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Dusty Hayes

Dusty Hayes

Dusty Hayes is a music journalist from Indianapolis, Indiana and a lover of all things weird.

Loren Berí "Dimes Square Is Over" © Nate DiDomizio
Music, PremieresJuly 13, 2026<July 13, 2026

“Kicking the Past in the Teeth”: Loren Berí Reckons With Aging, Nostalgia, and His Own Jadedness on “Dimes Square Is Over,” a Synth-Pop Eulogy for a Fallen Scene

Babe Rainbow © Jordan Malane
Columns, Music, Today's SongJuly 9, 2026<July 9, 2026

“In the Sun I’m Laughing”: How Babe Rainbow Put a Fresh Twist on Old Tricks With “Acid and Honey,” a Six-Minute Psychedelic Symphony

Planette Automatic © Paige Walter
Music, PremieresJune 4, 2026<June 4, 2026

“Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”

Delicate Steve "Overnight Delivery" © 2026
Music, ReviewsJune 2, 2026<June 2, 2026

‘Overnight Delivery’: How the New Delicate Steve EP Is Reviving the Role of Guitarist

Primus © 2026
Music, ReviewsMay 29, 2026<May 29, 2026

“I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP

SKORTS © Jackilyn Cooper
Debut, Music, ReviewsApril 22, 2026<April 22, 2026

“Eat Your Heart Out”: A Vivisection of SKORTS’ Unrelenting Debut Album ‘Incompletement’

Sublime "Until the Sun Explodes"
Columns, Music, Today's SongApril 16, 2026<April 16, 2026

“I Owe You My Life”: Sublime Pay Homage to Bradley Nowell with “Until the Sun Explodes,” a Stunning Tribute to Legacy and Loss

Stock Band press photo
Does Anybody Remember Laughter?April 1, 2026<April 1, 2026

Today’s Song: Stock Band Return with “Today’s Song,” an Indie Anthem That Checks All the Boxes

Towa Bird "Gentleman" © 2026
Columns, Music, Today's SongMarch 27, 2026<March 27, 2026

“She’s a Cold Hearted Killer”: A Look at “Gentleman,” Towa Bird’s Rock ‘n’ Roll Love Letter

Recent Posts

  • “Some Things Have to Break”: Nigel Godrich and Dhani Harrison Take Flight as Dragonflies with Spellbinding Debut Single “Slower” July 29, 2026
  • “If You Can’t Laugh, Then You’ll Cry”: My Giddy Aunt Rally Against Collapse on “Always Something Falling Apart,” a Protest Anthem for an Uncertain Future July 29, 2026
  • “A Bow of Optimism”: Al Nicol Bathes Hope in Sweet, Soul-Stirring Light on “Blue Stained Glass” ft. lighthearted July 29, 2026
  • “A Bit Frantic and Sometimes Sweet”: Brisbane’s Radium Dolls Bottle Heartbreak, Pressure, & Raw Release into Sweaty Rock ‘n’ Roll July 28, 2026
  • “I Want to Be the Creator of a New Sound”: Bec O’Malley Doesn’t Need Nashville to Make Country Music July 28, 2026
  • “I Love the Idea of Making Hard Left Turns”: Petey USA on the Art of Making the Other Mistake, the Freedom of Not Thinking Too Hard, and the Push-Pull of Trying to “Kiss the City” July 27, 2026
  • “What a Beautiful Way to Finally Feel Something”: Lizzy McAlpine Finds Sacred Wonder in New Love on “The Light in the Painting,” a Luminous First Look at ‘Angel’ July 27, 2026
  • “I’m So Tired of Being Me Without You”: Twilark Gives Longing a Lush, Aching Indie Folk Soundtrack With “Tired to Sleep” July 27, 2026
  • “Will the Light Still Win?”: Joshua Jensen Debuts with Grace & Thunder on “Hoping,” a Towering Folk-Rock Prayer Against Despair July 27, 2026
  • “I Make Pay Attention Music”: Yalee Looks Back on a Life Measured in “Paper Cups Paper Plates” July 26, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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