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Natalie Harmsen

Natalie Harmsen

Natalie has a journalism degree from Carleton University where she graduated with high distinction. When she isn't listening to music, she can be found lip-synching and dancing to it at the loudest possible volume.

Screenshot from Young the Giant's "Amerika" visualizer
Columns, Music, Today's SongMay 4, 2016<May 8, 2016

Today’s Song: Young the Giant Relax and Ignite on “Amerika”

Hein Cooper © Yani Clarke
Debut, Music, Our Take, ReviewsApril 27, 2016<April 27, 2016

Our Take: Hein Cooper’s Blissful Balladry on “The Art of Escape”

The Zolas
Music, Our Take, ReviewsApril 12, 2016<April 11, 2016

Our Take: The Zolas Fall in Love with Life on “Swooner”

Screenshot from Cape Cub's "Closer" music video
Columns, Debut, Music, Today's SongMarch 15, 2016<March 15, 2016

Today’s Song: The Hollow Fragility of Cape Cub’s “Closer”

The Crookes © India Hobson
Features, Music, Our Take, ReviewsMarch 2, 2016<March 11, 2016

Our Take: The Crookes Find Sweet Serendipity with “Lucky Ones”

Ra Ra Riot © Shervin Lainez
Columns, Music, Today's SongFebruary 11, 2016<February 11, 2016

Today’s Song: Ra Ra Riot is Roaring on “Absolutely”

Alessia Cara © Meredith Truax
Debut, Music, Our Take, ReviewsNovember 19, 2015<November 19, 2015

Our Take: Alessia Cara Is a Rebellious Wallflower On “Know-It-All”

Hippo Campus © Chris Sikich
Columns, Music, Today's SongNovember 9, 2015<November 10, 2015

Today’s Song: The Sweetness of “South” by Hippo Campus

Posts pagination
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Recent Posts

  • “I Can Make You Want Anything”: MUNA Dance Through Heat, Upheaval, & Survival on ‘Dancing on the Wall,’ Their Most Impassioned & Unapologetic Statement Yet May 12, 2026
  • “We’re Pulling from Real Experiences Now”: Matt Jones and The Bobs Reflect on Creative Growth Through the Years May 12, 2026
  • “Half Alive and Scatterbrained”: Jacob Ungerleider Finds Wry, Wounded Beauty in the Language of Memory on “Letters of Your Name” May 12, 2026
  • “Messy, Emotional, and Real”: Whitney Whitney Dreams Up Better Love on “A Man Written By a Woman,” a Radiant Anthem for Higher Standards & Tender Romance May 12, 2026
  • “It’s Like Looking at an Old Photo”: The Moss Reflect on Fearing Change, Freedom, & ‘Big Blue Moon’ May 12, 2026
  • “I’m as Strung Out as a Girl Can Get”: LA’s Julez and the Rollerz Crank Desire into a Feverish Rock ’n’ Roll Spectacle on “I Need Love” May 11, 2026
  • “I’m Coming Out the Gate Completely Honest”: Jessie Mazin Transforms Chaos into Connection on Debut EP ‘untitled.jpeg’ May 11, 2026
  • “Most of What Is Good Only Comes from the Bad”: Matt Corby on the Highs, Lows, & Sitting in the Discomfort on ‘Tragic Magic’ May 11, 2026
  • “I Tried to Show the Truth”: Tiffany Stringer Breaks the Fourth Wall on “Damn Good Actress,” a Cinematic and Soulful Reckoning from ‘The Lone Starlet’ May 11, 2026
  • A Mirrorball for Modern Times: Duran Duran Reignite the Dancefloor with “Free to Love” ft. Nile Rodgers May 11, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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