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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Bec Lauder and the Noise "Nobody Cares" © 2025
Artist to Watch, Interviews, Music, Music Videos, PremieresJuly 31, 2025<July 31, 2025

“Nobody Cares”: NYC’s Bec Lauder and The Noise Premiere Their Explosive Glam-Punk Anthem of Chaos, Rebellion, & Release

CLOVER "My Kind of Woman" © Caley Senters
Music, Music Videos, PremieresJuly 30, 2025<July 30, 2025

“I’m not afraid to be my kind of woman”: CLOVER Premieres Her Bold, Beautiful, and Unapologetic Celebration of Feminine Power & Truth

Winnetka Bowling League © Heather Saitz
Features, Interviews, MusicJuly 30, 2025<July 30, 2025

“Wait ‘Til You See My Next Trick”: Winnetka Bowling League’s Matthew Koma Is Ready to Rock Lollapalooza – and Make More Songs

mary in the junkyard "drains" © Vittoria Pagliaro
Artist to Watch, Interviews, MusicJuly 30, 2025<July 30, 2025

Slipping Down the “Drains” with mary in the junkyard: British Band-to-Watch on Chaos, Connection, & Catharsis

Liam Bauman © Rachel Weber
Artist to Watch, Interviews, Music, Music Videos, PremieresJuly 29, 2025<July 29, 2025

Artist to Watch: Liam Bauman’s “Old Friends” Is a Raw, Unfiltered Reckoning with Grief, Guilt, & Emotional Fallout

Soft Loft © Flavio Leone
Features, Interviews, Music, Track-by-TrackJuly 28, 2025<November 6, 2025

Track-by-Track: Soft Loft Illuminate Longing, Intimacy, & Emotional Release on Their Lush ‘Modern Roses’ EP

Atwood Magazine's 129th Editor's Picks!
Columns, Editor's Picks, Features, MusicJuly 25, 2025<August 7, 2025

Editor’s Picks 129: total tommy, Park National, Zzz., Florentenes, mary in the junkyard, & DR DR!

hard life's Murray Matravers © 2025
Music, ReviewsJuly 25, 2025<July 25, 2025

Album Review: hard life (FKA easy life) Peel Back the Layers on Their Raw, Resurgent, & Unfiltered ‘onion’

Debbii Dawson © Jennifer Juniper Stratford
Artist to Watch, Features, Interviews, MusicJuly 24, 2025<July 24, 2025

“I’m a weird girl who makes weird music for weird people”: Inside Debbii Dawson’s Magical Musical World

Joe Ramsay © James Grant
Music, PremieresJuly 24, 2025<July 28, 2025

Premiere: Joe Ramsey Reflects on Time, Purpose, & Presence in “Mornings,” a Stirring Indie Folk Reckoning

Charlotte OC © Stewart Baxter
Features, Interviews, Music, Track-by-TrackJuly 24, 2025<July 24, 2025

“I wanted this record to sound like truth”: Charlotte OC Reclaims Herself on ‘Seriously Love, Go Home,’ a Record of Reckoning, Release, & Hard-Won Clarity

Amy Millan © Tess Roby
Features, Interviews, Music, Track-by-TrackJuly 24, 2025<July 24, 2025

“Gentle Songs for a Loud World”: Stars’ Amy Millan Shines on ‘I Went to Find You,’ a Spiritual & Spellbinding Solo Album Rooted in Memory, Grief, & Grace

Olina © 2025
Music, PremieresJuly 23, 2025<July 23, 2025

Premiere: Olina’s “Newspaper Smell” Is a Raw, Raucous Reckoning with Class, Chaos, & First-Gen Dread

NoSo © Driely Carter
Artist to Watch, Features, Interviews, MusicJuly 23, 2025<July 24, 2025

Interview: NoSo’s Baek Hwong on Finding Power, Comfort, and Liberation Through Vulnerable Pop Songs

Isabella&Sebastian © 767Agency
Music, PremieresJuly 22, 2025<July 22, 2025

Premiere: Isabella&Sebastian Fight Self-Sabotage in Style on “Lobbytommy,” a Smoldering Indie Pop Reverie

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Recent Posts

  • Premiere: Masahiro Okamura Finds Beauty in the Uncertainty of Being Alive on “A Wonderful World of Death” October 22, 2026
  • Editor’s Picks 169: Jahson Paynter, Sarah Crean, St. Panther, Jaïr Faria, Sesame Girl, & Grace Robinson! October 21, 2026
  • “Something Within Us Continues to Sing”: Valerie June Makes “Trouble in Mind” Unmistakably Her Own October 20, 2026
  • “I’m Happy to Be Messy”: Adelide Dances Through the Chaos of Her Twenties on Sun-Kissed Soul Pop EP ‘The Way Up’ October 20, 2026
  • “The Beauty Is a Strategy”: Laila Smith Conjures a Spellbinding World of Grief, Games, & Tenderness on ‘Something Dreadful Is Going to Happen,’ Her Visionary Debut EP October 20, 2026
  • “Two Things Can Be True”: Lottie McLeod Embraces Heartbreak & Hilarity on ‘The Boathouse,’ a Coming-of-Age Indie Pop Triumph October 20, 2026
  • Music & Cities: Aitana’s ‘CUARTO AZUL’ in València, Spain October 20, 2026
  • Nick Stefanacci Captures a Late-Night Allure on “Midnight Affair” October 20, 2026
  • “There’s a Lot of Freedom in Letting Go”: MUANH Reclaims Her Voice on ‘hush,’ a Spellbinding Debut of Love and Self-Trust October 19, 2026
  • “Dream or Die”: N8NOFACE on Sobriety, Keeping His Inner Child Alive, and ‘Tomorrow’s World’ October 19, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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