• Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Annaliese Baker

Annaliese Baker

Annaliese Baker is a writer and photographer based in Chicago. She's been published in The Boston Globe, GBH/NPR, ECHO, and more. Music has always been important to her, so much so she lost an EpiPen in a mosh pit at Lollapalooza. She loves discovering new musicians, whether it's at a concert or an interview. She also enjoys brown butter recipes, long runs, and doing stand-up comedy. Work with her at annaliesesbaker@gmail.com.

Lorde "What Was That" © Thistle Brown
Columns, Music, This Just In, Today's SongApril 26, 2025<April 25, 2025

Lorde Invites Heartbreaking Praise in “What Was That”

Post Sex Nachos © Annaliese Baker
Concerts, Interviews, MusicMarch 12, 2025<March 12, 2025

Interview: Post Sex Nachos Are Having More Fun Than You

Sub Radio © Annaliese Baker
Concerts, Music, ReviewsMarch 3, 2025<March 3, 2025

Live Review: Sub-Radio Brighten Chicago Winter on the Sunrise City Tour

Short n’ Sweet (Deluxe) - Sabrina Carpenter 9
Music, Our Take, ReviewsFebruary 21, 2025<February 21, 2025

Our Take: Sabrina Carpenter Transcends Genre & Performance on ‘Short n’ Sweet (Deluxe)’

Short n’ Sweet (Deluxe) - Sabrina Carpenter
Columns, Music, Today's SongFebruary 14, 2025<February 14, 2025

Today’s Song: The Lovestruck Empowerment of Sabrina Carpenter’s “Busy Woman”

Posts pagination
1 2

Recent Posts

  • “Must I Just Brace the Bruise?”: London’s Tooth Crash into Adulthood on Feverish Debut Single “The Age of Innocence” September 10, 2026
  • “Fools Love Better Than Anyone”: Paris Paloma’s Fatal Flaw Might Be Her Greatest Strength September 10, 2026
  • Live Review: Arlo Parks Urges Us to Dance Through It All, While Never Forgetting the Tenderness Underneath September 9, 2026
  • Lucifena Refused to Give Up on Music. Years Later, Lil Wayne Made Her Young Money’s First Female Rock Artist September 9, 2026
  • “Take a Side Quest”: Same Same But Different Makes Musical Discovery Part of the Adventure September 9, 2026
  • “I Like People Who Don’t Play by the Rules”: Weird Nightmare’s Alex Edkins Hits a New Power-Pop High on ‘Hoopla,’ a Bright About-Face After Two Decades of METZ’s Joyous Cacophony September 9, 2026
  • “I’m Salvation, You’re My Frailty”: Shelter & Sound Turn the Heart Against Itself on Debut Single “Frailty,” a Spellbinding Alt-Rock Eruption September 8, 2026
  • On the Edge of Becoming: Television Skies and the Sound of New York in Motion September 8, 2026
  • “Looking for the Light in Dark Places”: Dublin’s Big Sleep Embrace Life’s Holy Shows Through Beautifully Unruly Indie Rock September 8, 2026
  • Editor’s Picks 166: Kareen Lomax, Oskar Haag, Gang of Youths, Babehoven, Cavetown, & Hannah Cole! September 7, 2026
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services