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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Twilark © Ladye Jane Vickers
Music, PremieresJuly 27, 2026<July 27, 2026

“I’m So Tired of Being Me Without You”: Twilark Gives Longing a Lush, Aching Indie Folk Soundtrack With “Tired to Sleep”

Ruti "Flowers" © Christian Sayers
Columns, Music, Today's SongJuly 24, 2026<July 29, 2026

“One More Little Life Is Starting to Bloom”: Ruti Basks in Love’s Glow on the Sun-Soaked, Summery “FLOWERS”

Atwood Magazine's 161st Editor's Picks!
Columns, Editor's Picks, Features, MusicJuly 23, 2026<July 23, 2026

Editor’s Picks 161: Hollow Hand, Noonzy, Nautics, Maggie Miles, Closebye, & Flowers for the Dead!

Frontlawn's Tyler Buckser-Schulz and Viv Tullis
Debut, Interviews, Music, ReviewsJuly 23, 2026<July 23, 2026

“The Fear and Joy of Being Seen”: Oberlin Folk Duo Frontlawn Hold Love and Loss Close on Debut Singles “Jenny Says” and “Commack”

Jupiter Winter © Jasmine Safaeian
Interviews, Music, PremieresJuly 23, 2026<July 31, 2026

“I Don’t Wanna Just Be Your Girl”: Jupiter Winter Seizes Her Moment on “Golden Boy,” a Dreamy Indie Pop Reclamation of Ambition

Soft Loft © Flavio Leone
Interviews, Music, Today's SongJuly 22, 2026<July 22, 2026

“Last Year Is Still All Over Me”: Soft Loft Reckon With Old Ghosts, Bad Timing, and the Gamble of Growing Up Through Restless, Radiant Indie Pop

Brooke Annibale © Sasha Pedro
Interviews, Music, PremieresJuly 22, 2026<August 8, 2026

“It Seems Too Personal When We’re Not Friends”: Brooke Annibale’s Achingly Sweet “Birthday” Captures the Awkward Afterlife of Friendship

Medium Build's Nick Carpenter © Beth Garrabrant
Artist to Watch, Features, Music, Today's SongJuly 21, 2026<July 22, 2026

“I Hate Myself, So I Turn It Into Art”: Medium Build Rips Through Every Defense Mechanism on “Armor,” a Feverish Reckoning with the Terror of Being Known

Fenne Lily "Uh Huh" © Sage Szkabarnicki-Stuart
Features, Interviews, MusicJuly 21, 2026<July 23, 2026

“The Music Is the Softest Part of Me”: Fenne Lily on Saying “Uh Huh” to Love – Even When It Hurts

Saudi Oil © 2026
Interviews, Music, Music Videos, PremieresJuly 21, 2026<July 21, 2026

“Can Someone Please Help Me Out?”: Saudi Oil Make Panic Public on “Wires,” a Jagged, Feverish Riot From NYC’s Frayed Nerves

Luca Wilding "Ocean Mother" © 2026
Music, Music Videos, PremieresJuly 21, 2026<July 21, 2026

“Hold Me Like You Used to Do”: Luca Wilding Bathes Maternal Love in Boundless Light on “Ocean Mother,” a Soul-Stirring Dream-Folk Reverie

Houndmouth's Matt Myers © Tommy Moore
Features, Music, ReviewsJuly 20, 2026<July 20, 2026

“I Was All Raw Emotion”: Houndmouth Drag Themselves Back into the Light on ‘Lordy’

Valley © Vanessa Heins
Features, Interviews, Music, Today's SongJuly 17, 2026<July 17, 2026

“Only Real Human Connection Will Save Us”: Valley Are Still Choosing Each Other as “Vending Machine” Kicks Open a Loud, Unapologetic, & Playful New Era

Debut, Interviews, Music, PremieresJuly 17, 2026<August 18, 2026

“Will the Light Still Win?”: Joshua Jensen Debuts with Grace & Thunder on “Hoping,” a Towering Folk-Rock Prayer Against Despair

cyanotype © Skyli Alvarez
Debut, Music, Premieres, Track-by-TrackJuly 16, 2026<July 16, 2026

“Metallic, Pure, & Sincere”: cyanotype Expose Their Inner Turmoil on Debut EP ‘the urge becomes the trigger’

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Recent Posts

  • Editor’s Picks 169: Jahson Paynter, Sarah Crean, St. Panther, Jaïr Faria, Sesame Girl, & Grace Robinson! October 21, 2026
  • “Something Within Us Continues to Sing”: Valerie June Makes “Trouble in Mind” Unmistakably Her Own October 20, 2026
  • “I’m Happy to Be Messy”: Adelide Dances Through the Chaos of Her Twenties on Sun-Kissed Soul Pop EP ‘The Way Up’ October 20, 2026
  • “The Beauty Is a Strategy”: Laila Smith Conjures a Spellbinding World of Grief, Games, & Tenderness on ‘Something Dreadful Is Going to Happen,’ Her Visionary Debut EP October 20, 2026
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  • Music & Cities: Aitana’s ‘CUARTO AZUL’ in València, Spain October 20, 2026
  • Nick Stefanacci Captures a Late-Night Allure on “Midnight Affair” October 20, 2026
  • “There’s a Lot of Freedom in Letting Go”: MUANH Reclaims Her Voice on ‘hush,’ a Spellbinding Debut of Love and Self-Trust October 19, 2026
  • “Dream or Die”: N8NOFACE on Sobriety, Keeping His Inner Child Alive, and ‘Tomorrow’s World’ October 19, 2026
  • “We Don’t Make Content”: Sunday Mourners Understand Rock and Roll Is Art October 19, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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