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Laurent Chavannes

Laurent Chavannes

Born and raised in Miami, FL, Laurent Chavannes is currently based in Seattle, WA. Being involved in the music scene since he was a teenager, he strives to help give emerging artists a platform by either putting together local shows, curating playlists, or writing blog posts. He continues to make music in his spare time and hopes to find himself in the Seattle music scene.

WHERE IS ELA © 2024
Columns, Music, Today's SongJuly 7, 2024<July 7, 2024

Today’s Song: Boston’s WHERE IS ELA Has Found a New Sound on “I Wanna Ride”

PJ Aviles © Steph Estrada
Debut, Music, ReviewsDecember 7, 2023<December 7, 2023

Review: PJ Aviles Is Willing to Try ‘Anything’ on His Debut Album

Kevin Abstact © 2023
Columns, Music, Today's SongNovember 11, 2023<November 11, 2023

Today’s Song: Kevin Abstract Tries to Forget Love on “What Should I Do?” Off New Album ‘Blanket’

beabadoobee & Laufey © 2023
Columns, Music, Today's SongNovember 4, 2023<November 4, 2023

Today’s Song: Beabadoobee and Laufey Create an Unforgettable Track With “A Night to Remember”

My Friend Shawn © Lui (@luiifilms)
Features, Interviews, MusicOctober 31, 2023<October 31, 2023

“Working up to the ultimate artist project”: Getting to Know My Friend Shawn

blink-182 © Rory Kramer
Columns, Music, Today's SongOctober 2, 2023<October 2, 2023

Today’s Song: blink-182 Get Candid With “ONE MORE TIME,” a Ballad of Brotherhood & Reunion

stillblue © 2023
Columns, Music, Today's SongSeptember 23, 2023<September 23, 2023

Today’s Song: Miami’s stillblue Assert That Love Exists With “Wait for Me”

Recent Posts

  • Dancing Out of the Male Gaze with Paris Paloma’s “Good Girl” January 31, 2026
  • Editor’s Picks 145: Holly Humberstone, Konradsen, Blessing Jolie, MX LONELY, Lia Pappas-Kemps, & Louis Oliver! January 30, 2026
  • “All I’ll say is my dreams are really coming true”: A Little “Gentleman Shit” Goes a Long Way with Lily Meola on “Never Kissed a Cowboy” January 30, 2026
  • “Streets of Minneapolis”: Bruce Springsteen Pens a Song for a Dark Moment in American History January 30, 2026
  • Interview: Montreal Darlings The Dears on the Ups, the Downs, and the In-Betweens January 29, 2026
  • “You had a good day girl, so why are you crying?”: Light Bird Honors the Cost of Becoming Her True Self on “Williamsburg Bridge” January 29, 2026
  • “Wanted a Different Life, Born in a Different Town”: Elijah Wolf’s Weathered “Texaco Lights” Is an Ode to Small-Town America and the Inescapable Ache of Home January 29, 2026
  • “It’s in My Blood, It’s in My Bones”: Michael Marcagi Is – and Will Always Be – a ‘Midwest Kid’ January 28, 2026
  • “If I’m Not Steering the Ship, No One Else Is”: Alice Merton Insists on Blind Faith and Self-Trust on ‘Visions,’ Her Defiant, Empowering, & Unapologetic Third Album January 28, 2026
  • “I Don’t Know Where I’m Going, and I Don’t Care”: Tony DV Is a “Buff Boy,” and You Can Be One, Too January 28, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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