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Jack Batt

Jack Batt

Jack Batt (25) is a writer based in Washington, D.C. whose work examines grief, attachment, and the inner worlds behind the music.

Phoebe Bridgers Comes Back to Earth on ‘Lost Weekend’ © Olof Grind
Music, ReviewsAugust 14, 2026<August 14, 2026

“I can’t see any stars in the sky”: Phoebe Bridgers Comes Back to Earth on ‘Lost Weekend’

Phoebe Bridgers "Lost Boys" © Frank Ockenfels
Columns, Music, Today's SongJuly 11, 2026<July 11, 2026

“Never Grow Up, Never Go Home”: “Lost Boys” Finds Phoebe Bridgers Back in the Fast Lane

Phoebe Bridgers 2026 © Olof Grind
Concerts, Music, ReviewsJune 7, 2026<June 7, 2026

“Surprise!”: Phoebe Bridgers Collapses Time at Madison Square Garden

Reaper | image © Vyacheslav Bobin, Pexels
EssaysMarch 2, 2026<March 2, 2026

Reaper: A Short Story

Seven Lions © Ashley Von Helsing
Essays, Features, MusicDecember 12, 2025<March 2, 2026

Tales from the Garden: Seven Lions Is Making and Breaking the Formula

Recent Posts

  • “I Wanna Love My Death Drive”: Eliza Edens Flirts with the Limit on “Death Drive,” a Charged Indie Rock Reckoning with Chaos & Self-Acceptance September 3, 2026
  • “I Want to Maintain That Softness”: Cautious Clay on ‘High Noon’ and the Value of Staying Open September 3, 2026
  • Roundtable Discussion: A Review of Olivia Rodrigo’s ‘you seem pretty sad for a girl so in love’ September 3, 2026
  • “Tolerance Is Different From Love”: The Army, The Navy Let the “Walls” Cave In on a Shiver-Inducing Indie Folk Reckoning With Self-Worth September 2, 2026
  • “I’m Building a Kingdom in My Soul”: Alabama Shakes Set the Air on Fire Again on ‘I Must Be Dreaming,’ a Soul-Shaking, Triumphant Return September 2, 2026
  • “Let’s Trust Our Guts”: Brennan Wedl Exits the Supervoid on Her Grungy, Twangy Self-Titled LP September 2, 2026
  • “You Can Delete the Photos and Still Keep Making Space for Them”: Gabriel Dinero Confronts the Ghosts of Lost Love on “Apariciones” September 2, 2026
  • “Take the Roof Off and Sing Along”: Borderline Channel Collapse into Catharsis on “Watching It Burn,” an Arena-Sized Anthem of Ruin & Release September 1, 2026
  • Chasing Presence: Winyah Discuss What It Means to Be ‘Right Here, Right Now’ September 1, 2026
  • “The Horrors of My Twenties”: Ally Evenson on the ‘Speed Kills’ Film, Panic, and Empowerment September 1, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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