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K

K

KM is a former paralegal, lifelong music enthusiast, indie/horror movie addict, flea market/antique explorer, and professional diaper changer.

TeamMate © Shawn Corrigan
Debut, Features, Interviews, MusicFebruary 10, 2017<February 17, 2017

Celebrating the Second Phase: A Conversation with TeamMate

Slowdive © Ingrid Pop
Columns, Music, Today's SongJanuary 31, 2017<January 24, 2017

Today’s Song: On Slowdive’s First Song in 22 Years “Star Roving,” the All-Embracing Journey Perseveres

The xx © Alasdair McLellan
Columns, Music, Today's SongJanuary 12, 2017<January 12, 2017

Today’s Song: The xx Finally Hang Up on Misleading, Perceived Fate with “On Hold”

Negative Gemini © 2016
Our Take, ReviewsJanuary 10, 2017<January 18, 2017

Descend into a ’90s Nostalgic Hypnotic Trance Domain with Negative Gemini’s “Body Work”

Angel Olsen © 2016
Columns, Music, Today's SongDecember 16, 2016<December 19, 2016

Today’s Song: Angel Olsen’s “Sister” Epitomizes the Passionate Realizations of Human Desire

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  • Roundtable Discussion: A Review of Vince Staples’ ‘Cry Baby’ September 30, 2026
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  • “I Would Push Up Daisies for You”: The Madelines Go All In on “Amy,” a Restless Debut Brimming with Indie Rock Firepower September 30, 2026
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  • “The Final Three Songs Are Like Being Shot Three Times”: Sibling Duo Wasia Project Yearn for Closeness on ‘Nocturne,’ a Late-Night Debut About Loneliness & Connection September 29, 2026
  • Our Take: Bolden. Take Bold Strides into Jazz Fusion with the Sleek, Sultry ‘Who you really are.’ September 29, 2026
  • “A More Open and Honest SNACKTIME”: Philadelphia Favorites Bring Their Live Energy & Widescreen Ambition to “Can’t Imagine Why You’d Stay” September 28, 2026
  • “More People Equals More Life”: Martin Luke Brown’s Joyfully Chaotic ‘life & death etc’ Is a Hazy, Soulful Celebration of Feeling Everything September 28, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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