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Emily Weatherhead

Emily Weatherhead

Emily is a writer and elementary school teacher based just outside of Toronto, Canada. She is a classically trained pianist, a (very) amateur guitarist, and a songwriting enthusiast. In 2021, she founded Musicians Found, a program that helps connect communities in need with musical instruments. She has a master’s degree in Community Psychology from Wilfrid Laurier University, where she facilitated music programs in a long-term care home as part of her studies. She’s seen the transformative power of music firsthand, and loves any opportunity to connect with musicians and music lovers from across the globe!

Gracie Abrams ‘Daughter from Hell’ © Julie Greve 9
Music, Our Take, ReviewsJuly 22, 2026<July 22, 2026

Our Take: Gracie Abrams Alchemizes Her Pain into a Cathartic Symphony on ‘Daughter from Hell’

Suki Waterhouse ‘Loveland’ © Miles Aldridge 7.9
Music, Our Take, ReviewsJuly 15, 2026<July 15, 2026

Our Take: Suki Waterhouse Boldly Explores the Facets of Romance on ‘Loveland’

Yan Qing © 2026
Music, PremieresJune 22, 2026<June 22, 2026

“I Know I’ve Arrived”: Yan Qing Explores the Weight of Indecision and the Solace of Love on “The Arrival,” an Achingly Honest Acoustic Ballad

Olivia Rodrigo ‘you seem pretty sad for a girl so in love’ album art 9.4
Music, Our Take, ReviewsJune 16, 2026<June 16, 2026

Our Take: Olivia Rodrigo Delivers Heartbreak, Hope, and Healing on ‘you seem pretty sad for a girl so in love’

Olivia Rodrigo "the cure" © cloudyy
Columns, Music, Today's SongJune 12, 2026<June 12, 2026

“I thought I found the antidote this time”: Olivia Rodrigo Unravels Heartbreak from a New Perspective on “the cure”

Anyhow © Gabe Drechsler
Debut, Features, Interviews, MusicMay 6, 2026<May 6, 2026

“It’s the Magic of the Seventh-Grade Hangout”: How Anyhow’s Nick Cianci and Dan Harris Transformed Their Harmonious Passion for Music into a Dynamic Signature Sound

Recent Posts

  • Roundtable Discussion: A Review of Madonna’s ‘CONFESSIONS II’ October 16, 2026
  • “I Didn’t Realize I Could Just Be a Sandwich”: Chammeili on Imagination, Identity, and Releasing on Instinct October 16, 2026
  • Atwood Magazine’s Weekly Roundup: October 16, 2026 October 16, 2026
  • “The Sun Is Like a Garment”: Spring Term Blooms into a Radiant Era of Love & Possibility with “Jacaranda,” a Kaleidoscopic Indie Pop Fever Dream October 16, 2026
  • “As Long as We Keep Going Back to Each Other”: hey, nothing on Friendship, Burnout & Their Hard-Won Debut Album, ‘Hound’ October 15, 2026
  • Live Review: Laundry Day’s Shows Are Larger Than Life October 15, 2026
  • Live Review: The Hayley Williams Show Takes Center Stage at the Hollywood Bowl Just Hours After Receiving an Unwanted Message From the DHS October 15, 2026
  • “At the Intersection of Smart and Stupid”: Nashville’s Big Guy & The Very Large Men Celebrates the Glorious Mess of Being Alive Through Dreamy, Campy, Y’allternative Songs October 15, 2026
  • “Everything Is an Opera Around Me”: Charlene Kaye Crowns Herself King Mei Mei on “Slow Strobe Light,” a Volcanic Debut Fueled by Heartbreak & Hard-Won Freedom October 15, 2026
  • “A Big Joyful Loud Mess”: Stella Dunai Finds the Courage to Connect on “Move on!” October 14, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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  • New Music Releases
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    • Our Take
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  • Columns
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    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
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