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Emma Rayder

Emma Rayder

Emma Rayder is a freelance writer based in New York City by way of Virginia. She loves engaging with up and coming artists and exploring how music affects our perception of the world around us. She had been featured in Teen Vogue, Byline Magazine, and Atwood Magazine.

Fontaines D.C. © Theo Cottle
Features, Interviews, MusicOctober 30, 2024<October 30, 2024

Interview: Fontaines D.C. Drummer Tom Coll Talks Dracula, Dystopian Films, and Irish Trad Music

The Cure's Robert Smith © Sam Rockman
Columns, Music, Today's SongOctober 2, 2024<October 2, 2024

“This is this end of every song we sing”: The Cure Dabble in Miracles & Meaning With New Single “Alone”

Fontaines D.C. 'Romance' © Theo Cottle
Music, Reviews, Track-by-TrackSeptember 6, 2024<September 6, 2024

‘Romance’ Makes the World Go ‘Round: A Track-by-Track Look at Fontaines D.C.’s Fourth Studio Album

Amy Shark 'Sunday Sadness' © 2024
Features, Interviews, MusicAugust 19, 2024<August 19, 2024

Interview: Sundays Are for Amy Shark

Lorde 'Melodrama' © 2017
Columns, Music, Nostalgia TracksJuly 18, 2024<July 18, 2024

Nostalgia Tracks: Diving into All the Glamor and the Trauma of Lorde’s ‘Melodrama’

Cecilia Castleman © David O'Donohue
Artist to Watch, Features, Interviews, MusicJune 5, 2024<June 5, 2024

Interview: Nashville’s Cecilia Castleman Is Raw, Unfiltered, and Definitely Not Viral – Yet

Joywave 'Permanent Pleasure' © Grant Spanier
Features, Interviews, MusicJune 3, 2024<June 4, 2024

Joywave Are Becoming ‘Permanent Pleasure’: Daniel Armbruster Discusses the Band’s Latest Album, Decision Fatigue, & Cats in Sunbeams

Winnetka Bowling League © Paige Sara
Debut, Features, Interviews, MusicMay 31, 2024<May 31, 2024

Interview: Matthew Koma Talks Astrology, Context, & Winnetka Bowling League’s Debut Album, ‘Sha La La’

Friday Pilots Club © Kate Liddy
Debut, Features, Interviews, MusicMay 17, 2024<May 17, 2024

“Can We Pause Right Here?”: Friday Pilots Club Discuss Compromise, Criminal Careers, & Their Debut Album ‘Nowhere’

All Born Screaming - St. Vincent
Music, ReviewsMay 8, 2024<May 8, 2024

Album Review: With ‘All Born Screaming’, St. Vincent Reveals More of Annie Clark – And We Like Her a Lot

No Doubt's standout performance during weekend two of Coachella 2024 shows that, 30+ years later, the band's chemistry is still very much intact.
Concerts, Festival, Music, ReviewsApril 25, 2024<April 25, 2024

“We are absolutely in the future right now”: Underneath It All, No Doubt Are Still Hella Good

Heddy Edwards © 2024
Features, Interviews, MusicApril 11, 2024<April 11, 2024

Inner Worlds & John Hughes Movies: Heddy Edwards Wants to Show You Her Teenage Bedroom

King Isis © Gianni Gallant
Features, Interviews, MusicMarch 28, 2024<April 11, 2024

Shedding Old Skin: King Isis Talks Grunge, Shadow Work, and Breakthroughs on New EP ‘shed’

Recent Posts

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  • Roundtable Discussion: A Review of Flea’s ‘Honora’ July 10, 2026
  • “Sometimes, Strength Looks Like Softness”: Nora Kelly Band Are Rewriting Alt-Country’s Tough-Guy Mythos With Wit, Twang, and Heart July 10, 2026
  • “Knowing What We’re Supposed to Be”: Sleeping With Sirens’ Nick Martin on the Cycle of Death and Renewal on ‘An Ending In Itself’ July 10, 2026
  • Editor’s Picks 160: Medium Build, BAILEN, Valley, Debbii Dawson, Petey USA, & Hank Heaven! July 10, 2026
  • “The Whole Title Is Just Me Trying To Show Up For My Feelings”: The Haunted Youth Confronts Masculinity With Vulnerability on ‘Boys Cry Too’ July 9, 2026
  • “Take a Leap of Faith, or You Can Be Brave”: Portland’s BendreTheGiant Turn a Moment of Crisis into a Spectacular Act of Empathy & Endurance July 9, 2026
  • “Twist the Key to a Brand New Start”: Baby Snakes & The Electric Co. Hit the Gas on Their Debut Single “Dark Horse,” a Cinematic Ode to Electric, Enduring Love July 9, 2026
  • “In the Sun I’m Laughing”: How Babe Rainbow Put a Fresh Twist on Old Tricks With “Acid and Honey,” a Six-Minute Psychedelic Symphony July 9, 2026
  • Atwood Magazine’s Weekly Roundup: July 8, 2026 July 8, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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