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Jonah Evans

Jonah Evans

Jonah's writing is driven by curiosity and a love of storytelling whether it's in music, fiction, or personal narratives . His music reviews aim to illuminate the structure of sound and the motivation of the artists, which establishes the final product. He's always searching for new music, skimming the radio waves, going to live music events as much as possible, and excitedly accepting music recomendations from friends, family, and anyone who says, "Hey, you should check this out!" He resides in Philly and is originally from Ann Arbor, Michigan.

Victoryland's Julian McCamman © Meg Ha
Debut, Features, Interviews, MusicApril 14, 2026<April 14, 2026

All the Right Feels: Victoryland’s ‘My Heart Is a Room With No Cameras in It’ Embraces the Imperfections of Humanity With an Ignited Soundscape of Love, Humor, & Curiosity

Chartreuse ‘Bless You & Be Well’ © Stewart Baxter
Features, Interviews, MusicSeptember 24, 2025<September 24, 2025

Interview: Chartreuse Collectively Move Through Grief and Struggle in ‘Bless You & Be Well’

Smooth Jazz - Che Noir ft. The Other Guys, 37 Spesh
Columns, Music, Today's SongAugust 29, 2025<August 29, 2025

Today’s Song: Ché Noir and 38 Spesh Are Cashing in on Lessons with “Smooth Jazz”

Chase Petra © Syd Trip
Columns, Music, Today's SongJuly 10, 2025<July 10, 2025

Escaping Projected Identities, Denying Negativity, and Finding Your Soul on the Other Side in Chase Petra’s “Centrifugal Force”

Recent Posts

  • “The Truth as the Mission”: The Suffers’ Kam Franklin Puts Trauma, Desire, & Defiance on the Record with ‘Land of the Neon Sun,’ Her Uncompromising Solo Debut October 1, 2026
  • Agitate, Educate, Organize: A Look Back at That Petrol Emotion’s 1987 Single “Big Decision” October 1, 2026
  • No More Forgive and Forget: Sabrina Sterling Takes Justice into Her Own Hands on ‘An American Crime’ October 1, 2026
  • Angus & Julia Stone Turn Lipstick Marks and Bathroom Walls into Songs of Memory & Connection on ‘Karaoke Bar’ September 30, 2026
  • “Leave Any Sense of Ego at the Door”: Post Sex Nachos Are Your Favorite Rock Band September 30, 2026
  • Roundtable Discussion: A Review of Vince Staples’ ‘Cry Baby’ September 30, 2026
  • Album Review: The Aching Luminescence of Ghostly Kisses’ ‘Across the Pond’ September 30, 2026
  • “I Would Push Up Daisies for You”: The Madelines Go All In on “Amy,” a Restless Debut Brimming with Indie Rock Firepower September 30, 2026
  • “This Record Is a Departure into My Real Life”: Aubory Bugg Embraces Life’s Messy Changes on Her Breathtakingly Beautiful Indie Folk Debut September 29, 2026
  • “The Final Three Songs Are Like Being Shot Three Times”: Sibling Duo Wasia Project Yearn for Closeness on ‘Nocturne,’ a Late-Night Debut About Loneliness & Connection September 29, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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  • Columns
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    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
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  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
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