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Liza

Liza

Liza is a former Atwood Magazine contributor.

Mixtape, MusicAugust 3, 2014<August 6, 2014

Atwood Mixtape: August 2014 Soundtrack

Columns, Music, Nostalgia TracksAugust 2, 2014<August 2, 2014

Nostalgia Tracks: Youth Lagoon’s “The Year of Hibernation”, My Coming-of-Age Soundtrack

Debut, Music, Our TakeJuly 30, 2014<July 30, 2014

Our Take: A Review of SLEEPWALKERS’ debut LP “Greenwood Shade”

Cover for Transience & A Word from the Editor
UncategorizedJuly 17, 2014<April 16, 2020

Cover for Transience & A Word from the Editor

Editorials, PhotographyJuly 8, 2014<July 10, 2014

Evie McShane Editorial

Music, Our Take, ReviewsJuly 8, 2014<July 8, 2014

Our Take: A Review of Alt J’s New Single “Left Hand Free”

Music, Our Take, ReviewsJune 30, 2014<July 1, 2014

Our Take: A Review of Bon Iver’s New Single “Heavenly Father”

Art, Weekly DiscoveriesJune 30, 2014<June 30, 2014

This Week’s Discoveries: Pt. 1

Editorials, PhotographyJune 21, 2014<June 19, 2014

Veronika Gilková Editorial

UncategorizedJune 19, 2014<April 16, 2020

Letter from the Editor

Music, ReviewsJune 18, 2014<June 18, 2014

Our take: A Review of Alt-J’s New Single “Hunger of the Pine”

ArtJune 17, 2014<June 19, 2014

the gallerist: a look at Tara Donovan

Art, EventsJune 17, 2014<June 18, 2014

The Bushwick Collective: 3rd Annual Block Party

A Solitary Moment by Alexandra Votsis
Editorials, PhotographyMay 17, 2014<June 18, 2014

A Solitary Moment by Alexandra Votsis

MusicMay 16, 2014<June 18, 2014

Review: “Deckchairs On The Moon” // Bipolar Sunshine

Posts pagination
1 2 3 4

Recent Posts

  • “I Love Weird Sounds with a Lot of Texture”: Fig Tape Serves Up ‘Forcefed Serenity,’ a Genre-Blurring Fever Dream December 5, 2025
  • Today’s Song: Vân Scott’s “Turn Off the Tears” Is an Expansive Anthem of Resilience & Unshakable Spirit December 5, 2025
  • “I’ve heard happiness starts here”: East London’s Lucia Rivero Finds Abundance in Absence on “Nowhere” December 4, 2025
  • “What a Beautiful Thing”: Dijon Triumphs with ‘Baby,’ an All-Consuming Fever Dream of Love, Devotion, & the “Mania of Domesticity” December 4, 2025
  • “Hope Isn’t This Constant Flame; It Flickers a Bit”: Amanda Bergman on Musical Acts of Protest, Refusing to Go Numb, and Staying Grounded in a World Coming Undone December 4, 2025
  • “There Is No Right Path”: Katelyn Tarver on Choosing Herself and Becoming the Example That Was Missing December 4, 2025
  • “We’re Coming Home Again”: Of Monsters and Men Reset, Reconnect, & Rediscover Themselves on the Communal Odyssey of ‘All Is Love and Pain in the Mouse Parade’ December 3, 2025
  • “I Want to Be Able to Speak Openly About What Hurts”: Marem Ladson Confronts Her Past & Finds Her Voice on “Cavity,” a Dreamy Indie Folk Reverie December 3, 2025
  • “I’m Not the Bootleg Version of Any Artist”: Gabriel Jacoby Stakes His Claim with Swagger, Sweat, and Southern Fire on ‘gutta child’ December 3, 2025
  • “Love Is Not the Antidote”: Dove Ellis Reckons with Love’s Limits on “Love Is,” an Aching & Unrestrained Unraveling December 3, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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    • Our Take
    • Debuts
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    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
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