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Kareem Ghezawi

Kareem Ghezawi

Lucia Rivero "Nowhere" music video still
Music, Music Videos, PremieresDecember 4, 2025<December 4, 2025

“I’ve heard happiness starts here”: East London’s Lucia Rivero Finds Abundance in Absence on “Nowhere”

Molly Dolphin © 2025
Debut, Music, ReviewsSeptember 22, 2025<September 22, 2025

Unmasked & Unearthed: Molly Dolphin’s ‘Underground River’ Is a Refreshing Burst of Folk in an Era of Manufactured Music

Lucia Rivero © 2024
Debut, Music, Music Videos, PremieresJune 7, 2024<June 7, 2024

Premiere: Just Like Seasons Change, So Do Seasons of the Soul – and for Lucia Rivero, “Winter” Has Arrived

Music, Our Take, ReviewsJune 27, 2019<June 27, 2019

Our Take: Lust for Youth Have Found a Balance Between Their Muses with Their New Self-Titled Album

Disintegration - The Cure Album Art
Features, Music, ReviewsMay 30, 2019<May 30, 2019

Ruminations in the Abyss: A Look Back On The Cure’s ‘Disintegration’ Thirty Years On

IRAH is Stine Grøn (vocals) and Adi Zukanović (keyboards) © Jakob Steen
Columns, Music, Today's SongMay 24, 2019<June 5, 2019

Today’s Song: IRAH Draw From a Mystical Lexicon of Their Own Making in “Siu Hinama”

Readjusting the Locks - Institute
Music, Our Take, ReviewsMay 21, 2019<May 21, 2019

Our Take: Institute’s ‘Readjusting the Locks’ Gives a Firm Middle Finger to the Establishment

Marissa Nadler & Stephen Brodsky - Droneflower Cover Art
Music, Our Take, ReviewsMay 2, 2019<May 2, 2019

Our Take: Marissa Nadler & Stephen Brodsky’s Beautiful, Haunting ‘Droneflower’

Indoor Creature © Kelly Ngo
Music, PremieresApril 30, 2019<April 30, 2019

Premiere: Indoor Creature Allude to Society’s Contradictions with “Paradox”

Destroyer - TR/ST
Music, Our Take, ReviewsApril 19, 2019<April 19, 2019

Our Take: Robert Alfons Bares His Soul on TR/ST’s ‘The Destroyer – 1’

Elle Azar © Ezra Cohen
Columns, Music, Today's SongApril 10, 2019<April 10, 2019

Today’s Song: The Tragedy & Beauty of Ioanna Gika’s Elegant Odyssey “Swan”

Recent Posts

  • Dancing Out of the Male Gaze with Paris Paloma’s “Good Girl” January 31, 2026
  • Editor’s Picks 145: Holly Humberstone, Konradsen, Blessing Jolie, MX LONELY, Lia Pappas-Kemps, & Louis Oliver! January 30, 2026
  • “All I’ll say is my dreams are really coming true”: A Little “Gentleman Shit” Goes a Long Way with Lily Meola on “Never Kissed a Cowboy” January 30, 2026
  • “Streets of Minneapolis”: Bruce Springsteen Pens a Song for a Dark Moment in American History January 30, 2026
  • Interview: Montreal Darlings The Dears on the Ups, the Downs, and the In-Betweens January 29, 2026
  • “You had a good day girl, so why are you crying?”: Light Bird Honors the Cost of Becoming Her True Self on “Williamsburg Bridge” January 29, 2026
  • “Wanted a Different Life, Born in a Different Town”: Elijah Wolf’s Weathered “Texaco Lights” Is an Ode to Small-Town America and the Inescapable Ache of Home January 29, 2026
  • “It’s in My Blood, It’s in My Bones”: Michael Marcagi Is – and Will Always Be – a ‘Midwest Kid’ January 28, 2026
  • “If I’m Not Steering the Ship, No One Else Is”: Alice Merton Insists on Blind Faith and Self-Trust on ‘Visions,’ Her Defiant, Empowering, & Unapologetic Third Album January 28, 2026
  • “I Don’t Know Where I’m Going, and I Don’t Care”: Tony DV Is a “Buff Boy,” and You Can Be One, Too January 28, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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