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Frederick Bloy

Frederick Bloy

Frederick currently resides in London, having recently graduated up the other end of the country in Lancaster, completing an English Literature, Creative Writing and Practice degree. He co-founded the band Idiotwin, which debuted an EP in August 2023. Idiotwin have recently released a debut, self-titled LP (which you can listen to if you like) and play across London. Frederick is also currently training to be a solicitor. Strongly influenced in school by John Cage, he believes music is everywhere, from the most polished album, to birdsong, to wind through unpeopled forests. Music is music even when there is no around. Music is something, and nothing at all.

The Spice of Life
Columns, Music, Sounds From the GroundJuly 18, 2025<July 18, 2025

Sounds From the Ground: The Spice of Life and The Lucky Pig, 2025

Idiotwin LP - Idiotwin
Essays, MusicMarch 25, 2025<March 25, 2025

An Indie Insight: My Experience Releasing an Album as an Independent Musician

The Spice of Life
Columns, Sounds From the GroundJanuary 31, 2025<January 31, 2025

Sounds From the Ground: The Spice of Life and Cheeky Chicos

The Theatreship © Frederick Bloy
Columns, Music, Sounds From the GroundNovember 4, 2024<November 4, 2024

Sounds From the Ground: The Theatreship, London, 12 October 2024

Xiu Xiu's Jamie Stewart (R) and Angela Seo (L) © Eva Luise Hoppe
Features, Interviews, MusicSeptember 30, 2024<September 30, 2024

“Music is essentially an infinite puzzle”: Jamie Stewart Discusses the Inimitable Sounds of Xiu Xiu

the whaler - Home Is Where
Music, Reviews, Track-by-TrackAugust 15, 2024<August 14, 2024

Track-by-Track: Home Is Where’s ‘the whaler’ Is a Lifetime of Damnation, Lived Again, and Again, and Again…

Adam Bosarge © 2024
Interviews, MusicJuly 31, 2024<July 31, 2024

“A little gem only they know about”: Adam Bosarge Discusses His Growing Portfolio of Maximalist ‘Little Gems’

Animal Collective "Defeat" © Hisham Akira Bharoocha
Columns, Music, Today's SongJuly 14, 2024<July 10, 2024

Traversing the Labyrinth of Animal Collective’s “Defeat,” and Seeing How Much Has Changed By the End

Vampire Weekend © Michael Schmelling
Columns, Music, Today's SongJune 25, 2024<June 25, 2024

Today’s Song: Connecting What Was, to What Is… or Trying to, With Vampire Weekend’s “Connect”

Recent Posts

  • “It’s Like Looking at an Old Photo”: The Moss Reflect on Fearing Change, Freedom, & ‘Big Blue Moon’ May 12, 2026
  • “I’m as Strung Out as a Girl Can Get”: LA’s Julez and the Rollerz Crank Desire into a Feverish Rock ’n’ Roll Spectacle on “I Need Love” May 11, 2026
  • “I’m Coming Out the Gate Completely Honest”: Jessie Mazin Transforms Chaos into Connection on Debut EP ‘untitled.jpeg’ May 11, 2026
  • “Most of What Is Good Only Comes from the Bad”: Matt Corby on the Highs, Lows, & Sitting in the Discomfort on ‘Tragic Magic’ May 11, 2026
  • “I Tried to Show the Truth”: Tiffany Stringer Breaks the Fourth Wall on “Damn Good Actress,” a Cinematic and Soulful Reckoning from ‘The Lone Starlet’ May 11, 2026
  • A Mirrorball for Modern Times: Duran Duran Reignite the Dancefloor with “Free to Love” ft. Nile Rodgers May 11, 2026
  • Editor’s Picks 154: Borderline, Fiona-Lee, verygently, Adrian Lyles, Winyah, & Kat Cunning! May 8, 2026
  • Atwood Magazine’s Weekly Roundup: May 8, 2026 May 8, 2026
  • Roundtable Discussion: A Review of BTS’ ‘ARIRANG’ May 8, 2026
  • “We’ve Been Alone in This Long Enough”: An Essay by Aubrie Sellers May 8, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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