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Kevin Krein

Kevin Krein

Kevin is a music writer living south of the Twin Cities, launching his music criticism and analysis blog, Anhedonic Headphones, in 2013. He co-hosts No Returns, a bi-weekly podcast about things found in Little Free Libraries, with writer Alyssa Savino.

Dreamcastmoe © 2022
Music, ReviewsAugust 9, 2022<December 6, 2022

Dreamcastmoe Thrives in the Space Where Genre Lines Blur on ‘Sound Is Like Water – Part 1’

Sydney Sprague © 2022
Columns, Music, Today's SongJuly 18, 2022<July 13, 2022

Sydney Sprague’s “Think Nothing” is a Ferocious Refusal Against Anxieties

Long Neck © 2022
Columns, Music, Today's SongJune 29, 2022<June 28, 2022

Today’s Song: Long Neck Revisits the Tensions of Being an ‘Essential Worker’ on “558”

Future Teens © Adam Parshall
Columns, Music, Today's SongJune 18, 2022<June 18, 2022

Today’s Song: Future Teens Make Space for You to Sit in Your Uncomfortable Feelings on “Same Difference”

Posts pagination
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Recent Posts

  • “Our Sounds and Energy Just Blend”: Ginger Winn and Lost Leaders Bring Songs & Shared Spirit to Woodstock’s Third Annual Waterfall Sessions July 31, 2026
  • Mad Cool Festival 2026: Ten Years of Music and World Community July 31, 2026
  • Atwood Magazine’s Weekly Roundup: July 31, 2026 July 31, 2026
  • Roundtable Discussion: A Review of RAYE’s ‘THIS MUSIC MAY CONTAIN HOPE.’ July 31, 2026
  • The Man Behind the Music: How Jason Crisp Became One of Rock’s Most Trusted Guitar Techs July 31, 2026
  • “It’s Only Ever Been You”: Tom Iansek’s #1 Dads Celebrates Love with Sun-Soaked Devotion in “Already Something” July 31, 2026
  • “Music Is Meant to Feel Human”: Berlin’s Paul Holland Melts Time into a Dreamy Haze on His Spellbinding Debut ‘SUNFLOWER’ July 30, 2026
  • “Hey Steve, Who Broke Your Heart?”: Medium Build Humanizes the Emotionally Unavailable Man on “Home Depot” July 30, 2026
  • “It’s Easy to Lose Sight of What’s Real”: Essence Martins Reclaims Presence on “Can We All Slow Down,” a Soul-Stirring Reminder to Reconnect with the World July 30, 2026
  • “I No Longer Have the Privilege to Be Ambiguous”: Genesis Owusu Is Rallying Against a World in Disarray with ‘REDSTAR WU & THE WORLDWIDE SCOURGE’ July 30, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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