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Emily Weatherhead

Emily Weatherhead

Emily is a writer and elementary school teacher based just outside of Toronto, Canada. She is a classically trained pianist, a (very) amateur guitarist, and a songwriting enthusiast. In 2021, she founded Musicians Found, a program that helps connect communities in need with musical instruments. She has a master’s degree in Community Psychology from Wilfrid Laurier University, where she facilitated music programs in a long-term care home as part of her studies. She’s seen the transformative power of music firsthand, and loves any opportunity to connect with musicians and music lovers from across the globe!

Gracie Abrams ‘Daughter from Hell’ © Julie Greve 9
Music, Our Take, ReviewsJuly 22, 2026<July 22, 2026

Our Take: Gracie Abrams Alchemizes Her Pain into a Cathartic Symphony on ‘Daughter from Hell’

Suki Waterhouse ‘Loveland’ © Miles Aldridge 7.9
Music, Our Take, ReviewsJuly 15, 2026<July 15, 2026

Our Take: Suki Waterhouse Boldly Explores the Facets of Romance on ‘Loveland’

Yan Qing © 2026
Music, PremieresJune 22, 2026<June 22, 2026

“I Know I’ve Arrived”: Yan Qing Explores the Weight of Indecision and the Solace of Love on “The Arrival,” an Achingly Honest Acoustic Ballad

Olivia Rodrigo ‘you seem pretty sad for a girl so in love’ album art 9.4
Music, Our Take, ReviewsJune 16, 2026<June 16, 2026

Our Take: Olivia Rodrigo Delivers Heartbreak, Hope, and Healing on ‘you seem pretty sad for a girl so in love’

Olivia Rodrigo "the cure" © cloudyy
Columns, Music, Today's SongJune 12, 2026<June 12, 2026

“I thought I found the antidote this time”: Olivia Rodrigo Unravels Heartbreak from a New Perspective on “the cure”

Anyhow © Gabe Drechsler
Debut, Features, Interviews, MusicMay 6, 2026<May 6, 2026

“It’s the Magic of the Seventh-Grade Hangout”: How Anyhow’s Nick Cianci and Dan Harris Transformed Their Harmonious Passion for Music into a Dynamic Signature Sound

Recent Posts

  • Editor’s Picks 171: Yonny, FRIEDA STAR, Rebounder, Jordan Joy, Coco Elise, & wave to earth! November 6, 2026
  • ‘Future Nausea’: Spanish Love Songs and the Hell We’ve Made for Ourselves November 6, 2026
  • Atwood Magazine’s Weekly Roundup: November 6, 2026 November 6, 2026
  • “We’re Still Staying True to Who We Are”: harf. Celebrates Growing Up at Your Own Pace on “Radio,” a Lush, Nostalgic ’70s Pop Reverie November 5, 2026
  • Roundtable Discussion: A Review of Maya Hawke’s ‘MAITREYA CORSO’ November 5, 2026
  • He’s One of One: Master Peace Lets His Lover Boy Loose on ‘if i don’t love you, who will ?,’ an Irresistible, Heart-on-Sleeve Triumph November 5, 2026
  • “The Memories Flicker Back”: berm Find Beauty in Life’s Fleeting Moments on ‘highway through the trees,’ a Haunting Indie Folk Portrait of Love, Loss, & Gratitude November 5, 2026
  • “Shake Up the Scene”: Burlington Indie Rockers Brunch Reexamine Rock ’n’ Roll Mythology Through a Modern Lens November 4, 2026
  • “I Don’t Want a Picket Fence”: Bekah Bossard Finds the Sweetness in Letting Go with “American Dream,” a Tender, Towering Indie Pop Anthem November 4, 2026
  • “Subconscious Exfoliation”: London’s Bone China Bare Their Souls on “Heaven Now,” a Blistering, Grunge-Soaked Debut November 4, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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