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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Elijah Wolf © courtesy of the artist
Interviews, Music, Today's SongJanuary 29, 2026<January 29, 2026

“Wanted a Different Life, Born in a Different Town”: Elijah Wolf’s Weathered “Texaco Lights” Is an Ode to Small-Town America and the Inescapable Ache of Home

Michael Marcagi is a Midwest Kid © Jimmy Fontaine
Features, Interviews, Music, Track-by-TrackJanuary 28, 2026<January 28, 2026

“It’s in My Blood, It’s in My Bones”: Michael Marcagi Is – and Will Always Be – a ‘Midwest Kid’

Alice Merton 'Visions' © Elias Köhler
Features, Interviews, MusicJanuary 28, 2026<January 28, 2026

“If I’m Not Steering the Ship, No One Else Is”: Alice Merton Insists on Blind Faith and Self-Trust on ‘Visions,’ Her Defiant, Empowering, & Unapologetic Third Album

Tony DV © Alex Kennedy
Artist to Watch, Debut, Interviews, Music, Today's SongJanuary 28, 2026<January 28, 2026

“I Don’t Know Where I’m Going, and I Don’t Care”: Tony DV Is a “Buff Boy,” and You Can Be One, Too

Spanish Love Songs © Hannah Gray Hall
Features, Interviews, MusicJanuary 27, 2026<February 11, 2026

“Who Gives a F*** About Landing?”: Spanish Love Songs Are Making Music for People Who Are Still in It

FORAGER © Isabelle Zhao
Artist to Watch, Interviews, Music, Today's SongJanuary 26, 2026<January 26, 2026

“The Right Touch of Vintage”: Brooklyn’s FORAGER Skewer Curated Cool & Empty Aesthetics on “Pomeranian,” a Shape-Shifting Indie Rock Fever Dream

Henry Grace with band members Brian Love (guitar), Toby Evangelou (drums), Blaine Harrison (keys), and Tom Holder (bass) © Jess Bibby
Features, Interviews, Music, Track-by-TrackJanuary 23, 2026<January 23, 2026

“Things Are Moving All Around Me”: Henry Grace Lets the Songs Breathe on His Warm & Weathered Sophomore Album

The Format © Carlo Cavaluzzi
Columns, Music, Today's SongJanuary 23, 2026<January 22, 2026

“Letting Go of Nothing”: The Format Give Us Something to Believe in on “Boycott Heaven,” an Indie Rock Anthem for a Broken Present

Atwood Magazine's 144th Editor's Picks!
Columns, Editor's Picks, Features, MusicJanuary 22, 2026<January 22, 2026

Editor’s Picks 144: The Format, Elijah Wolf, mer marcum & Jia*, Samm Henshaw, Katie Tupper, & Yumi Zouma!

Blessing Jolie "20teens" © Ro.Lexx
Artist to Watch, Interviews, Music, Music Videos, Today's SongJanuary 22, 2026<January 22, 2026

“I Won’t Have 20teens in My Bed”: Blessing Jolie Chooses Herself and Draws Hard Lines on Breakout Hit “20teens”

Jasmine Power "Leap" © Chancellor Warhol
Music, Music Videos, PremieresJanuary 22, 2026<January 22, 2026

“I’ll Make It Loud So You Can Hear”: Jasmine Power Takes a Bold, Radiant “Leap” of Faith on Her Invigorating New Single

Morenike © Pauline Bajzak
Interviews, Music, PremieresJanuary 22, 2026<January 23, 2026

“Mysterious and Wild”: Morenike Slips into the Night on Her Seductive Second Single, a Spellbinding Descent into Desire, Illusion, & Becoming

Praise. © Alex Figs
Features, Interviews, Music, Track-by-TrackJanuary 21, 2026<January 21, 2026

“That’s the Whole Point of This Shit Anyway”: praise. Takes Inventory, Tells the Truth, & Lets Life Matter Again on ‘LOST,’

Mon Rovîa 'Bloodline' © Carter Howe
Debut, Features, Music, ReviewsJanuary 21, 2026<January 23, 2026

“Lay Down My Arms to Bare My Soul”: Mon Rovîa’s ‘Bloodline’ Is a Deeply Human Companion for a World in Need of Love

Social Order © 2026
Features, Interviews, MusicJanuary 20, 2026<January 26, 2026

Social Order Are Pushing Darkwave Post-Punk Forward Without Apology

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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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