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Ethan Armbrust

Ethan Armbrust

waxing poetic and playing pretentious also enlisted in the marines and dreading basic

The Avalon Hi-Fi © Nicole Mago
Debut, Features, Music, PremieresNovember 9, 2017<November 10, 2017

EP Premiere: The Avalon Hi-Fi’s Ultimate Revelry on ‘There in the Dark’

Music, Music Videos, PremieresSeptember 8, 2017<September 8, 2017

Video Premiere: Waxing Cybernetic in Paper Chains’ “Close 2 Me”

Bardo © 2017
Columns, Music, Today's SongJuly 5, 2017<July 5, 2017

Today’s Song: Bardo’s “Chiang Mai,” Viejo San Juan and the Northern Capital

Recent Posts

  • Editor’s Picks 155: Houndmouth, Fruit Bats, Nymphlord, Aquilo, corook, & Big Sleep! May 22, 2026
  • “Our Reality Is Noisy”: April + VISTA Make Comfort Music for a World on Fire with ‘Traditional Noise,’ a Cinematic & Boundary-Breaking Debut May 21, 2026
  • “All I Get from You Is Voicemail”: Ana Grosh Cries Out for Connection on “Call Me Back,” a Soul-Soaked Anthem for the After-Party Blues May 21, 2026
  • “If it stops being fun, what are we even doing?”: DELTONA Are Turning Country Music into One Big Tailgate with “Party’s in the Back” May 21, 2026
  • ‘Mentiras’: The Hectic, Thrilling Breakup (and Romance) Playlist of Latin America May 21, 2026
  • The Last Dinner Party Welcome “Big Dog” into the World at Salt Lake City’s Kilby Block Party May 21, 2026
  • “Where the Road Was Gonna Lead Us Two”: Paul McCartney and Ringo Starr Revisit Their Liverpool Roots on “Home to Us” May 21, 2026
  • “I Have to Choose This”: Ber Lets the Good In on Her Radiant Debut Album ‘Good, Like It Should Be’ May 20, 2026
  • “How Does One Absent the Feeling?”: Sofia Wolfson’s “Obviously” Finds Whimsy & Ache in the Art of Moving On May 20, 2026
  • “You Can Play Music, and People Just Fall in Love”: Sinca on Memory, Community, AI, and Staying Human in Electronic Music May 19, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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  • New Music Releases
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