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Jason Brillon

Jason Brillon

Hi, my name's Jason. I'm a recent graduate from Tufts University, where I studied Computer Science and English. I'm currently working as a Software Engineer. Music is one of my biggest interests, and I spend a lot of my time attending small shows and big concerts in the greater Boston area. I like basically every type of music (except country… sorry), but my go-to genre is "Alternative" which includes most everything under the sun. Some of my favorite acts include Glass Animals, Slenderbodies and Yoke Lore.

Brillboard 2019-02-06
Brillboard, Music, PlaylistsFebruary 6, 2019<February 6, 2019

The Brillboard: Communication, 02/06/2019

Brillboard 1/30/2019
Brillboard, Music, PlaylistsJanuary 30, 2019<February 5, 2019

The Brillboard: Blue, 01/30/2019

Brillboard 2019-01-22
Brillboard, Music, PlaylistsJanuary 23, 2019<January 23, 2019

The Brillboard: Cozy, 01/23/2019

Brillboard 2019-01-09
Brillboard, Music, PlaylistsJanuary 9, 2019<January 9, 2019

The Brillboard: New Beginnings, 01/09/2019

Brillboard 2018-12-25
Brillboard, Music, PlaylistsDecember 31, 2018<January 2, 2019

The Brillboard: Holidays, 12/25/2018

Brillboard 2018-12-19
Brillboard, Music, PlaylistsDecember 19, 2018<December 27, 2018

The Brillboard: Relationships, 12/19/2018

Posts pagination
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Recent Posts

  • “I Love Weird Sounds with a Lot of Texture”: Fig Tape Serves Up ‘Forcefed Serenity,’ a Genre-Blurring Fever Dream December 5, 2025
  • Today’s Song: Vân Scott’s “Turn Off the Tears” Is an Expansive Anthem of Resilience & Unshakable Spirit December 5, 2025
  • “I’ve heard happiness starts here”: East London’s Lucia Rivero Finds Abundance in Absence on “Nowhere” December 4, 2025
  • “What a Beautiful Thing”: Dijon Triumphs with ‘Baby,’ an All-Consuming Fever Dream of Love, Devotion, & the “Mania of Domesticity” December 4, 2025
  • “Hope Isn’t This Constant Flame; It Flickers a Bit”: Amanda Bergman on Musical Acts of Protest, Refusing to Go Numb, and Staying Grounded in a World Coming Undone December 4, 2025
  • “There Is No Right Path”: Katelyn Tarver on Choosing Herself and Becoming the Example That Was Missing December 4, 2025
  • “We’re Coming Home Again”: Of Monsters and Men Reset, Reconnect, & Rediscover Themselves on the Communal Odyssey of ‘All Is Love and Pain in the Mouse Parade’ December 3, 2025
  • “I Want to Be Able to Speak Openly About What Hurts”: Marem Ladson Confronts Her Past & Finds Her Voice on “Cavity,” a Dreamy Indie Folk Reverie December 3, 2025
  • “I’m Not the Bootleg Version of Any Artist”: Gabriel Jacoby Stakes His Claim with Swagger, Sweat, and Southern Fire on ‘gutta child’ December 3, 2025
  • “Love Is Not the Antidote”: Dove Ellis Reckons with Love’s Limits on “Love Is,” an Aching & Unrestrained Unraveling December 3, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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    • Nostalgia Tracks
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