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Annaliese Baker

Annaliese Baker

Annaliese Baker is a writer and photographer based in Chicago. She's been published in The Boston Globe, GBH/NPR, ECHO, and more. Music has always been important to her, so much so she lost an EpiPen in a mosh pit at Lollapalooza. She loves discovering new musicians, whether it's at a concert or an interview. She also enjoys brown butter recipes, long runs, and doing stand-up comedy. Work with her at annaliesesbaker@gmail.com.

Bailey Spinn © 2025
Interviews, MusicApril 30, 2025<May 7, 2025

Interview: Bailey Spinn Can’t Wait to See You Cry Tears of Joy for ‘loser’

Lorde "What Was That" © Thistle Brown
Columns, Music, This Just In, Today's SongApril 26, 2025<April 25, 2025

Lorde Invites Heartbreaking Praise in “What Was That”

Post Sex Nachos © Annaliese Baker
Concerts, Interviews, MusicMarch 12, 2025<March 12, 2025

Interview: Post Sex Nachos Are Having More Fun Than You

Sub Radio © Annaliese Baker
Concerts, Music, ReviewsMarch 3, 2025<March 3, 2025

Live Review: Sub-Radio Brighten Chicago Winter on the Sunrise City Tour

Short n’ Sweet (Deluxe) - Sabrina Carpenter 9
Music, Our Take, ReviewsFebruary 21, 2025<February 21, 2025

Our Take: Sabrina Carpenter Transcends Genre & Performance on ‘Short n’ Sweet (Deluxe)’

Short n’ Sweet (Deluxe) - Sabrina Carpenter
Columns, Music, Today's SongFebruary 14, 2025<February 14, 2025

Today’s Song: The Lovestruck Empowerment of Sabrina Carpenter’s “Busy Woman”

Posts pagination
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Recent Posts

  • Angus & Julia Stone Turn Lipstick Marks and Bathroom Walls into Songs of Memory & Connection on ‘Karaoke Bar’ September 30, 2026
  • “Leave Any Sense of Ego at the Door”: Post Sex Nachos Are Your Favorite Rock Band September 30, 2026
  • Roundtable Discussion: A Review of Vince Staples’ ‘Cry Baby’ September 30, 2026
  • Album Review: The Aching Luminescence of Ghostly Kisses’ ‘Across the Pond’ September 30, 2026
  • “I Would Push Up Daisies for You”: The Madelines Go All In on “Amy,” a Restless Debut Brimming with Indie Rock Firepower September 30, 2026
  • “This Record Is a Departure into My Real Life”: Aubory Bugg Embraces Life’s Messy Changes on Her Breathtakingly Beautiful Indie Folk Debut September 29, 2026
  • “The Final Three Songs Are Like Being Shot Three Times”: Sibling Duo Wasia Project Yearn for Closeness on ‘Nocturne,’ a Late-Night Debut About Loneliness & Connection September 29, 2026
  • Our Take: Bolden. Take Bold Strides into Jazz Fusion with the Sleek, Sultry ‘Who you really are.’ September 29, 2026
  • “A More Open and Honest SNACKTIME”: Philadelphia Favorites Bring Their Live Energy & Widescreen Ambition to “Can’t Imagine Why You’d Stay” September 28, 2026
  • “More People Equals More Life”: Martin Luke Brown’s Joyfully Chaotic ‘life & death etc’ Is a Hazy, Soulful Celebration of Feeling Everything September 28, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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    • Our Take
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    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
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