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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Medium Build © Silken Weinberg
Columns, Music, Today's SongOctober 10, 2024<October 10, 2024

“Does it make sense how I need it?”: Medium Build’s Aching Heart Races in “Triple Marathon,” an Intimate, Emotionally Charged Anthem

James Bay © Caity Krone
Features, Interviews, MusicOctober 9, 2024<October 13, 2024

“It’s coming home to myself”: James Bay on Achieving True Musical Freedom With His Fourth Album ‘Changes All the Time’

Folk Bitch Trio © Bridgette Winten
Interviews, MusicOctober 8, 2024<October 8, 2024

Interview: Melbourne’s Folk Bitch Trio Emerge With an Unforgettable Name and a Beautiful Sound

Aquilo © Harvey Pearson
Features, Interviews, MusicOctober 7, 2024<November 2, 2024

“A letter to our younger selves”: Aquilo’s ‘A Quiet Invitation to a Hard Conversation’ Is a Breathtaking Triumph

Girl Scout © Christoffer Zetterlund & Emilia Jagerman
Columns, Music, Today's SongOctober 7, 2024<October 7, 2024

“It feels just like a hot rush”: Girl Scout’s Sweet N’ Spicy Anthem “Honey” Hits Hard & Goes Down Smooth

flipturn © Amanda Laferriere
Columns, Music, Today's SongOctober 4, 2024<October 4, 2024

“I’ve been feeling the weight of everything”: Basking in the Heat of flipturn’s Beachy Reverie, “Rodeo Clown”

Merce Lemon © Eric Stevens
Features, Interviews, MusicOctober 4, 2024<October 4, 2024

Soft Explosions: Merce Lemon on Making Her Restless & Raw Third Album, ‘Watch Me Drive Them Dogs Wild’

Ethansroom 'BIGGER LOVE' © Noah Tidmore
Features, Interviews, Music, Track-by-TrackOctober 4, 2024<October 4, 2024

“Explosive, Eternal, & Understanding”: Ethansroom Embraces a ‘BIGGER LOVE’ on His Breathtakingly Bold Third Album

Mon Rovîa “crooked the road.” © Caity Krone
Columns, Music, Today's SongOctober 3, 2024<October 3, 2024

Mon Rovîa’s “crooked the road.” Is a Dreamy Blanket of Musical & Emotional Warmth

Nina Nesbitt 'Mountain Music' © Wolf James
Features, Interviews, MusicOctober 1, 2024<October 2, 2024

“There’s something really beautiful about four simple chords and a story”: Nina Nesbitt on Reconnecting With Her Roots & Making ‘Mountain Music’

Maya Ixta 'Diary Entries' © Devin Dygert
Debut, Music, ReviewsOctober 1, 2024<October 1, 2024

Review: Maya Ixta’s Debut EP ‘Diary Entries’ Takes Us on a Vulnerable Musical Journey

Conner Youngblood © Julia Mayorova
Features, Interviews, Music, Track-by-TrackOctober 1, 2024<October 1, 2024

“Surrealism, Expressionism, & Tranquility”: Conner Youngblood on His Spellbinding Sophomore LP ‘Cascades, Cascading, Cascadingly’

The Mysterines © Steve Gullick
Features, Interviews, MusicSeptember 30, 2024<September 30, 2024

“It’s the moments of silence and stillness that have the heaviest weight”: The Mysterines Shine a Light on the Dark Depths of ‘Afraid of Tomorrows’

Peace Ritual © Tahmid Nurullah
Columns, Music, Today's SongSeptember 27, 2024<September 27, 2024

Today’s Song: Peace Ritual Channel Angst & Ecstasy into Impassioned DIY Anthem “Seconds”

The Howl & The Hum © Stewart Baxter
Features, Interviews, Music, Track-by-TrackSeptember 27, 2024<March 2, 2025

Feature: The Howl & The Hum’s Sam Griffiths on Making ‘Same Mistake Twice,’ an Album Full of Dread, Joy, & Human Breath

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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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