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Liza

Liza

Liza is a former Atwood Magazine contributor.

Mixtape, MusicAugust 3, 2014<August 6, 2014

Atwood Mixtape: August 2014 Soundtrack

Columns, Music, Nostalgia TracksAugust 2, 2014<August 2, 2014

Nostalgia Tracks: Youth Lagoon’s “The Year of Hibernation”, My Coming-of-Age Soundtrack

Debut, Music, Our TakeJuly 30, 2014<July 30, 2014

Our Take: A Review of SLEEPWALKERS’ debut LP “Greenwood Shade”

Cover for Transience & A Word from the Editor
UncategorizedJuly 17, 2014<April 16, 2020

Cover for Transience & A Word from the Editor

Essays, PhotographyJuly 8, 2014<July 10, 2014

Evie McShane Editorial

Music, Our Take, ReviewsJuly 8, 2014<July 8, 2014

Our Take: A Review of Alt J’s New Single “Left Hand Free”

Music, Our Take, ReviewsJune 30, 2014<July 1, 2014

Our Take: A Review of Bon Iver’s New Single “Heavenly Father”

Art, Weekly DiscoveriesJune 30, 2014<June 30, 2014

This Week’s Discoveries: Pt. 1

Essays, PhotographyJune 21, 2014<June 19, 2014

Veronika Gilková Editorial

UncategorizedJune 19, 2014<April 16, 2020

Letter from the Editor

Music, ReviewsJune 18, 2014<June 18, 2014

Our take: A Review of Alt-J’s New Single “Hunger of the Pine”

ArtJune 17, 2014<June 19, 2014

the gallerist: a look at Tara Donovan

Art, EventsJune 17, 2014<June 18, 2014

The Bushwick Collective: 3rd Annual Block Party

A Solitary Moment by Alexandra Votsis
Essays, PhotographyMay 17, 2014<June 18, 2014

A Solitary Moment by Alexandra Votsis

MusicMay 16, 2014<June 18, 2014

Review: “Deckchairs On The Moon” // Bipolar Sunshine

Posts pagination
1 2 3 4

Recent Posts

  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthe April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction April 2, 2026
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall” April 2, 2026
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour! April 1, 2026
  • Today’s Song: Stock Band Return with “Today’s Song,” an Indie Anthem That Checks All the Boxes April 1, 2026
  • “I Just Got My Heart Broken, But I Look F**kin’ Fabulous”: MEEK Breaks Out with “Fabulous,” a Loud, Unapologetic, & Utterly Irresistible Pop Anthem April 1, 2026
  • “I Needed to Make Something Beautiful as Things Fell Apart”: Maria Taylor Finds Renewal in the Ruins on ‘Story’s End’ April 1, 2026
  • Premiere: Oliver Pinder Shatters Halos in “Such an Angel,” a Catchy, All-Consuming Indie Rock Anthem of Broken Trust & Disillusionment March 31, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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