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K

K

KM is a former paralegal, lifelong music enthusiast, indie/horror movie addict, flea market/antique explorer, and professional diaper changer.

TeamMate © Shawn Corrigan
Debut, Features, Interviews, MusicFebruary 10, 2017<February 17, 2017

Celebrating the Second Phase: A Conversation with TeamMate

Slowdive © Ingrid Pop
Columns, Music, Today's SongJanuary 31, 2017<January 24, 2017

Today’s Song: On Slowdive’s First Song in 22 Years “Star Roving,” the All-Embracing Journey Perseveres

The xx © Alasdair McLellan
Columns, Music, Today's SongJanuary 12, 2017<January 12, 2017

Today’s Song: The xx Finally Hang Up on Misleading, Perceived Fate with “On Hold”

Negative Gemini © 2016
Our Take, ReviewsJanuary 10, 2017<January 18, 2017

Descend into a ’90s Nostalgic Hypnotic Trance Domain with Negative Gemini’s “Body Work”

Angel Olsen © 2016
Columns, Music, Today's SongDecember 16, 2016<December 19, 2016

Today’s Song: Angel Olsen’s “Sister” Epitomizes the Passionate Realizations of Human Desire

Recent Posts

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  • “Something Within Us Continues to Sing”: Valerie June Makes “Trouble in Mind” Unmistakably Her Own October 20, 2026
  • “I’m Happy to Be Messy”: Adelide Dances Through the Chaos of Her Twenties on Sun-Kissed Soul Pop EP ‘The Way Up’ October 20, 2026
  • “The Beauty Is a Strategy”: Laila Smith Conjures a Spellbinding World of Grief, Games, & Tenderness on ‘Something Dreadful Is Going to Happen,’ Her Visionary Debut EP October 20, 2026
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  • Music & Cities: Aitana’s ‘CUARTO AZUL’ in València, Spain October 20, 2026
  • Nick Stefanacci Captures a Late-Night Allure on “Midnight Affair” October 20, 2026
  • “There’s a Lot of Freedom in Letting Go”: MUANH Reclaims Her Voice on ‘hush,’ a Spellbinding Debut of Love and Self-Trust October 19, 2026
  • “Dream or Die”: N8NOFACE on Sobriety, Keeping His Inner Child Alive, and ‘Tomorrow’s World’ October 19, 2026
  • “We Don’t Make Content”: Sunday Mourners Understand Rock and Roll Is Art October 19, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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