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Aidan Moyer

Aidan Moyer

Aidan Moyer is a Philadelphia-based freelance writer, illustrator, comics and music historian, and graduate of Pratt Institute. He spends time in Brooklyn as a backing vocalist and drummer in a garage band, and is currently illustrating a graphic novel history of the Dark Horse Tour.

I can feel your power: 'Deadpool & Wolverine' sees Ryan Reynolds joined by Hugh Jackman, clad for the first time in a comic book cowl and ballistic unitard © Aidan Moyer
Music, ReviewsAugust 20, 2024<August 20, 2024

No End and No Beginning: Inside the ‘Deadpool & Wolverine’ Soundtrack

Outlaw Music Festival 2024 © Aidan Moyer
Festival, Music, ReviewsAugust 12, 2024<August 12, 2024

Seen a Shooting Star Tonight: 2024’s Outlaw Music Festival Rocks New Jersey

Three Hands Clapping: Linda McCartney, Paul McCartney and Denny Laine circa 1974. They remained the core trio of Wings until the band’s dissolution in 1981. © Aidan Moyer
Features, Music, ReviewsJune 20, 2024<June 20, 2024

Sentimental Jamboree: A Paul McCartney 82nd Birthday Celebration

Train's Pat Monahan © Aidan Moyer
Features, Interviews, MusicJune 11, 2024<June 11, 2024

Something ‘Bout it Feels like Home: An Interview with Pat Monahan of Train

Sean Ono Lennon and James McCartney originally shared this selfie in August of 2018, captioned “peekaboo.” McCartney held a guitar under his arm, forecasting their recent collaboration for his forthcoming album © Aidan Moyer
Columns, Music, Today's SongApril 27, 2024<April 27, 2024

Another Lennon-McCartney Original: James McCartney Teams with Sean Ono Lennon on “Primrose Hill”

Dhani Harrison: Montage of stills from Joel Kazuo Knoerschild’s “I.C.U” music video, featuring the Celtic rune Ægishjálmur, which translates as magic helmet or “Helm of Awe” © Aidan Moyer
Columns, Music, Today's SongFebruary 10, 2024<February 9, 2024

Today’s Song: Dhani Harrison Takes a Mystical Celtic Stroll on “I.C.U”

Billy Joel at 21, standing in Cold Spring Harbor; 28, stratospheric success with ‘The Stranger’; 44, eyeing pop retirement; 74, turning the lights back on. “Thirteen albums was good enough for the Beatles, it’s good enough for me!” © Aidan Moyer
Features, Music, ReviewsFebruary 7, 2024<February 7, 2024

Sooner or Later it Comes Down to Fate: Billy Joel’s “Turn the Lights Back On” Marks a Triumphant Return

Dhani Harrison collage © Aidan Moyer
Features, Interviews, MusicJanuary 7, 2024<January 8, 2024

The River Flows At Its Own Speed: An Interview With Dhani Harrison

Re-Framing the Rock Hall © Aidan Moyer
Editorials, Music, ReviewsNovember 15, 2023<January 6, 2024

Wenner’s Reckoning: Re-Framing the Rock & Roll Hall of Fame

Now and Then: The Long and Winding Road to the Last Beatles Song © Aidan Moyer
Features, Music, ReviewsNovember 2, 2023<January 6, 2024

Now and Then: The Long and Winding Road to the Last Beatles Song

John Mayer © Aidan Moyer
Concerts, Editorials, Music, ReviewsOctober 30, 2023<January 6, 2024

Guilty Pleasures? There’s No Such Thing: A Defense of John Mayer

Bruce Springsteen: Between What’s Flesh and What’s Fantasy © Aidan Moyer
Concerts, Music, ReviewsSeptember 11, 2023<January 6, 2024

Between What’s Flesh & What’s Fantasy: Bruce Springsteen and His Hometown at MetLife Stadium, NJ

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Recent Posts

  • “I Love Weird Sounds with a Lot of Texture”: Fig Tape Serves Up ‘Forcefed Serenity,’ a Genre-Blurring Fever Dream December 5, 2025
  • Today’s Song: Vân Scott’s “Turn Off the Tears” Is an Expansive Anthem of Resilience & Unshakable Spirit December 5, 2025
  • “I’ve heard happiness starts here”: East London’s Lucia Rivero Finds Abundance in Absence on “Nowhere” December 4, 2025
  • “What a Beautiful Thing”: Dijon Triumphs with ‘Baby,’ an All-Consuming Fever Dream of Love, Devotion, & the “Mania of Domesticity” December 4, 2025
  • “Hope Isn’t This Constant Flame; It Flickers a Bit”: Amanda Bergman on Musical Acts of Protest, Refusing to Go Numb, and Staying Grounded in a World Coming Undone December 4, 2025
  • “There Is No Right Path”: Katelyn Tarver on Choosing Herself and Becoming the Example That Was Missing December 4, 2025
  • “We’re Coming Home Again”: Of Monsters and Men Reset, Reconnect, & Rediscover Themselves on the Communal Odyssey of ‘All Is Love and Pain in the Mouse Parade’ December 3, 2025
  • “I Want to Be Able to Speak Openly About What Hurts”: Marem Ladson Confronts Her Past & Finds Her Voice on “Cavity,” a Dreamy Indie Folk Reverie December 3, 2025
  • “I’m Not the Bootleg Version of Any Artist”: Gabriel Jacoby Stakes His Claim with Swagger, Sweat, and Southern Fire on ‘gutta child’ December 3, 2025
  • “Love Is Not the Antidote”: Dove Ellis Reckons with Love’s Limits on “Love Is,” an Aching & Unrestrained Unraveling December 3, 2025
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