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Claire Meyer

Claire Meyer

Claire studied linguistics and neuroscience at the University of Virginia. She has a deep love of music, movies, and making her friends laugh, and she never takes herself too seriously. Feeling lost and aimless post-graduation, she decided on a whim to become a music journalist, and the rest, as they say, will be history.

Girl and Girl © James Caswell
Features, Interviews, MusicJune 5, 2024<June 5, 2024

Channeling Dramatics: Girl and Girl’s Kai Aubort Talks Debut Album ‘Call a Doctor,’ Mental Health, & Theatrics

Royel Otis © Alex Wall
Debut, Features, Interviews, MusicMarch 28, 2024<March 28, 2024

Stripping Songs Down to Their Simplest Parts: A Conversation with Royel Otis

GUTS - Olivia Rodrigo
Music, ReviewsOctober 18, 2023<October 18, 2023

Olivia Rodrigo Spills Her ‘GUTS’ in New Album, Tapping into Fears of Youth, Aging, & Heartbreak

Puma Blue © Olivia Han
Features, Interviews, MusicSeptember 1, 2023<September 1, 2023

Exploring the Shadows of Music with Puma Blue

Steve Lacy "Helmet" still
Columns, Music, Today's SongAugust 21, 2023<August 21, 2023

Today’s Song: Steve Lacy’s “Helmet” is an Upbeat Anthem for Calling Things Off & Moving On

Liz Phair’s ‘Exile in Guyville,’ 30 Years Later
Editorials, Music, ReviewsJuly 10, 2023<July 10, 2023

Liz Phair’s ‘Exile in Guyville,’ 30 Years Later

Dizzy © Boy Wonder
Features, Interviews, MusicMay 18, 2023<May 18, 2023

Putting Their Foot Down: Dizzy’s Katie Munshaw Talks Dogs, Adulthood, Maturity, & the Band’s Bold Third Album

The Backseat Lovers' "Snowbank Blues" music video still
Columns, Music Videos, Today's SongMay 9, 2023<May 9, 2023

The Backseat Lovers’ “Snowbank Blues” Is a Heavy Farewell to Childhood in the Process of Greeting Adulthood

Hippo Campus © Shervin Lainez
Columns, Music, Today's SongMarch 20, 2023<April 30, 2023

Sweet & Twangy, “Kick in the Teeth” Marks a New, Simpler Era of Music for Hippo Campus

Annie DiRusso © Neil Shukla
Debut, Music, ReviewsMarch 9, 2023<April 30, 2023

Review: Annie DiRusso’s Debut EP ‘God, I Hate This Place’ Is an Angst-Fueled Exploration of Identity

Brotherkenzie © Brit O’Brien
Columns, Music, Today's SongMarch 1, 2023<April 30, 2023

Today’s Song: Brotherkenzie’s Hopeful “SPRING PEELS” Is an Ode to the Relief That Comes from Breaking Off Toxic Relationships

Recent Posts

  • “I’ve heard happiness starts here”: East London’s Lucia Rivero Finds Abundance in Absence on “Nowhere” December 4, 2025
  • “What a Beautiful Thing”: Dijon Triumphs with ‘Baby,’ an All-Consuming Fever Dream of Love, Devotion, & the “Mania of Domesticity” December 4, 2025
  • “Hope Isn’t This Constant Flame; It Flickers a Bit”: Amanda Bergman on Musical Acts of Protest, Refusing to Go Numb, and Staying Grounded in a World Coming Undone December 4, 2025
  • “There Is No Right Path”: Katelyn Tarver on Choosing Herself and Becoming the Example That Was Missing December 4, 2025
  • “We’re Coming Home Again”: Of Monsters and Men Reset, Reconnect, & Rediscover Themselves on the Communal Odyssey of ‘All Is Love and Pain in the Mouse Parade’ December 3, 2025
  • “I Want to Be Able to Speak Openly About What Hurts”: Marem Ladson Confronts Her Past & Finds Her Voice on “Cavity,” a Dreamy Indie Folk Reverie December 3, 2025
  • “I’m Not the Bootleg Version of Any Artist”: Gabriel Jacoby Stakes His Claim with Swagger, Sweat, and Southern Fire on ‘gutta child’ December 3, 2025
  • “Love Is Not the Antidote”: Dove Ellis Reckons with Love’s Limits on “Love Is,” an Aching & Unrestrained Unraveling December 3, 2025
  • “So What This, So What That”: Plain Mister Smith Turns Zen, Humor, & Human Messiness into Indie Rock Exhilaration on “Andy Warhol” December 2, 2025
  • “Bold, Honest, & Alive”: Louie Blue on Crafting the Warm, Moody, Instinct-Driven World of ‘Blood & Bones’ December 2, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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