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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Ziyad Al-Samman © Austn Fischer
Music, PremieresSeptember 18, 2024<September 18, 2024

Premiere: London’s Ziyad Al-Samman Breaks Out With a “Bang” of Love, Madness, & Disco Pop Flare

Dino Expedition © Riley Natalova
Music, PremieresSeptember 18, 2024<September 18, 2024

“My skin was blue, but that’s okay”: Brooklyn’s Dino Expedition Premiere “Marie,” an Aching Indie Folk Song of Trauma, Innocence, & Trust Betrayed

'Light Sides' EP art - Angie McMahon
Artist to Watch, Columns, Music, ReviewsSeptember 18, 2024<September 18, 2024

“Breaking this open meant starting a riot”: Angie McMahon’s “Untangling” Is a Masterclass in Cinematic Vulnerability

COIN © Phoenix Johnson
Features, Interviews, MusicSeptember 13, 2024<September 27, 2024

“The most personal is the most universal”: COIN’s ‘I’m Not Afraid of Music Anymore’ Is a Triumph of Love, Vulnerability, & Self-Acceptance

Charli Adams "Airlifter" © Kylie Rebecca
Columns, Interviews, Music, Today's SongSeptember 13, 2024<September 13, 2024

Interview: Charli Adams’ Inner Light Shines on “Airlifter,” an Anthem of Love, Friendship, & Showing Up for Others

Awksymoron © Jesse Baumes
Music, PremieresSeptember 12, 2024<September 12, 2024

“All Bets Are Off”: Brooklyn’s Awksymoron Premiere a Hopeful Ode to Life, Friendship, & Uncertainty

Amanda Bergman © Julia Mård
Columns, Music, Today's SongSeptember 12, 2024<October 9, 2024

“The sky isn’t only smoke, child”: The Heartfelt Hope & Dreamy Heat of Amanda Bergman’s “All Over Town”

Devarrow © 2024
Features, Interviews, Music, Track-by-TrackSeptember 6, 2024<September 6, 2024

‘A Long & Distant Wave’: Devarrow Embraces Life’s Ebbs and Flows With Sweet, Seductive, Soul-Stirring Folk

Wax Owls © Nina Ripich
Debut, Features, Interviews, Music, Track-by-TrackSeptember 6, 2024<September 6, 2024

“Give a weight for hope”: LA’s Wax Owls Weave Reflective & Vulnerable Indie Folk Reveries on Debut EP ‘Cowboy Cologne’

Trace Mountains © Alyx Soard
Columns, Music, Today's SongSeptember 5, 2024<September 5, 2024

“A burning desire”: Basking in the Sweet, Sweaty Heat of Trace Mountains’ 7-Minute Reverie, “In a Dream”

Joe George 'Folk Cinema' © Cory Dewald
Features, Interviews, Music, Track-by-TrackSeptember 5, 2024<September 5, 2024

Feature: The Sweet Seduction of Joe George’s Dreamy, Nostalgic & Dusty Third LP, ‘FOLK CINEMA’

Oh Wonder, 10 Years On
Columns, Music, Today's SongSeptember 4, 2024<September 4, 2024

“Before you came ’round my heart would never beat much faster”: Oh Wonder Revisit Their Breathtaking Debut Single With “Body Gold (10 Years On)”

Sloan Golden 'Missing Stair' © Lauren Nieves
Debut, Features, Interviews, Music, Premieres, Track-by-TrackSeptember 4, 2024<September 4, 2024

Reflective, Unflinching, & Palpable: Sloan Golden Debuts With Intimacy, Intentionality, and ‘Long Conversations’

country girl © Ashley Lieberman
Columns, Music, Today's SongSeptember 1, 2024<September 1, 2024

“I wanna shine inside your world”: country girl’s “your favorite girl” Is a Sweet Romantic Seduction

The Sherlocks © Nathan Kobierowsky
Columns, Music, Today's SongAugust 31, 2024<August 31, 2024

“This light always shines for you”: The Sherlocks’ “Death of Me” Is an Indie Rock Anthem for the Ages

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Recent Posts

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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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