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Laurent Chavannes

Laurent Chavannes

Born and raised in Miami, FL, Laurent Chavannes is currently based in Seattle, WA. Being involved in the music scene since he was a teenager, he strives to help give emerging artists a platform by either putting together local shows, curating playlists, or writing blog posts. He continues to make music in his spare time and hopes to find himself in the Seattle music scene.

WHERE IS ELA © 2024
Columns, Music, Today's SongJuly 7, 2024<July 7, 2024

Today’s Song: Boston’s WHERE IS ELA Has Found a New Sound on “I Wanna Ride”

PJ Aviles © Steph Estrada
Debut, Music, ReviewsDecember 7, 2023<December 7, 2023

Review: PJ Aviles Is Willing to Try ‘Anything’ on His Debut Album

Kevin Abstact © 2023
Columns, Music, Today's SongNovember 11, 2023<November 11, 2023

Today’s Song: Kevin Abstract Tries to Forget Love on “What Should I Do?” Off New Album ‘Blanket’

beabadoobee & Laufey © 2023
Columns, Music, Today's SongNovember 4, 2023<November 4, 2023

Today’s Song: Beabadoobee and Laufey Create an Unforgettable Track With “A Night to Remember”

My Friend Shawn © Lui (@luiifilms)
Features, Interviews, MusicOctober 31, 2023<October 31, 2023

“Working up to the ultimate artist project”: Getting to Know My Friend Shawn

blink-182 © Rory Kramer
Columns, Music, Today's SongOctober 2, 2023<October 2, 2023

Today’s Song: blink-182 Get Candid With “ONE MORE TIME,” a Ballad of Brotherhood & Reunion

stillblue © 2023
Columns, Music, Today's SongSeptember 23, 2023<September 23, 2023

Today’s Song: Miami’s stillblue Assert That Love Exists With “Wait for Me”

Recent Posts

  • “I Love Weird Sounds with a Lot of Texture”: Fig Tape Serves Up ‘Forcefed Serenity,’ a Genre-Blurring Fever Dream December 5, 2025
  • Today’s Song: Vân Scott’s “Turn Off the Tears” Is an Expansive Anthem of Resilience & Unshakable Spirit December 5, 2025
  • “I’ve heard happiness starts here”: East London’s Lucia Rivero Finds Abundance in Absence on “Nowhere” December 4, 2025
  • “What a Beautiful Thing”: Dijon Triumphs with ‘Baby,’ an All-Consuming Fever Dream of Love, Devotion, & the “Mania of Domesticity” December 4, 2025
  • “Hope Isn’t This Constant Flame; It Flickers a Bit”: Amanda Bergman on Musical Acts of Protest, Refusing to Go Numb, and Staying Grounded in a World Coming Undone December 4, 2025
  • “There Is No Right Path”: Katelyn Tarver on Choosing Herself and Becoming the Example That Was Missing December 4, 2025
  • “We’re Coming Home Again”: Of Monsters and Men Reset, Reconnect, & Rediscover Themselves on the Communal Odyssey of ‘All Is Love and Pain in the Mouse Parade’ December 3, 2025
  • “I Want to Be Able to Speak Openly About What Hurts”: Marem Ladson Confronts Her Past & Finds Her Voice on “Cavity,” a Dreamy Indie Folk Reverie December 3, 2025
  • “I’m Not the Bootleg Version of Any Artist”: Gabriel Jacoby Stakes His Claim with Swagger, Sweat, and Southern Fire on ‘gutta child’ December 3, 2025
  • “Love Is Not the Antidote”: Dove Ellis Reckons with Love’s Limits on “Love Is,” an Aching & Unrestrained Unraveling December 3, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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