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Jada Moore

Jada Moore

Jada Moore (she/her) is a lover of all things music, so clearly she has to write about it! Hailing from northern, VA / the DC area, she has seen many amazing musical acts live over the years. While writing for small zines and platforms in high school, she decided to take a pause to pursue a Bachelors of Science from Virginia Commonwealth University. Feeling lost post graduation, she decided writing was what she needed again in her life as it always brought her comfort and joy!

Tupac Shakur
Music, ReviewsSeptember 24, 2023<September 24, 2023

Why the Message of Tupac Shakur’s “Keep Ya Head Up” Still Resonates with Us, 30 Years After Its Release

V of BTS © BIGHIT
Columns, Music, Today's SongSeptember 5, 2023<September 6, 2023

Today’s Song: BTS’ V Shows Us a New Side with “Rainy Days”

Jai Wolf & BANKS © 2023
Columns, Music, Today's SongAugust 24, 2023<August 24, 2023

Today’s Song: Jai Wolf & BANKS’ “Don’t Look Down” Seeks to Give Comfort About the Fears of Overthinking

Recent Posts

  • “I Love Weird Sounds with a Lot of Texture”: Fig Tape Serves Up ‘Forcefed Serenity,’ a Genre-Blurring Fever Dream December 5, 2025
  • Today’s Song: Vân Scott’s “Turn Off the Tears” Is an Expansive Anthem of Resilience & Unshakable Spirit December 5, 2025
  • “I’ve heard happiness starts here”: East London’s Lucia Rivero Finds Abundance in Absence on “Nowhere” December 4, 2025
  • “What a Beautiful Thing”: Dijon Triumphs with ‘Baby,’ an All-Consuming Fever Dream of Love, Devotion, & the “Mania of Domesticity” December 4, 2025
  • “Hope Isn’t This Constant Flame; It Flickers a Bit”: Amanda Bergman on Musical Acts of Protest, Refusing to Go Numb, and Staying Grounded in a World Coming Undone December 4, 2025
  • “There Is No Right Path”: Katelyn Tarver on Choosing Herself and Becoming the Example That Was Missing December 4, 2025
  • “We’re Coming Home Again”: Of Monsters and Men Reset, Reconnect, & Rediscover Themselves on the Communal Odyssey of ‘All Is Love and Pain in the Mouse Parade’ December 3, 2025
  • “I Want to Be Able to Speak Openly About What Hurts”: Marem Ladson Confronts Her Past & Finds Her Voice on “Cavity,” a Dreamy Indie Folk Reverie December 3, 2025
  • “I’m Not the Bootleg Version of Any Artist”: Gabriel Jacoby Stakes His Claim with Swagger, Sweat, and Southern Fire on ‘gutta child’ December 3, 2025
  • “Love Is Not the Antidote”: Dove Ellis Reckons with Love’s Limits on “Love Is,” an Aching & Unrestrained Unraveling December 3, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
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