• Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Marissa DeLeon

Marissa DeLeon

Marissa is a writer based in Austin, Texas. She is also a graduate of the University of Texas, where she received her Bachelor of Journalism. She can often be found making extremely specific playlists, overanalyzing lyrics, or subjecting anyone and everyone to her latest sonic obsession before they hit the mainstream.

Grandmas House © Marie Dutton
Interviews, MusicApril 9, 2026<April 9, 2026

“We Are Here and We Deserve to Be Here”: Grandmas House Bring UK Post-Punk to the USA

Jonny Tex © courtesy of the artist
Interviews, MusicApril 7, 2026<April 9, 2026

“I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose

SXSW 2026
MusicMarch 27, 2026<March 27, 2026

The Best Sounds from SXSW 2026

Lucy Kruger & The Lost Boys © Francis Broek
Music, ReviewsFebruary 13, 2026<February 13, 2026

Lucy Kruger & The Lost Boys Traverse Sticky-Sweet Sonics on ‘Pale Bloom’

Alicia Clara 'Nothing Dazzled' © Taryn Fleischmann
Debut, Features, Interviews, MusicOctober 8, 2025<October 8, 2025

“It Won’t Necessarily Be Perfect, But It Will Be Art”: Alicia Clara’s Soundwaves Shimmer and Shine on ‘Nothing Dazzled’

Lucy Kruger & The Lost Boys © Holger Nitschke
Music, PremieresApril 23, 2025<April 22, 2025

Premiere: Lucy Kruger & The Lost Boys Return with “Reaching,” a Slow Burn of Noise and Silence

Alicia Clara © Taryn Fleischmann
Interviews, MusicApril 2, 2025<April 2, 2025

Interview: Sinking into Alicia Clara’s Dreamy Soundscapes

Tunnel's Natasha Janfaza © Frank Mojica
Interviews, MusicMarch 27, 2025<March 28, 2025

Interview: Navigating Tunnel’s Indie Rock Noise

SXSW Paramount Marquee for 2026!
Concerts, Music, ReviewsMarch 24, 2025<March 24, 2025

The Best Sounds from SXSW 2025

Chaparelle © Michael Hernandez
Concerts, Music, ReviewsOctober 21, 2024<October 21, 2024

Live Review: Twang and Tension Intertwine for Chaparelle

A Human Home - Lucy Kruger & The Lost Boys
Music, ReviewsJune 12, 2024<June 12, 2024

Review: Lucy Kruger & The Lost Boys Bring Intimacy into Isolation on ‘A Human Home’

Akira Galaxy © Erica Snyder
Interviews, MusicApril 16, 2024<April 16, 2024

“Intention through performance”: Celestial Sounds from Seattle’s Akira Galaxy

Bad Bad Hats © Zoe Prinds
Interviews, MusicApril 10, 2024<April 16, 2024

Interview: Rockin’ Out with Bad Bad Hats’ Kerry Alexander

Lucy Kruger & The Lost Boys © Francis Broek
Interviews, MusicApril 5, 2024<April 6, 2024

“I just feel a bit more free in what I’m doing”: The Sonically Charged Addiction of Lucy Kruger & The Lost Boys

Miranda Joan © Savannah Scott
Interviews, MusicApril 4, 2024<April 4, 2024

“If you want to get to know me, really listen to the music”: Getting a Little ‘Overstimulated’ With Miranda Joan

Posts pagination
1 2

Recent Posts

  • “Elemental, Subliminal, Gazebo”: Eugene McGuinness Comes Alive on ‘Eugene McGuinness Versus the Universe,’ a Radiant Reawakening Through Song April 22, 2026
  • “For One Night Only, Bring Them to Italy”: A Conversation with Il Volo April 22, 2026
  • “Eat Your Heart Out”: A Vivisection of SKORTS’ Unrelenting Debut Album ‘Incompletement’ April 22, 2026
  • “Why Can’t You See What I See?”: Ross Newhouse Lays Bare Self-Doubt & Love on “Words I’d Use,” a Lush Indie Folk Duet with Grace Gardner April 22, 2026
  • “It Can Only Be So Wrong for So Long”: Nora Kelly Band Channel Heartbreak into “Irish Goodbye,” a Swaggering Alt-Country Anthem of Hard-Won Freedom April 21, 2026
  • “Didn’t Capture the Night”: sundayclub Blur the Line Between Living & Remembering on “Camera Shy,” a Dreamy Indie Pop Rush of Memory & Modern Self-Awareness April 21, 2026
  • “Purpose. Momentum. Movement. Freedom”: LIFE Charge Forward on “The Dollywaggon,” a Feverish Post-Punk Leap into the Unknown April 20, 2026
  • Stories to Tell Your Grandkids: moondoggy’s Third Album ‘Around the Fire’ is a Book of Learned Lessons Waiting to Be Told April 20, 2026
  • The Sound of Stillness: Samara Joy in Palo Alto April 20, 2026
  • Big Feelings, Small Rooms: Sophie May on Making Her Soul-Stirring Debut Album, ‘Stars and Teeth’ April 20, 2026
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services