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Annaliese Baker

Annaliese Baker

Annaliese Baker is a writer and photographer based in Chicago. She's been published in The Boston Globe, GBH/NPR, ECHO, and more. Music has always been important to her, so much so she lost an EpiPen in a mosh pit at Lollapalooza. She loves discovering new musicians, whether it's at a concert or an interview. She also enjoys brown butter recipes, long runs, and doing stand-up comedy. Work with her at annaliesesbaker@gmail.com.

Capital Soirée © Annaliese Baker
Artist to Watch, Interviews, MusicSeptember 25, 2025<September 25, 2025

“We’re Just Working-Class Pop”: Chicago’s Capital Soirée Is the Band to Watch

Sophia Galaté © Annaliese Baker
Interviews, MusicSeptember 9, 2025<September 5, 2025

Interview: Sophia Galaté Won’t Be Defined By a Genre

Aidan Bissett 'shut up and love me' © 2025
Debut, Features, Interviews, MusicJuly 25, 2025<July 25, 2025

Interview: Aidan Bissett Welcomes the Complexities of Connection on His Debut Album ‘shut up and love me’

Pretty Jane © Annaliese Baker
Interviews, MusicJuly 16, 2025<July 16, 2025

Interview: To Eat, Sleep, and Breathe Pretty Jane

Animal Collective © Dave Portner
Columns, Music, Today's SongJuly 14, 2025<July 14, 2025

Today’s Song: “Love on the Big Screen” Ensures Animal Collective’s Longevity

West 22nd © Annaliese Baker
Interviews, MusicJune 23, 2025<June 23, 2025

Interview: All Roads Lead to West 22nd

Kids That Fly © Annaliese Baker
Interviews, MusicJune 11, 2025<June 11, 2025

Interview: Kids That Fly Are Bringing Back What It Means to Be in a Band

Noelle Rene © Ryan Clemens
Interviews, MusicJune 4, 2025<June 4, 2025

Interview: If You’re Going to Bet on Anyone, It Should Be Noelle Rene

Stevie Matthew © 2025
Debut, Interviews, MusicMay 1, 2025<May 1, 2025

Interview: Stevie Matthew Knows Exactly Who He Is, and You Should Too

Bailey Spinn © 2025
Interviews, MusicApril 30, 2025<May 7, 2025

Interview: Bailey Spinn Can’t Wait to See You Cry Tears of Joy for ‘loser’

Lorde "What Was That" © Thistle Brown
Columns, Music, This Just In, Today's SongApril 26, 2025<April 25, 2025

Lorde Invites Heartbreaking Praise in “What Was That”

Post Sex Nachos © Annaliese Baker
Concerts, Interviews, MusicMarch 12, 2025<March 12, 2025

Interview: Post Sex Nachos Are Having More Fun Than You

Sub Radio © Annaliese Baker
Concerts, Music, ReviewsMarch 3, 2025<March 3, 2025

Live Review: Sub-Radio Brighten Chicago Winter on the Sunrise City Tour

Short n’ Sweet (Deluxe) - Sabrina Carpenter 9
Music, Our Take, ReviewsFebruary 21, 2025<February 21, 2025

Our Take: Sabrina Carpenter Transcends Genre & Performance on ‘Short n’ Sweet (Deluxe)’

Short n’ Sweet (Deluxe) - Sabrina Carpenter
Columns, Music, Today's SongFebruary 14, 2025<February 14, 2025

Today’s Song: The Lovestruck Empowerment of Sabrina Carpenter’s “Busy Woman”

Recent Posts

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  • Living ‘The Dream’ with The Favors: Ashe on Forming a Band with FINNEAS and Rediscovering the Joy of Making Music March 12, 2026
  • Roundtable Discussion: A Review of The Last Dinner Party’s ‘From the Pyre’ March 12, 2026
  • Dreaming in Sound: Reifier on Identity, Dreams, and the Making of ‘The Unfolding’ March 12, 2026
  • Living in the Moment with Florentenes’ Roaring Indie Rock Anthem “Madeline” March 12, 2026
  • “A Middle Finger to Music as We Know It”: Nory Embraces Tension, Recklessness & Raw Truth on ‘F**K THAT THIS THE RHYTHM’ March 11, 2026
  • You’ve Got Me Hummin’: No Hassle to Hear Early Billy Joel Melodies in New Doc, ‘And So It Goes’ March 11, 2026
  • “An Elegy for L. Skell”: An Essay by Human Potential’s Andrew Becker March 11, 2026
  • “Make That Money, Baby, Dig Your Grave”: Happy Landing Tear into the Myth of the American Dream on “The American Way” March 11, 2026
  • Dolphins on Acid Are Rediscovering the Tried-and-True Path to Success in Their Own Surf-Fueled Way March 10, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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