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Kate Millar

Kate Millar

Kate Millar is a poet and writer from Edinburgh, Scotland, currently living in New York City. Her work appears or is forthcoming in BOMB Magazine, The Inflectionist Review, Gutter, and Ekstasis. When not writing, you can find her at an indie music gig in Brooklyn, drinking midnight coffee at Cafe Reggio, or doing arts and crafts with her friends. You can reach her via email: kapmillar[at]gmail[dot]com or on Instagram: @katepmillar!

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Features, Interviews, MusicJuly 17, 2025<July 17, 2025

“People don’t memorize political speeches, they memorize songs”: Rapper and Singer Felukah on Poetic Roots, Arabfuturism, & Radical Love

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“Serenity Prayer Type Shit”: A Conversation With Hippo Campus

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Songs to Myself: An Interview With Real Estate’s Martin Courtney

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“Some questions have an answer, others just have a sound”: Beatenberg’s Matt Field on ‘The Great Fire of Beatenberg’ and Making Art During Times of Crisis

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“No shame I’m just a beginner”: Abby Sage Talks ‘The Rot,’ Music Fasts, Theatre Kid Resurrection, and Repurposing Pain into Beauty

M Field © 2022
Columns, Music, Today's SongFebruary 11, 2024<February 11, 2024

“Yes I want to be desired”: Luminescent Confessions in M Field’s Sunny “Another Moon”

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Features, Interviews, MusicOctober 26, 2023<October 26, 2023

Nostalgia, Optimism, & Love Songs to My Girlfriend’s Dog: A Conversation with Jaguar Sun

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Gibberish, Vulnerability, & Evolving Past People Pleasing: A Conversation with Far Caspian

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Music, ReviewsJuly 17, 2023<October 26, 2023

Review: In ‘And Things,’ Daphne Gale Gently Excavates the Twenty-Something Heart with Acoustic Storytelling

Recent Posts

  • ‘Talking 2 Strangers’: Coyote Theory Capture the Moment on a Bold EP Fueled by Instinct, Energy, & Raw Emotional Urgency March 20, 2026
  • Keep Going: Rogér Fakhr’s Long-Awaited Homecoming March 20, 2026
  • “Beyond the Numbers: Visibility, Gatekeepers, & the Future of Women in Music”: An Essay by Elles Bailey for Women’s History Month March 20, 2026
  • “I Want Something Unfamiliar, Unpredictable”: midori jaeger Navigates Uprooting, Identity, & the Pull of the Unknown on “exasperate” and ‘(Un)planted’ March 20, 2026
  • Music Is a Means of Community for Curls Ultra March 20, 2026
  • “I’m in the Middle of the Past and the Future”: Chet Faker Comes Full Circle on ‘A Love for Strangers,’ Returning to Instinct, Curiosity, & the Feeling That Started It All March 20, 2026
  • Live Review: Milk & Bone Take Us an Emotional Journey, Dancing All the Way March 19, 2026
  • “Music Is a Journey, Not a Destination”: An Essay by Re Mattei for Women’s History Month March 19, 2026
  • “Catch Me on the Comedown”: The Maine Struggle to Slow Down on “Die to Fall,” a Restless Alt-Rock Fever Dream March 19, 2026
  • Editor’s Picks 150: Fantastic Cat, Maya Engen, MUNA, Stephen Sanchez, Keni Titus, & The Undercover Dream Lovers! March 18, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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