• Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Atwood Magazine Staff

Atwood Magazine Staff

Atwood Magazine's Weekly Roundup | August 19, 2024
Columns, Features, Music, Weekly RoundupAugust 19, 2024<August 21, 2024

Atwood Magazine’s Weekly Roundup: August 19, 2024

Atwood Magazine's Weekly Roundup | August 12, 2024
Columns, Features, Music, Weekly RoundupAugust 12, 2024<August 14, 2024

Atwood Magazine’s Weekly Roundup: August 12, 2024

I Love You So F***ing Much - Glass Animals
Features, Music, Reviews, RoundtableAugust 5, 2024<August 5, 2024

Roundtable Discussion: A Review of Glass Animals’ ‘I Love You So F***ing Much’

Atwood Magazine's Weekly Roundup | August 5, 2024
Columns, Features, Music, Weekly RoundupAugust 5, 2024<August 8, 2024

Atwood Magazine’s Weekly Roundup: August 5, 2024

Atwood Magazine's Weekly Roundup | July 29, 2024
Columns, Features, Music, Weekly RoundupJuly 29, 2024<July 29, 2024

Atwood Magazine’s Weekly Roundup: July 29, 2024

Atwood Magazine's Best Songs of 2024 (So Far)
Features, Lists, MusicJuly 25, 2024<July 31, 2024

The Best Songs of 2024 (So Far)

C,XOXO - Camila Cabello
Features, Music, Reviews, RoundtableJuly 16, 2024<August 5, 2024

Roundtable Discussion: A Review of Camila Cabello’s ‘C,XOXO’

The Secret of Us - Gracie Abrams
Features, Music, Reviews, RoundtableJuly 9, 2024<July 9, 2024

Roundtable Discussion: A Review of Gracie Abrams’ ‘The Secret of Us’

Atwood Magazine's Weekly Roundup | July 8, 2024
Columns, Features, Music, Weekly RoundupJuly 8, 2024<July 8, 2024

Atwood Magazine’s Weekly Roundup: July 8, 2024

Submarine - The Marías
Features, Music, Reviews, RoundtableJuly 1, 2024<July 1, 2024

Roundtable Discussion: A Review of The Marías’ ‘Submarine’

Atwood Magazine's Weekly Roundup | June 28, 2024
Columns, Features, Music, Weekly RoundupJune 28, 2024<July 1, 2024

Atwood Magazine’s Weekly Roundup: June 28, 2024

Atwood Magazine's Weekly Roundup | June 21, 2024
Columns, Features, Music, Weekly RoundupJune 21, 2024<June 25, 2024

Atwood Magazine’s Weekly Roundup: June 21, 2024

brat - Charli XCX
Features, Music, Reviews, RoundtableJune 18, 2024<June 29, 2024

Charli XCX’s ‘brat,’ But It’s a Roundtable Discussion

Atwood Magazine's Weekly Roundup | June 14, 2024
Columns, Features, Music, Weekly RoundupJune 14, 2024<June 17, 2024

Atwood Magazine’s Weekly Roundup: June 14, 2024

HIT ME HARD AND SOFT - Billie Eilish
Features, Music, Reviews, RoundtableJune 10, 2024<June 29, 2024

Roundtable Discussion: A Review of Billie Eilish’s ‘HIT ME HARD AND SOFT’

Posts pagination
1 … 6 7 8 9 10 … 41

Recent Posts

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services