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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Jasmine Power "Leap" © Chancellor Warhol
Music, Music Videos, PremieresJanuary 22, 2026<January 22, 2026

“I’ll Make It Loud So You Can Hear”: Jasmine Power Takes a Bold, Radiant “Leap” of Faith on Her Invigorating New Single

Morenike © Pauline Bajzak
Interviews, Music, PremieresJanuary 22, 2026<January 23, 2026

“Mysterious and Wild”: Morenike Slips into the Night on Her Seductive Second Single, a Spellbinding Descent into Desire, Illusion, & Becoming

Praise. © Alex Figs
Features, Interviews, Music, Track-by-TrackJanuary 21, 2026<January 21, 2026

“That’s the Whole Point of This Shit Anyway”: praise. Takes Inventory, Tells the Truth, & Lets Life Matter Again on ‘LOST,’

Mon Rovîa 'Bloodline' © Carter Howe
Debut, Features, Music, ReviewsJanuary 21, 2026<January 23, 2026

“Lay Down My Arms to Bare My Soul”: Mon Rovîa’s ‘Bloodline’ Is a Deeply Human Companion for a World in Need of Love

Social Order © 2026
Features, Interviews, MusicJanuary 20, 2026<January 26, 2026

Social Order Are Pushing Darkwave Post-Punk Forward Without Apology

Adam Goldberg © Daniel Gilbert
Music, Music Videos, PremieresJanuary 20, 2026<January 20, 2026

“You Came to My Town”: Adam Goldberg Captures Culture Clash, Division, & American Unease on The Goldberg Sisters’ “The Great Resignation”

Sly Jr.'s Landon Jacobs
Columns, Music, Today's SongJanuary 18, 2026<January 18, 2026

“This life’s a precious coffin”: Sly Jr. Embraces Love & Tenderness at the End of the World on “put down your weapons”

Westside Cowboy © Charlie Barclay Harris
Features, Interviews, Music, Track-by-TrackJanuary 16, 2026<January 16, 2026

“No Band Is an Island!”: Manchester’s Westside Cowboy Are Bringing ‘Britainicana’ to the Masses Through Shared Instinct and Loud, Joyful Noise

Yam Haus and Sydney Quiseng are "Always Falling in Love"
Columns, Music, Today's SongJanuary 16, 2026<January 16, 2026

“I Like the Way You Memorized My Number”: Yam Haus & Sydney Quiseng Find the Beauty of “Always Falling in Love” on Their Breathtaking Duet

Atwood Magazine's 143rd Editor's Picks!
Columns, Editor's Picks, Features, MusicJanuary 15, 2026<January 15, 2026

Editor’s Picks 143: FORAGER, Truman Sinclair, Tony DV, Searows, Elias Hix, & Ethan Regan!

Francis of Delirium © Shade Cumini
Interviews, Music, Today's SongJanuary 15, 2026<January 15, 2026

“A Tightrope Walk of Freedom and Shame”: Francis of Delirium Turns Regret & Raw Energy Loose on “Little Black Dress”

Theo Bleak © Marilena Vlachopoulou
MusicJanuary 14, 2026<January 14, 2026

“Spiritual, Subconscious, & Somber”: Theo Bleak Lets Hard Feelings Linger on ‘Bad Luck Is Two Yellow Flowers,’ a Quiet Meditation on Stillness and Longing

spill tab and boylife © Jade Sadler
Interviews, Music, Today's SongJanuary 14, 2026<January 14, 2026

“Say What You Mean”: spill tab Sits Inside the Ache on Her Quietly Devastating, Achingly Irresistible “Paranoia” (ft. boylife)

Cleo Reed 'CUNTRY' © Amandla Baraka
Features, Interviews, Music, Track-by-TrackJanuary 13, 2026<January 14, 2026

“The Grass Ain’t Greener and the Fare Ain’t Cheap”: Cleo Reed Reckons with Labor, Survival, & American Life on ‘CUNTRY’

Quarters © Theodore Sielatycki & Oliver J. Frisby
Interviews, Music, Today's SongJanuary 13, 2026<January 13, 2026

“You Loved Me Like a Pornstar”: NYC’s Quarters Turn Desire into Reckoning on Their Cinematic “STAR”

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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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