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Charlotte

Charlotte

Charlotte Raskovich is a third year at University of Virginia, majoring in Media Studies with a concentration in Film. She is the Humor Editor of the Cavalier Daily and Co-Video Manager for the sketch comedy group, La Petite Teet.

Interviews, MusicNovember 6, 2014<November 9, 2014

A Conversation with Kalmia Traver of Rubblebucket

Music, Our Take, ReviewsSeptember 18, 2014<September 18, 2014

Our Take: The Kooks Stretch Their Sound On ‘Listen’

Music, ReviewsAugust 13, 2014<August 13, 2014

Digital Distortion Moves to the Pacific With Raveonettes’ New Album Pe’ahi

Recent Posts

  • Interview: Didirri’s ‘Caught in the Act’ Is a Debut Full of Feeling, Healing, Intimacy & Intent September 20, 2023
  • Today’s Song: NEWSKI’s Slacker Anthem “This Love Is a Fluke” Is a Wayward Ode to Self-Loathing & Loitering September 20, 2023
  • Interview: Natalie Wilson Searches for Meaning in Early Adulthood With Debut EP ‘Track Season’ September 20, 2023
  • Premiere: Albert Newton’s Cinematic & Dreamy “Fell Off” Is a Radiant Reckoning with Change Off Debut Album September 20, 2023
  • “It’s noisy, it’s loud, it’s in your face”: How Movements’ Patrick Miranda Tackled Mental Illness, Stayed True to Himself, & Learned to Embrace the ‘RUCKUS!’ September 20, 2023
  • Podcast: Tunes & Tumblers Features Magnolia Park and a Passion Eater (ft. Tristan Torres) September 20, 2023
  • Artist to Watch: VARLEY Spiral Out in “Hate Myself (So Much Sometimes),” a Seductive Anthem of Inner Reckoning September 19, 2023
  • Interview: The Brook & The Bluff Chase Melancholic Joy on ‘Bluebeard,’ a Soulful, Swashbuckling Triumph September 19, 2023
  • “Rock n’ Roll Lives in New York City” September 19, 2023
  • Sydney Sprague Navigates Interpersonal Connections & the Anxieties of the Human Condition on ‘somebody in hell loves you’ September 19, 2023
© Atwood Magazine 2023 For the Love of Music
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