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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Young the Giant ‘Victory Garden’ © Josh Aikin
Features, Interviews, MusicJune 16, 2026<June 16, 2026

“Radical Empathy in This Time Is Its Own Form of Resistance”: Young the Giant on Cultivating Hope, Brotherhood, and Their Life-Affirming ‘Victory Garden’

Local the Neighbour "Hard" © 2026
Interviews, Music, Today's SongJune 15, 2026<June 15, 2026

“They Come with a Price”: Melbourne’s Local the Neighbour Confronts the Cost of Chasing a Dream on “Hard,” an Aching Indie Rock Confession

Atwood Magazine's 157th Editor's Picks!
Columns, Editor's Picks, Features, MusicJune 11, 2026<June 11, 2026

Editor’s Picks 157: James Smith, Fenne Lily, Rowena Wise, Alex Izenberg, Essence Martins, & The Army, The Navy

Gerrard © Lauren Kim
Debut, Interviews, Music, PremieresJune 11, 2026<June 11, 2026

“How Much Can You Divide Time?”: Gerrard Splits the Present Open on ‘ii. How Many Seconds in a Moment?,’ a Genre-Melting Debut of Memory, Rupture, & Release

verygently © Chase Denton
Interviews, Music, Today's SongJune 11, 2026<June 11, 2026

“Panic Attack, I’m an American Psycho”: verygently Sing Through Love’s Withdrawal on “STRONGER THAN THAT,” a Smoldering Indie Folk Reckoning

Cherry Bomb "Sorry You're Not Sorry" © Matty Vogel
Artist to Watch, Music, Music Videos, PremieresJune 10, 2026<June 10, 2026

“I Feel Everything”: Cherry Bomb Claims Her Own Salvation on “Sorry You’re Not Sorry,” a Feverish Disco-Pop Exorcism of Guilt, Glamour, & Release

Big Guy & The Very Large Men © Caleb Hoh
Interviews, Music, Music Videos, PremieresJune 9, 2026<June 9, 2026

“Couldn’t Love Myself the Way That I Loved Him”: Big Guy & The Very Large Men Bring Hidden Love Into the Light on “Only Sin,” an Achingly Beautiful Acoustic Reckoning

Litvar © 2026
Interviews, Music, Music Videos, PremieresJune 9, 2026<June 9, 2026

“Even God Won’t Guide You Now”: Litvar Give Grief’s Breaking Point a Voice on “Yeah I Know,” a Charged Indie Rock Eruption

Tired of Fighting "Just for Me" © Adam Lang
Artist to Watch, Interviews, Music, Today's SongJune 9, 2026<June 9, 2026

“Let’s Sing So Loud”: Tired of Fighting Trouble the Heavens on “Just for Me,” a Soul-Shaking Emo Punk Reckoning

Wishlist "I'm Sorry" © Evie Vlah
Artist to Watch, Columns, Music, ReviewsJune 6, 2026<June 6, 2026

“Deep Falling Towards Myself Again”: Melbourne Duo Wishlist Drift, Pulse, & Unravel on the Hypnotic “I’m Sorry,” a Weightless Emotional Spiral

William Harries Graham Traces the Afterlife of Connection on "NYC" © Col Elmore
Interviews, Music, PremieresJune 4, 2026<June 4, 2026

“I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’

Satya © Lola Lankford
Debut, Features, Interviews, Music, PremieresJune 4, 2026<June 4, 2026

“This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release

Atwood Magazine's 156th Editor's Picks!
Columns, Editor's Picks, Features, MusicJune 3, 2026<October 19, 2026

Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!

Watashi Wa © Nate Young
Music, PremieresJune 3, 2026<June 3, 2026

“Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit

chantel "Into Song Again" © Mitch Fielder
Debut, Music, Music Videos, PremieresJune 3, 2026<June 3, 2026

“I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return

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Recent Posts

  • Premiere: Masahiro Okamura Finds Beauty in the Uncertainty of Being Alive on “A Wonderful World of Death” October 22, 2026
  • Editor’s Picks 169: Jahson Paynter, Sarah Crean, St. Panther, Jaïr Faria, Sesame Girl, & Grace Robinson! October 21, 2026
  • “Something Within Us Continues to Sing”: Valerie June Makes “Trouble in Mind” Unmistakably Her Own October 20, 2026
  • “I’m Happy to Be Messy”: Adelide Dances Through the Chaos of Her Twenties on Sun-Kissed Soul Pop EP ‘The Way Up’ October 20, 2026
  • “The Beauty Is a Strategy”: Laila Smith Conjures a Spellbinding World of Grief, Games, & Tenderness on ‘Something Dreadful Is Going to Happen,’ Her Visionary Debut EP October 20, 2026
  • “Two Things Can Be True”: Lottie McLeod Embraces Heartbreak & Hilarity on ‘The Boathouse,’ a Coming-of-Age Indie Pop Triumph October 20, 2026
  • Music & Cities: Aitana’s ‘CUARTO AZUL’ in València, Spain October 20, 2026
  • Nick Stefanacci Captures a Late-Night Allure on “Midnight Affair” October 20, 2026
  • “There’s a Lot of Freedom in Letting Go”: MUANH Reclaims Her Voice on ‘hush,’ a Spellbinding Debut of Love and Self-Trust October 19, 2026
  • “Dream or Die”: N8NOFACE on Sobriety, Keeping His Inner Child Alive, and ‘Tomorrow’s World’ October 19, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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