting the Tenderness Underneath September 9, 2026
  • Lucifena Refused to Give Up on Music. Years Later, Lil Wayne Made Her Young Money’s First Female Rock Artist September 9, 2026
  • “Take a Side Quest”: Same Same But Different Makes Musical Discovery Part of the Adventure September 9, 2026
  • “I Like People Who Don’t Play by the Rules”: Weird Nightmare’s Alex Edkins Hits a New Power-Pop High on ‘Hoopla,’ a Bright About-Face After Two Decades of METZ’s Joyous Cacophony September 9, 2026
  • “I’m Salvation, You’re My Frailty”: Shelter & Sound Turn the Heart Against Itself on Debut Single “Frailty,” a Spellbinding Alt-Rock Eruption September 8, 2026
  • On the Edge of Becoming: Television Skies and the Sound of New York in Motion September 8, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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