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Danny Dyer

Danny Dyer

Danny Dyer is strikingly handsome, overwhelmingly intelligent, and constantly sarcastic. Teetering somewhere in the vague space between a junior and senior at San Diego State University, he is an English major with a minor in marketing. He has contributed pieces for such publications as Malibu Magazine, Off the Rails Magazine and The Daily Aztec. You will most commonly find him in the center of attention, orbited by a laughing crowd, or reading under a shaded tree. When he’s not hunched over his weathered desk he is most likely shooting photos with his brother Petey and/or being loud in otherwise hushed public locations.

BROCKHAMPTON © 2017
Columns, Music, Music You Should KnowFebruary 21, 2018<February 20, 2018

Reflecting on BROCKHAMPTON’s 2017 Saturation and the Influential “GUMMY”

Lil Xan
Columns, Music, Today's SongNovember 30, 2017<November 30, 2017

Today’s Song: Lil Xan’s “Betrayed” Is a Cautionary Ode to Hip-Hop’s Benzo-Binging Culture

Vundabar © 2017
Columns, Music, Today's SongNovember 21, 2017<April 26, 2018

Today’s Song: Vundabar’s Burning Catchiness with New Single “Acetone”

Slothrust © Ebru Yildriz
Columns, Music, Nostalgia TracksOctober 26, 2017<October 26, 2017

Nostalgia Tracks: The Resurrection of Grunge, Slothrust and the Hollowness of the Human Condition

Music, Today's SongOctober 12, 2017<October 12, 2017

Today’s Song: The Uncanny One-Two Punch of Humor and Hip Hop, Introducing Rich Chigga

Recent Posts

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ May 28, 2026
  • “Jazz Isn’t a Museum Piece”: Black Nile Cultivate a Bountiful ‘Indigo Garden’ Full of Fresh Jazzy Delights May 28, 2026
  • “When I Pull Your Body Close, It’s Like Ecstasy”: Wake the Wild Bring Dance-Floor Desire to Life in “Satisfaction,” a Sweat-Kissed Funk Reverie May 28, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
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