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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Sunday (1994) © 2024
Artist to Watch, Columns, Interviews, Music, Today's SongAugust 12, 2024<August 12, 2024

“I swallowed SSRI need you”: Sunday (1994) Maximize Life’s Minimal Moments Through Dreamy, Emotive Love Songs

april june © Ana Albores Prejigueiro
Features, Interviews, Music, Track-by-TrackAugust 9, 2024<August 9, 2024

“Denial, Anger, & Acceptance”: april june Cracks Her Heart Open on Dreamy Sophomore EP ‘baby’s out of luck again’

Mal Not Bad 'This Is Your New Life' © Jacob Boll
Debut, Features, Interviews, Music, Track-by-TrackAugust 9, 2024<August 9, 2024

‘This Is Your New Life’: Mal Not Bad Charts an Intimate Awakening on Soul-Stirring Debut Album

Luke Beling © 2024
Columns, Interviews, Music, Today's SongAugust 9, 2024<August 9, 2024

“If God is a man then God is a man among us”: Luke Beling Embraces a Divine Light in “Shining Like the Sun”

Kat and the Hurricane © Willow Ray
Debut, Music, PremieresAugust 8, 2024<August 8, 2024

Premiere: Wisconsin’s Kat and the Hurricane Get It Out on “Therapy,” a Raucous Anthem of Cathartic Release

Sarah Isabella 'The Keeper' © Salam Zaied
Debut, Features, Interviews, Music, Track-by-TrackAugust 8, 2024<August 8, 2024

“I’ll meet you in the fire”: East London’s Sarah Isabella Emerges on Soulful, Spiritual & Smoldering Debut EP ‘The Keeper’

Font © Rosie Clements
Debut, Features, Interviews, Music, Track-by-TrackAugust 7, 2024<August 7, 2024

Track-by-Track: Austin’s Font Debut With Dance-Punk Fever Dream ‘Strange Burden’

Never Ending Fall © Austin Cieszko
Features, Interviews, MusicAugust 7, 2024<August 9, 2024

“Disco will never die”: Never Ending Fall Find Reinvention Through Rock Songs on ‘American Disco,’ Their Irresistible Sophomore Album

Sunflower Thieves "How Was America" © Nick Porter
Features, Interviews, Music, Today's SongAugust 7, 2024<August 7, 2024

Interview: Leeds’ Sunflower Thieves Talk Friendship, “How Was America,” and the Heavy Weight of Ghosts

Melanie MacLaren "Get it Back" © Blaire Beamer
Music, Music Videos, PremieresAugust 7, 2024<August 7, 2024

“We lost our spark on the FDR”: Melanie MacLaren’s “Get it Back” Aches With the Warm Weight of Love & Grief

Aistis © Sophia Perras
Features, Interviews, Music, Track-by-TrackAugust 7, 2024<August 7, 2024

“Earnest, Manic, & Playful”: Montreal’s Aistis Molds Emotional Turmoil into Musical Excellence on ‘Clay’

Hamish Anderson © Emma Gillett
Music, Music Videos, PremieresAugust 5, 2024<August 5, 2024

Premiere: Hamish Anderson’s “You’re Mine” Is a Smoldering Display of Love & Blues Rock Charm

Abby Holliday 'CRACK A SMILE COME ON STAY A WHILE' © Grace Holliday
Features, Interviews, Music, Track-by-TrackAugust 2, 2024<August 2, 2024

Track-by-Track: Abby Holliday Invites Us to ‘CRACK A SMILE COME ON STAY A WHILE’ With Her Triumphant & Vulnerable Third Album

Divine Sweater "Counterparts" © Megan Magray
Columns, Music, Today's SongAugust 1, 2024<August 1, 2024

“Hiding in the dark”: Divine Sweater’s Dreamy “Counterparts” & the Power of Companionship

Abbie Ozard 'everything still worries me' © Charlotte Rudd
Debut, Features, Interviews, Music, Track-by-TrackAugust 1, 2024<August 1, 2024

Track-by-Track: Manchester’s Abbie Ozard Channels Anxiety into Celebration on Her Coming-of-Age Debut Album ‘everything still worries me’

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Recent Posts

  • “You Loved Me Like a Pornstar”: NYC’s Quarters Turn Desire into Reckoning on Their Cinematic “STAR” January 13, 2026
  • “You Can’t Learn Heartbreak From a Poem”: Zach Bryan’s ‘With Heaven on Top’ Is a Bruising, Deeply Human Companion to Modern American Life January 12, 2026
  • “Year Zero in the Summertime”: Father John Misty Lays Down “The Old Law” Between Faith, Failure, & Fevered Memory January 12, 2026
  • “These Emotions Are a Reminder That I Am a Human Being”: Lucia Lets Pain Breathe on “Wash you clean” January 11, 2026
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  • Atwood Magazine’s Weekly Roundup: January 9, 2026 January 9, 2026
  • “We Were Never the Same”: Indie Rock Duo Witch Post Embrace Unease, Myth, & Transformation on “Changeling” January 9, 2026
  • Brigitte Calls Me Baby Turned Fear of Death into Romantic Rock Songs Full of Hope, Drama, and Existential Dread January 8, 2026
  • “Rudimentary Questions About the Afterlife”: TOLEDO Embrace Wonder and the Unknown with Dreamy Grace on “Nothing Yet” January 8, 2026
  • “Dream About Beaches”: Kings of Leon Bask in the Glow of a Fresh Sonic Space on ‘EP #2’ January 7, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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