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Lauren Hicks

Lauren Hicks

Lauren Hicks is a music enthusiast who loves writing and spending time outdoors. She is a big believer in utilizing these passions to reach, impact, and unify others. You can usually find her reading, playing an instrument, or swimming. Nothing in-between.

Drew Holcomb & The Neighbors © Ashtin Paige
Features, Interviews, MusicJune 2, 2023<June 8, 2023

“We’re in This Together”: Drew Holcomb and The Neighbors Inspire Unity in Ninth Album, ‘Strangers No More’

Jarrod Dickenson © Patrick Glennon
Features, Interviews, MusicMay 19, 2023<May 19, 2023

Interview: Genuine & Composed, Jarrod Dickenson Takes a Stand in Third Album, ‘BIG TALK’

Chris Lanzon © 2023
Features, Interviews, MusicMay 15, 2023<May 16, 2023

The Creator and the Self: How Chris Lanzon’s ‘Dark Side’ Portrays the Duality of Human Nature and Artistry

Greyson Chance 'Palladium' © Broderick Baumann
Features, Interviews, MusicNovember 9, 2022<May 16, 2023

Interview: Greyson Chance Shows All His Layers on ‘Palladium,’ a Record of Growth, Pride, & Realization

Legit Smitty © Beau Glenn
Columns, Music, Today's SongOctober 10, 2022<October 10, 2022

Today’s Song: Finding Peace in Solidarity with Legit Smitty’s “On My Feet”

Chris Lanzon © Lara Louise
Columns, Music, Today's SongAugust 25, 2022<August 25, 2022

Chris Lanzon’s “June” (ft. Eluera) Captures What It Means to Have a Love that Is So Close, Yet So Far

Pertinence © Isaiah Mirigian
Features, Interviews, MusicAugust 18, 2022<August 17, 2022

The Newest “Waterboy”: An Introduction to Rising Arizona Rapper Pertinence

Thee Sacred Souls © Gustavo Olivares
Columns, Music, Today's SongJuly 1, 2022<June 30, 2022

Today’s Song: Sweet Soul & Gentle Grooves in Thee Sacred Souls’ Newest Single, “Easier Said Than Done”

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Recent Posts

  • “I Love Weird Sounds with a Lot of Texture”: Fig Tape Serves Up ‘Forcefed Serenity,’ a Genre-Blurring Fever Dream December 5, 2025
  • Today’s Song: Vân Scott’s “Turn Off the Tears” Is an Expansive Anthem of Resilience & Unshakable Spirit December 5, 2025
  • “I’ve heard happiness starts here”: East London’s Lucia Rivero Finds Abundance in Absence on “Nowhere” December 4, 2025
  • “What a Beautiful Thing”: Dijon Triumphs with ‘Baby,’ an All-Consuming Fever Dream of Love, Devotion, & the “Mania of Domesticity” December 4, 2025
  • “Hope Isn’t This Constant Flame; It Flickers a Bit”: Amanda Bergman on Musical Acts of Protest, Refusing to Go Numb, and Staying Grounded in a World Coming Undone December 4, 2025
  • “There Is No Right Path”: Katelyn Tarver on Choosing Herself and Becoming the Example That Was Missing December 4, 2025
  • “We’re Coming Home Again”: Of Monsters and Men Reset, Reconnect, & Rediscover Themselves on the Communal Odyssey of ‘All Is Love and Pain in the Mouse Parade’ December 3, 2025
  • “I Want to Be Able to Speak Openly About What Hurts”: Marem Ladson Confronts Her Past & Finds Her Voice on “Cavity,” a Dreamy Indie Folk Reverie December 3, 2025
  • “I’m Not the Bootleg Version of Any Artist”: Gabriel Jacoby Stakes His Claim with Swagger, Sweat, and Southern Fire on ‘gutta child’ December 3, 2025
  • “Love Is Not the Antidote”: Dove Ellis Reckons with Love’s Limits on “Love Is,” an Aching & Unrestrained Unraveling December 3, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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