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Liza

Liza

Liza is a former Atwood Magazine contributor.

Art, Columns, FeaturesNovember 10, 2015<November 10, 2015

Cool Kid Club: Corrinne James

Concerts, Music, Our Take, ReviewsNovember 4, 2015<November 4, 2015

Live: Beach House Preach Authenticity in Amsterdam

Art, Features, InterviewsNovember 2, 2015<November 2, 2015

Conversation with Florentine Pahl: Art as Reality

Art, Features, InterviewsJune 11, 2015<June 12, 2015

Conversation with Stian Ådlandsvik

Festival, Music, PreviewsMay 10, 2015<May 10, 2015

Festival Preview: Lava Music Festival – May 16, 2015

Art, Features, InterviewsApril 22, 2015<April 22, 2015

Construction of the Void: An Interview with Scott Hazard

Atwood Magazine Now Hiring
NewsMarch 31, 2015<March 31, 2015

Atwood Magazine Now Hiring

Columns, Today's SongFebruary 16, 2015<February 13, 2017

Today’s Song: “No Shade in the Shadow of the Cross” by Sufjan Stevens

Music, Our Take, ReviewsFebruary 10, 2015<June 6, 2018

Our Take: “I Love You, Honeybear” by Father John Misty

Art, Features, Interviews, MusicFebruary 4, 2015<February 4, 2015

A Conversation with Young & Sick

Music, Today's SongJanuary 22, 2015<January 22, 2015

Today’s Song: “Leaf Off / The Cave” by José González

Concert Conversations, Concerts, Music, Our Take, ReviewsJanuary 21, 2015<January 21, 2015

Concert Conversations: Sylvan Esso at The Jefferson

Columns, Music, Today's SongJanuary 14, 2015<February 13, 2017

Conversation with Artist Jon-Phillip Sheridan

Debut, Music, Our Take, ReviewsJanuary 10, 2015<January 10, 2015

Today’s Song: Experience by Kacy Hill

Conversation with John Waller
Art, Features, Interviews, PhotographyJanuary 9, 2015<January 9, 2015

Conversation with John Waller

Posts pagination
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Recent Posts

  • “A Eulogy and a Prayer”: Bella Cloud Lets Old Love Linger on “Spin,” a Breathtakingly Intimate Indie Folk Reverie May 13, 2026
  • Roundtable Discussion: A Review of Snail Mail’s ‘Ricochet’ May 13, 2026
  • “Everybody’s Missing Their Medullas”: Debbii Dawson Dances Through Modern Dread on “Where Have All the Good Men Gone?,” a Disco-Pop SOS for the Hero in Us All May 13, 2026
  • Track-by-Track: London’s Col Gerrard Traces Love, Doubt & Everything In-Between on His Self-Titled Debut May 13, 2026
  • “When You’re Everyone, Then You’re No One”: Brother Bird Reckons with People-Pleasing, Self-Erasure, & Survival on “Chameleon,” a Spellbinding Indie Folk Reverie May 13, 2026
  • “I Can Make You Want Anything”: MUNA Dance Through Heat, Upheaval, & Survival on ‘Dancing on the Wall,’ Their Most Impassioned & Unapologetic Statement Yet May 12, 2026
  • “We’re Pulling from Real Experiences Now”: Matt Jones and The Bobs Reflect on Creative Growth Through the Years May 12, 2026
  • “Half Alive and Scatterbrained”: Jacob Ungerleider Finds Wry, Wounded Beauty in the Language of Memory on “Letters of Your Name” May 12, 2026
  • “Messy, Emotional, and Real”: Whitney Whitney Dreams Up Better Love on “A Man Written By a Woman,” a Radiant Anthem for Higher Standards & Tender Romance May 12, 2026
  • “It’s Like Looking at an Old Photo”: The Moss Reflect on Fearing Change, Freedom, & ‘Big Blue Moon’ May 12, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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