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Annaliese Baker

Annaliese Baker

Annaliese Baker is a writer and photographer based in Chicago. She's been published in The Boston Globe, GBH/NPR, ECHO, and more. Music has always been important to her, so much so she lost an EpiPen in a mosh pit at Lollapalooza. She loves discovering new musicians, whether it's at a concert or an interview. She also enjoys brown butter recipes, long runs, and doing stand-up comedy. Work with her at annaliesesbaker@gmail.com.

Curls Ultra © 2026
Columns, Music, Today's SongApril 23, 2026<April 23, 2026

Today’s Song: Curls Ultra’s “Vegas (Mandalay Bay)” Is More Than Love and Yearning

Sophia Galaté © Annaliese Baker
Concerts, Music, ReviewsApril 16, 2026<April 16, 2026

Live Review: Sophia Galaté Is Meant to Perform

Curls Ultra © Andrea Ingrande
Features, Interviews, MusicMarch 20, 2026<March 20, 2026

Music Is a Means of Community for Curls Ultra

Capital Soirée © Annaliese Baker
Artist to Watch, Interviews, MusicSeptember 25, 2025<September 25, 2025

“We’re Just Working-Class Pop”: Chicago’s Capital Soirée Is the Band to Watch

Sophia Galaté © Annaliese Baker
Interviews, MusicSeptember 9, 2025<September 5, 2025

Interview: Sophia Galaté Won’t Be Defined By a Genre

Aidan Bissett 'shut up and love me' © 2025
Debut, Features, Interviews, MusicJuly 25, 2025<July 25, 2025

Interview: Aidan Bissett Welcomes the Complexities of Connection on His Debut Album ‘shut up and love me’

Pretty Jane © Annaliese Baker
Interviews, MusicJuly 16, 2025<July 16, 2025

Interview: To Eat, Sleep, and Breathe Pretty Jane

Animal Collective © Dave Portner
Columns, Music, Today's SongJuly 14, 2025<July 14, 2025

Today’s Song: “Love on the Big Screen” Ensures Animal Collective’s Longevity

West 22nd © Annaliese Baker
Interviews, MusicJune 23, 2025<June 23, 2025

Interview: All Roads Lead to West 22nd

Kids That Fly © Annaliese Baker
Interviews, MusicJune 11, 2025<June 11, 2025

Interview: Kids That Fly Are Bringing Back What It Means to Be in a Band

Noelle Rene © Ryan Clemens
Interviews, MusicJune 4, 2025<June 4, 2025

Interview: If You’re Going to Bet on Anyone, It Should Be Noelle Rene

Stevie Matthew © 2025
Debut, Interviews, MusicMay 1, 2025<May 1, 2025

Interview: Stevie Matthew Knows Exactly Who He Is, and You Should Too

Bailey Spinn © 2025
Interviews, MusicApril 30, 2025<May 7, 2025

Interview: Bailey Spinn Can’t Wait to See You Cry Tears of Joy for ‘loser’

Lorde "What Was That" © Thistle Brown
Columns, Music, This Just In, Today's SongApril 26, 2025<April 25, 2025

Lorde Invites Heartbreaking Praise in “What Was That”

Post Sex Nachos © Annaliese Baker
Concerts, Interviews, MusicMarch 12, 2025<March 12, 2025

Interview: Post Sex Nachos Are Having More Fun Than You

Posts pagination
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Recent Posts

  • “I Can Make You Want Anything”: MUNA Dance Through Heat, Upheaval, & Survival on ‘Dancing on the Wall,’ Their Most Impassioned & Unapologetic Statement Yet May 12, 2026
  • “We’re Pulling from Real Experiences Now”: Matt Jones and The Bobs Reflect on Creative Growth Through the Years May 12, 2026
  • “Half Alive and Scatterbrained”: Jacob Ungerleider Finds Wry, Wounded Beauty in the Language of Memory on “Letters of Your Name” May 12, 2026
  • “Messy, Emotional, and Real”: Whitney Whitney Dreams Up Better Love on “A Man Written By a Woman,” a Radiant Anthem for Higher Standards & Tender Romance May 12, 2026
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  • “I’m Coming Out the Gate Completely Honest”: Jessie Mazin Transforms Chaos into Connection on Debut EP ‘untitled.jpeg’ May 11, 2026
  • “Most of What Is Good Only Comes from the Bad”: Matt Corby on the Highs, Lows, & Sitting in the Discomfort on ‘Tragic Magic’ May 11, 2026
  • “I Tried to Show the Truth”: Tiffany Stringer Breaks the Fourth Wall on “Damn Good Actress,” a Cinematic and Soulful Reckoning from ‘The Lone Starlet’ May 11, 2026
  • A Mirrorball for Modern Times: Duran Duran Reignite the Dancefloor with “Free to Love” ft. Nile Rodgers May 11, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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