• Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Dusty Hayes

Dusty Hayes

Dusty Hayes is a music journalist from Indianapolis, Indiana and a lover of all things weird.

Planette Automatic © Paige Walter
Music, PremieresJune 4, 2026<June 4, 2026

“Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”

Delicate Steve "Overnight Delivery" © 2026
Music, ReviewsJune 2, 2026<June 2, 2026

‘Overnight Delivery’: How the New Delicate Steve EP Is Reviving the Role of Guitarist

Primus © 2026
Music, ReviewsMay 29, 2026<May 29, 2026

“I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP

SKORTS © Jackilyn Cooper
Debut, Music, ReviewsApril 22, 2026<April 22, 2026

“Eat Your Heart Out”: A Vivisection of SKORTS’ Unrelenting Debut Album ‘Incompletement’

Sublime "Until the Sun Explodes"
Columns, Music, Today's SongApril 16, 2026<April 16, 2026

“I Owe You My Life”: Sublime Pay Homage to Bradley Nowell with “Until the Sun Explodes,” a Stunning Tribute to Legacy and Loss

Stock Band press photo
Does Anybody Remember Laughter?April 1, 2026<April 1, 2026

Today’s Song: Stock Band Return with “Today’s Song,” an Indie Anthem That Checks All the Boxes

Towa Bird "Gentleman" © 2026
Columns, Music, Today's SongMarch 27, 2026<March 27, 2026

“She’s a Cold Hearted Killer”: A Look at “Gentleman,” Towa Bird’s Rock ‘n’ Roll Love Letter

Recent Posts

  • Atwood Magazine’s Weekly Roundup: July 8, 2026 July 8, 2026
  • “Being Liked Is Nice. Being Honest Is Better”: corook Steals Their Power Back on “Kleptomaniac,” a Buoyant Pop Anthem for Choosing Yourself July 8, 2026
  • Album Premiere: Bobby Freemont’s Debut ‘the death of bobby freemont’ Is a Masterpiece That Finds Hope in Mortality July 8, 2026
  • “I’m Not Singing for You”: NYC’s Sid Simons Shakes a Bad Love Loose on “Under My Skin,” an Achingly Intimate Indie Rock Confession July 7, 2026
  • “It’s a Feeling I Can’t Shake”: Starter Car Run Headfirst Into Life’s Beautiful Mess on “Kicking,” a Rowdy Indie Rock Rush of Survival & Joy July 7, 2026
  • “Come On, Let It Out Now”: Houndmouth Unleash the Wild Within on “Tiger Blood,” a Feverish Release of Heat and Raw Animal Instinct July 7, 2026
  • “Life Is About the Now”: James Smith Steps Fully into His ‘Golden Age’ With a Rousing, Triumphant Portrait of Youth Under Pressure July 7, 2026
  • Live Review: Eileen Carey Turns the San Diego County Fair into a Country-Rock Party July 6, 2026
  • “The Happiest Sadness I’ve Ever Felt”: Phillip Phillips on Balancing Music and Family in “Homesick” July 6, 2026
  • “The Shadow Is Holy”: WILLOW’s “She’s My Religion” Is a Mesmerizing Hymn to the Divine Feminine July 6, 2026
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services