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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Sy Ari da Kid 'The Last Shadow in the Shade' © Chase Gozy
Features, Interviews, Music, Track-by-TrackJune 4, 2025<June 5, 2025

“I’m Going to Be the Last One Standing”: Sy Ari Da Kid on Storytelling, Truth, Independence, & the Legacy of ‘The Last Shadow in the Shade’

Adam Melchor 'The Diary of Living' © Caro Knapp
Features, Interviews, MusicJune 2, 2025<June 2, 2025

“This Is Where I Belong”: Adam Melchor on Finding His Voice, His Truth, & His Heart with ‘The Diary of Living’

The Bones of J.R. Jones © Christian Harder
Music, Music Videos, PremieresJune 2, 2025<June 2, 2025

“Fold us down into this land”: The Bones of J.R. Jones Embraces Renewal, Regret, & Quiet Strength in Soul-Stirring “Start Again”

Tennis "12 Blown Tires" © Darren Vargas
Columns, Music, Today's SongMay 30, 2025<May 30, 2025

Today’s Song: Tennis Say Goodbye in the Devastatingly Beautiful “12 Blown Tires”

Spring Term © Claire Hensley
Features, Interviews, Music, Track-by-TrackMay 29, 2025<May 29, 2025

EP Premiere: Spring Term Shines Bright on ‘Kiddo, Vol. 2,’ a Playful & Profound Coming-of-Age Dreamscape

Atwood Magazine's 122nd Editor's Picks!
Columns, Editor's Picks, Features, MusicMay 23, 2025<May 23, 2025

Editor’s Picks 122: Medium Build, The Head and the Heart, Hudson Thames, Lola Young, DE’WAYNE, & Jack Garratt!

Lucie Glang © Eike Higgen
Music, Music Videos, PremieresMay 22, 2025<May 22, 2025

Premiere: Lucie Glang Finds Peace Beneath the Surface in Her Intimate & Enchanting “Underwater Skies”

Volena © Julia Durr
Debut, Features, Interviews, Music, Track-by-TrackMay 21, 2025<May 21, 2025

“This Became a Lifeline”: Volena’s Witchy, Yearning, & Expansive Debut EP Is a Raw Coming-of-Age Reckoning

Emily Elbert © Shervin Lainez
Music, Music Videos, PremieresMay 21, 2025<May 21, 2025

“Love sing through me”: The Spiritual, Soul-Stirring Surrender of Emily Elbert’s Smoldering “God Is Change”

Atwood Magazine's 121st Editor's Picks!
Columns, Editor's Picks, Features, MusicMay 16, 2025<May 16, 2025

Editor’s Picks 121: Vienna Vienna, Petey USA, Tennis, Felly, Self Esteem, & JERUB!

hard life's Murray Matravers
Columns, Features, Interviews, Music, Today's SongMay 16, 2025<July 25, 2025

Interview: hard life (FKA easy life) Discuss Their Unapologetic New Era & the Many Layers of Upcoming Third Album, ‘onion’

Little Falls Trophy © Drew Reynolds
Music, PremieresMay 15, 2025<May 15, 2025

Premiere: Little Falls Trophy Lights a Love-Soaked Heatwave on Smoldering “My Little Sunshine” ft. Christy Lynn

Mountain Jam returns June 20–22, 2025, at Belleayre Mountain in the heart of the Catskills
Features, Festival, Interviews, MusicMay 15, 2025<May 15, 2025

“Woodstock Is a State of Mind”: Mountain Jam’s Founder on the Festival’s 2025 Return, the Power of Live Music, & Building Community in the Hudson Valley

Tough Cookie © Sully
Columns, Music, Today's SongMay 15, 2025<May 15, 2025

London’s Tough Cookie Reckon with the Pursuit of “Happiness” in Their Explosive & Existential Second Single

Atwood Magazine's 120th Editor's Picks!
Columns, Editor's Picks, Features, MusicMay 9, 2025<May 12, 2025

Editor’s Picks 120: Reem Mitten, hard life, BEL, Lord Huron, girlpuppy, & Young Gun Silver Fox!

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Recent Posts

  • “I Love Weird Sounds with a Lot of Texture”: Fig Tape Serves Up ‘Forcefed Serenity,’ a Genre-Blurring Fever Dream December 5, 2025
  • Today’s Song: Vân Scott’s “Turn Off the Tears” Is an Expansive Anthem of Resilience & Unshakable Spirit December 5, 2025
  • “I’ve heard happiness starts here”: East London’s Lucia Rivero Finds Abundance in Absence on “Nowhere” December 4, 2025
  • “What a Beautiful Thing”: Dijon Triumphs with ‘Baby,’ an All-Consuming Fever Dream of Love, Devotion, & the “Mania of Domesticity” December 4, 2025
  • “Hope Isn’t This Constant Flame; It Flickers a Bit”: Amanda Bergman on Musical Acts of Protest, Refusing to Go Numb, and Staying Grounded in a World Coming Undone December 4, 2025
  • “There Is No Right Path”: Katelyn Tarver on Choosing Herself and Becoming the Example That Was Missing December 4, 2025
  • “We’re Coming Home Again”: Of Monsters and Men Reset, Reconnect, & Rediscover Themselves on the Communal Odyssey of ‘All Is Love and Pain in the Mouse Parade’ December 3, 2025
  • “I Want to Be Able to Speak Openly About What Hurts”: Marem Ladson Confronts Her Past & Finds Her Voice on “Cavity,” a Dreamy Indie Folk Reverie December 3, 2025
  • “I’m Not the Bootleg Version of Any Artist”: Gabriel Jacoby Stakes His Claim with Swagger, Sweat, and Southern Fire on ‘gutta child’ December 3, 2025
  • “Love Is Not the Antidote”: Dove Ellis Reckons with Love’s Limits on “Love Is,” an Aching & Unrestrained Unraveling December 3, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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