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Kosiso Ugwueze

Kosiso Ugwueze

Kosiso Ugwueze is a graduate student by day and a vinyl record collector by night. Her record collection ranges from 70s Nigerian psychedelic rock to 2000s Hip Hop. The first album she bought with her allowance money was Alicia Keys’s The Diary of Alicia Keys which she played on her CD player until both broke. Now that it’s no longer 2003, she’s wracking up hours of listening time on Spotify instead. When she’s not scouring record stores or surfing the web for new music, she’s on the hunt for the best breakfast burrito in every city she visits. Find her on Twitter @ugwueze_kosiso.

If Orange Was a Place - Tems
Artist to Watch, Music, ReviewsOctober 27, 2021<October 27, 2021

EP Review: Tems’ ‘If Orange Was a Place’ Is a Hyper-Focused Snapshot of an Artist’s Burgeoning Voice

José González © Peter Toggeth / Mikel Cee Karlsson
Features, Interviews, MusicSeptember 16, 2021<September 29, 2022

Interview: José González Is Confident in Who He Is on Dynamic New Album ‘Local Valley’

Attitude - Leikeli47
Columns, Music, Today's SongAugust 10, 2021<August 9, 2021

Today’s Song: Leikeli47 Is a Trendsetting Hero on “Attitude”

Billie Eilish © Kelia Anne MacCluskey
Columns, Music, Today's SongMay 24, 2021<May 24, 2021

Today’s Song: Billie Eilish Speaks Out on “Your Power”

Amaarae © @philippraheem
Columns, Music, Today's SongMay 10, 2021<May 10, 2021

Today’s Song: Amaarae Takes Center Stage in “FANCY”

Trouble Will Find Me - The National
Columns, Music, Today's SongApril 14, 2021<April 13, 2021

Today’s Song: The National Are an Open Book in “Don’t Swallow the Cap”

Recent Posts

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  • Music & Cities: Aitana’s ‘CUARTO AZUL’ in València, Spain October 20, 2026
  • Nick Stefanacci Captures a Late-Night Allure on “Midnight Affair” October 20, 2026
  • “There’s a Lot of Freedom in Letting Go”: MUANH Reclaims Her Voice on ‘hush,’ a Spellbinding Debut of Love and Self-Trust October 19, 2026
  • “Dream or Die”: N8NOFACE on Sobriety, Keeping His Inner Child Alive, and ‘Tomorrow’s World’ October 19, 2026
  • “We Don’t Make Content”: Sunday Mourners Understand Rock and Roll Is Art October 19, 2026
  • “Let’s Crawl into the Arms of Love”: Oh Wonder Face the Darkness Together on “Mad World,” a Heartfelt Anthem of Hope October 19, 2026
  • Roundtable Discussion: A Review of Madonna’s ‘CONFESSIONS II’ October 16, 2026
  • “I Didn’t Realize I Could Just Be a Sandwich”: Chammeili on Imagination, Identity, and Releasing on Instinct October 16, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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