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Kevin Krein

Kevin Krein

Kevin is a cool dog dad and writer who lives south of the Twin Cities. He launched the award winning music criticism and analysis blog, Anhedonic Headphones, in 2013, and the companion podcast in 2019. His music writing has appeared on PopMatters and Bearded Gentlemen Music, and has contributed non-music writing to River Valley Woman, SoMinn Scene, The Wagazine, and The Next Ten Words.

Hayden © Christie Greyerbiehl
Music, ReviewsApril 5, 2023<April 30, 2023

Are We Good? Canadian Folk Icon Hayden Desser Asks a Difficult Question on His First LP in 8 Years

Desire, I Want to Turn into You - Caroline Polachek
Music, ReviewsFebruary 21, 2023<February 21, 2023

Caroline Polachek Broadcasts From a Dazzling, Restless, & Often Bizarre Place on ‘Desire, I Want to Turn Into You’

Gold Panda © Laura Lewis
Music, ReviewsNovember 21, 2022<November 21, 2022

Review: Gold Panda’s ‘The Work’ Is a Glistening, Nervy Place Where Joy & Sadness Collide

Babehoven © Jessica Chappe
Debut, Music, ReviewsOctober 31, 2022<October 31, 2022

Review: Babehoven’s Debut Album ‘Light Moving Time’ Fearlessly Takes on Difficult Themes

Claptrap - Duncan Sheik
Music, ReviewsSeptember 5, 2022<September 7, 2022

Duncan Sheik Continues His Efforts to Merge Electronic & Acoustic Worlds on ‘Claptrap,’ His First Pop Record in 7 Years

Dreamcastmoe © 2022
Music, ReviewsAugust 9, 2022<December 6, 2022

Dreamcastmoe Thrives in the Space Where Genre Lines Blur on ‘Sound Is Like Water – Part 1’

Sydney Sprague © 2022
Columns, Music, Today's SongJuly 18, 2022<July 13, 2022

Sydney Sprague’s “Think Nothing” is a Ferocious Refusal Against Anxieties

Long Neck © 2022
Columns, Music, Today's SongJune 29, 2022<June 28, 2022

Today’s Song: Long Neck Revisits the Tensions of Being an ‘Essential Worker’ on “558”

Future Teens © Adam Parshall
Columns, Music, Today's SongJune 18, 2022<June 18, 2022

Today’s Song: Future Teens Make Space for You to Sit in Your Uncomfortable Feelings on “Same Difference”

Recent Posts

  • “The ways and hows of healing”: Inside Joshua Idehen’s Spoken Word Dance Album, ‘Learn To Swim, A Mixtape’ June 9, 2023
  • Today’s Song: Joya’s “If Ever She Goes” Aches with the Heartrending Beauty & Power of Love June 9, 2023
  • “Toxic Masculinity in the Queer Community, Our Own Worst Enemies”: A Pride Month Essay by DOV June 9, 2023
  • Interview: Sarah Kinsley Tackles Spirituality, Personified Objects, & Late ’70s Rock with ‘Ascension’ EP June 9, 2023
  • Atwood Magazine’s Weekly Roundup: June 9, 2023 June 9, 2023
  • Feature: Bob Moses on the Ambient Psychic Unrest of ‘The Silence in Between’ June 9, 2023
  • Editor’s Picks 101: Sydney Sprague, The Aces, Bear’s Den, Bleach Lab, Pacifica, & Eyedress! June 8, 2023
  • Today’s Song: Bishop Briggs Owns Her Mess in “Baggage,” an Impassioned Anthem of Empowerment & Acceptance June 8, 2023
  • 2023 Governors Ball Music Festival Preview: The Premier East-Coast Party Featuring Lizzo, Kendrick Lamar, & Odesza! June 8, 2023
  • Premiere: J Lind Reminds Us to Unplug & Live in the Moment on “Oxford Sweater” June 8, 2023
© Atwood Magazine 2023 For the Love of Music
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  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Premieres
  • Columns
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • Get Involved
  • Contact
  • Pitching Us
  • Bio Services