• Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Aidan Moyer

Aidan Moyer

Aidan Moyer is a Philadelphia-based freelance writer, illustrator, comics and music historian, and graduate of Pratt Institute. He spends time in Brooklyn as a backing vocalist and drummer in a garage band, and is currently illustrating a graphic novel history of the Dark Horse Tour.

I can feel your power: 'Deadpool & Wolverine' sees Ryan Reynolds joined by Hugh Jackman, clad for the first time in a comic book cowl and ballistic unitard © Aidan Moyer
Music, ReviewsAugust 20, 2024<August 20, 2024

No End and No Beginning: Inside the ‘Deadpool & Wolverine’ Soundtrack

Outlaw Music Festival 2024 © Aidan Moyer
Festival, Music, ReviewsAugust 12, 2024<August 12, 2024

Seen a Shooting Star Tonight: 2024’s Outlaw Music Festival Rocks New Jersey

Three Hands Clapping: Linda McCartney, Paul McCartney and Denny Laine circa 1974. They remained the core trio of Wings until the band’s dissolution in 1981. © Aidan Moyer
Features, Music, ReviewsJune 20, 2024<June 20, 2024

Sentimental Jamboree: A Paul McCartney 82nd Birthday Celebration

Train's Pat Monahan © Aidan Moyer
Features, Interviews, MusicJune 11, 2024<June 11, 2024

Something ‘Bout it Feels like Home: An Interview with Pat Monahan of Train

Sean Ono Lennon and James McCartney originally shared this selfie in August of 2018, captioned “peekaboo.” McCartney held a guitar under his arm, forecasting their recent collaboration for his forthcoming album © Aidan Moyer
Columns, Music, Today's SongApril 27, 2024<April 27, 2024

Another Lennon-McCartney Original: James McCartney Teams with Sean Ono Lennon on “Primrose Hill”

Dhani Harrison: Montage of stills from Joel Kazuo Knoerschild’s “I.C.U” music video, featuring the Celtic rune Ægishjálmur, which translates as magic helmet or “Helm of Awe” © Aidan Moyer
Columns, Music, Today's SongFebruary 10, 2024<February 9, 2024

Today’s Song: Dhani Harrison Takes a Mystical Celtic Stroll on “I.C.U”

Billy Joel at 21, standing in Cold Spring Harbor; 28, stratospheric success with ‘The Stranger’; 44, eyeing pop retirement; 74, turning the lights back on. “Thirteen albums was good enough for the Beatles, it’s good enough for me!” © Aidan Moyer
Features, Music, ReviewsFebruary 7, 2024<February 7, 2024

Sooner or Later it Comes Down to Fate: Billy Joel’s “Turn the Lights Back On” Marks a Triumphant Return

Dhani Harrison collage © Aidan Moyer
Features, Interviews, MusicJanuary 7, 2024<January 8, 2024

The River Flows At Its Own Speed: An Interview With Dhani Harrison

Re-Framing the Rock Hall © Aidan Moyer
Essays, Music, ReviewsNovember 15, 2023<January 6, 2024

Wenner’s Reckoning: Re-Framing the Rock & Roll Hall of Fame

Now and Then: The Long and Winding Road to the Last Beatles Song © Aidan Moyer
Features, Music, ReviewsNovember 2, 2023<January 6, 2024

Now and Then: The Long and Winding Road to the Last Beatles Song

John Mayer © Aidan Moyer
Concerts, Essays, Music, ReviewsOctober 30, 2023<January 6, 2024

Guilty Pleasures? There’s No Such Thing: A Defense of John Mayer

Bruce Springsteen: Between What’s Flesh and What’s Fantasy © Aidan Moyer
Concerts, Music, ReviewsSeptember 11, 2023<January 6, 2024

Between What’s Flesh & What’s Fantasy: Bruce Springsteen and His Hometown at MetLife Stadium, NJ

Posts pagination
1 2

Recent Posts

  • The Runarounds Ask for Belief in Their Music First – “Arrhythmia (I Hope You Stay)” Still Points Toward Greater Potential February 20, 2026
  • Editor’s Picks 148: MARIS, Brigitte Calls Me Baby, midori jaeger, Brown Horse, Hayden Everett, & Happy Landing! February 19, 2026
  • Album Premiere: Drexler’s ‘Olympia-5’ Is a Montage of Memories, Charting the Process of Grief, Hope, & Reckoning February 19, 2026
  • “I Talk About You to Anybody Who’s Gonna Listen”: Donovan Woods Offers a Beautifully Devastating Act of Remembrance in a Stirring Folk Elegy February 19, 2026
  • ‘Big Changes’ Are Coming: Adam Sturgeon of Status/Non-Status on Identity, Responsibility, and Endurance in Modern Canada February 18, 2026
  • “I Know Myself Better Now”: Ásgeir Introduces ‘Julia’ as His Most Personal Album Yet February 18, 2026
  • “Sweet July, Could You Stay Here Forever?”: The 4411 Bottle the Ache of Growing Up in a Golden Indie Folk Ode to Friendship & Time February 18, 2026
  • “Let’s Slow Down and Be Brave”: Konradsen Embrace Enduring Love With “Efficiency,” a Smoldering Indie Folk Reverie February 17, 2026
  • “You say that it’s love, but you don’t even know me”: Grace VanderWaal’s “Prettier” Explores the Haunting Cost of Being Admired February 14, 2026
  • Editor’s Picks 147: Almost Heaven, Philine Sonny, Carter Vail, Haute & Freddy, Florentenes, & Endearments! February 13, 2026
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services