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Kareem Ghezawi

Kareem Ghezawi

Lucia Rivero "Nowhere" music video still
Music, Music Videos, PremieresDecember 4, 2025<December 4, 2025

“I’ve heard happiness starts here”: East London’s Lucia Rivero Finds Abundance in Absence on “Nowhere”

Molly Dolphin © 2025
Debut, Music, ReviewsSeptember 22, 2025<September 22, 2025

Unmasked & Unearthed: Molly Dolphin’s ‘Underground River’ Is a Refreshing Burst of Folk in an Era of Manufactured Music

Lucia Rivero © 2024
Debut, Music, Music Videos, PremieresJune 7, 2024<June 7, 2024

Premiere: Just Like Seasons Change, So Do Seasons of the Soul – and for Lucia Rivero, “Winter” Has Arrived

Music, Our Take, ReviewsJune 27, 2019<June 27, 2019

Our Take: Lust for Youth Have Found a Balance Between Their Muses with Their New Self-Titled Album

Disintegration - The Cure Album Art
Features, Music, ReviewsMay 30, 2019<May 30, 2019

Ruminations in the Abyss: A Look Back On The Cure’s ‘Disintegration’ Thirty Years On

IRAH is Stine Grøn (vocals) and Adi Zukanović (keyboards) © Jakob Steen
Columns, Music, Today's SongMay 24, 2019<June 5, 2019

Today’s Song: IRAH Draw From a Mystical Lexicon of Their Own Making in “Siu Hinama”

Readjusting the Locks - Institute
Music, Our Take, ReviewsMay 21, 2019<May 21, 2019

Our Take: Institute’s ‘Readjusting the Locks’ Gives a Firm Middle Finger to the Establishment

Marissa Nadler & Stephen Brodsky - Droneflower Cover Art
Music, Our Take, ReviewsMay 2, 2019<May 2, 2019

Our Take: Marissa Nadler & Stephen Brodsky’s Beautiful, Haunting ‘Droneflower’

Indoor Creature © Kelly Ngo
Music, PremieresApril 30, 2019<April 30, 2019

Premiere: Indoor Creature Allude to Society’s Contradictions with “Paradox”

Destroyer - TR/ST
Music, Our Take, ReviewsApril 19, 2019<April 19, 2019

Our Take: Robert Alfons Bares His Soul on TR/ST’s ‘The Destroyer – 1’

Elle Azar © Ezra Cohen
Columns, Music, Today's SongApril 10, 2019<April 10, 2019

Today’s Song: The Tragedy & Beauty of Ioanna Gika’s Elegant Odyssey “Swan”

Recent Posts

  • The Runarounds Ask for Belief in Their Music First – “Arrhythmia (I Hope You Stay)” Still Points Toward Greater Potential February 20, 2026
  • Editor’s Picks 148: MARIS, Brigitte Calls Me Baby, midori jaeger, Brown Horse, Hayden Everett, & Happy Landing! February 19, 2026
  • Album Premiere: Drexler’s ‘Olympia-5’ Is a Montage of Memories, Charting the Process of Grief, Hope, & Reckoning February 19, 2026
  • “I Talk About You to Anybody Who’s Gonna Listen”: Donovan Woods Offers a Beautifully Devastating Act of Remembrance in a Stirring Folk Elegy February 19, 2026
  • ‘Big Changes’ Are Coming: Adam Sturgeon of Status/Non-Status on Identity, Responsibility, and Endurance in Modern Canada February 18, 2026
  • “I Know Myself Better Now”: Ásgeir Introduces ‘Julia’ as His Most Personal Album Yet February 18, 2026
  • “Sweet July, Could You Stay Here Forever?”: The 4411 Bottle the Ache of Growing Up in a Golden Indie Folk Ode to Friendship & Time February 18, 2026
  • “Let’s Slow Down and Be Brave”: Konradsen Embrace Enduring Love With “Efficiency,” a Smoldering Indie Folk Reverie February 17, 2026
  • “You say that it’s love, but you don’t even know me”: Grace VanderWaal’s “Prettier” Explores the Haunting Cost of Being Admired February 14, 2026
  • Editor’s Picks 147: Almost Heaven, Philine Sonny, Carter Vail, Haute & Freddy, Florentenes, & Endearments! February 13, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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