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Emily Weatherhead

Emily Weatherhead

Emily is a writer and elementary school teacher based just outside of Toronto, Canada. She is a classically trained pianist, a (very) amateur guitarist, and a songwriting enthusiast. In 2021, she founded Musicians Found, a program that helps connect communities in need with musical instruments. She has a master’s degree in Community Psychology from Wilfrid Laurier University, where she facilitated music programs in a long-term care home as part of her studies. She’s seen the transformative power of music firsthand, and loves any opportunity to connect with musicians and music lovers from across the globe!

Gracie Abrams ‘Daughter from Hell’ © Julie Greve 9
Music, Our Take, ReviewsJuly 22, 2026<July 22, 2026

Our Take: Gracie Abrams Alchemizes Her Pain into a Cathartic Symphony on ‘Daughter from Hell’

Suki Waterhouse ‘Loveland’ © Miles Aldridge 7.9
Music, Our Take, ReviewsJuly 15, 2026<July 15, 2026

Our Take: Suki Waterhouse Boldly Explores the Facets of Romance on ‘Loveland’

Yan Qing © 2026
Music, PremieresJune 22, 2026<June 22, 2026

“I Know I’ve Arrived”: Yan Qing Explores the Weight of Indecision and the Solace of Love on “The Arrival,” an Achingly Honest Acoustic Ballad

Olivia Rodrigo ‘you seem pretty sad for a girl so in love’ album art 9.4
Music, Our Take, ReviewsJune 16, 2026<June 16, 2026

Our Take: Olivia Rodrigo Delivers Heartbreak, Hope, and Healing on ‘you seem pretty sad for a girl so in love’

Olivia Rodrigo "the cure" © cloudyy
Columns, Music, Today's SongJune 12, 2026<June 12, 2026

“I thought I found the antidote this time”: Olivia Rodrigo Unravels Heartbreak from a New Perspective on “the cure”

Anyhow © Gabe Drechsler
Debut, Features, Interviews, MusicMay 6, 2026<May 6, 2026

“It’s the Magic of the Seventh-Grade Hangout”: How Anyhow’s Nick Cianci and Dan Harris Transformed Their Harmonious Passion for Music into a Dynamic Signature Sound

Recent Posts

  • “I Want to Be the Creator of a New Sound”: Bec O’Malley Doesn’t Need Nashville to Make Country Music July 28, 2026
  • “I Love the Idea of Making Hard Left Turns”: Petey USA on the Art of Making the Other Mistake, the Freedom of Not Thinking Too Hard, and the Push-Pull of Trying to “Kiss the City” July 27, 2026
  • “What a Beautiful Way to Finally Feel Something”: Lizzy McAlpine Finds Sacred Wonder in New Love on “The Light in the Painting,” a Luminous First Look at ‘Angel’ July 27, 2026
  • “I’m So Tired of Being Me Without You”: Twilark Gives Longing a Lush, Aching Indie Folk Soundtrack With “Tired to Sleep” July 27, 2026
  • “Will the Light Still Win?”: Joshua Jensen Debuts with Grace & Thunder on “Hoping,” a Towering Folk-Rock Prayer Against Despair July 27, 2026
  • “I Make Pay Attention Music”: Yalee Looks Back on a Life Measured in “Paper Cups Paper Plates” July 26, 2026
  • “One More Little Life Is Starting to Bloom”: Ruti Basks in Love’s Glow on the Sun-Soaked, Summery “FLOWERS” July 24, 2026
  • “There Are These Treasures Inside My Songs”: Candice Hoyes on Preserving Black Stories Through Music and the Living Archive of Her Debut Solo Album, ‘Expecting’ July 24, 2026
  • Atwood Magazine’s Weekly Roundup: July 24, 2026 July 24, 2026
  • Editor’s Picks 161: Hollow Hand, Noonzy, Nautics, Maggie Miles, Closebye, & Flowers for the Dead! July 23, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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