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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Amanda Bergman © Julia Mård
Columns, Music, Today's SongSeptember 12, 2024<October 9, 2024

“The sky isn’t only smoke, child”: The Heartfelt Hope & Dreamy Heat of Amanda Bergman’s “All Over Town”

Devarrow © 2024
Features, Interviews, Music, Track-by-TrackSeptember 6, 2024<September 6, 2024

‘A Long & Distant Wave’: Devarrow Embraces Life’s Ebbs and Flows With Sweet, Seductive, Soul-Stirring Folk

Wax Owls © Nina Ripich
Debut, Features, Interviews, Music, Track-by-TrackSeptember 6, 2024<September 6, 2024

“Give a weight for hope”: LA’s Wax Owls Weave Reflective & Vulnerable Indie Folk Reveries on Debut EP ‘Cowboy Cologne’

Trace Mountains © Alyx Soard
Columns, Music, Today's SongSeptember 5, 2024<September 5, 2024

“A burning desire”: Basking in the Sweet, Sweaty Heat of Trace Mountains’ 7-Minute Reverie, “In a Dream”

Joe George 'Folk Cinema' © Cory Dewald
Features, Interviews, Music, Track-by-TrackSeptember 5, 2024<September 5, 2024

Feature: The Sweet Seduction of Joe George’s Dreamy, Nostalgic & Dusty Third LP, ‘FOLK CINEMA’

Oh Wonder, 10 Years On
Columns, Music, Today's SongSeptember 4, 2024<September 4, 2024

“Before you came ’round my heart would never beat much faster”: Oh Wonder Revisit Their Breathtaking Debut Single With “Body Gold (10 Years On)”

Sloan Golden 'Missing Stair' © Lauren Nieves
Debut, Features, Interviews, Music, Premieres, Track-by-TrackSeptember 4, 2024<September 4, 2024

Reflective, Unflinching, & Palpable: Sloan Golden Debuts With Intimacy, Intentionality, and ‘Long Conversations’

country girl © Ashley Lieberman
Columns, Music, Today's SongSeptember 1, 2024<September 1, 2024

“I wanna shine inside your world”: country girl’s “your favorite girl” Is a Sweet Romantic Seduction

The Sherlocks © Nathan Kobierowsky
Columns, Music, Today's SongAugust 31, 2024<August 31, 2024

“This light always shines for you”: The Sherlocks’ “Death of Me” Is an Indie Rock Anthem for the Ages

Tim Atlas © Tim Atlas
Debut, Features, Interviews, Music, Track-by-TrackAugust 30, 2024<August 30, 2024

“A reintroduction to me as a human and as an artist”: Tim Atlas Unpacks ‘Enchanté,’ His Ambitiously Bold Debut LP

Water the Flowers, Pray for a Garden - Valley
Features, Interviews, Music, Track-by-TrackAugust 30, 2024<September 3, 2024

‘Water the Flowers, Pray for a Garden’: Valley Discuss Grief, Growth, & Owning Their Truths With Their Third LP

Bishop Briggs © Nick Walker
Columns, Music, Today's SongAugust 29, 2024<August 29, 2024

“I want you to knock my lights out”: Bishop Briggs’ Messy, Sweaty, & Intoxicating Anthem, “Mona Lisa on a Mattress”

Little Mystery © Maya Meissner
Debut, Features, Interviews, Music, Track-by-TrackAugust 29, 2024<August 29, 2024

“I am not who I thought I’d be”: Little Mystery’s Ivy Meissner Bares Her Soul on Breathtaking Debut LP

The Rare Occasions © Alex Justice
Features, Interviews, Music, Track-by-TrackAugust 29, 2024<August 29, 2024

Track-by-Track: The Rare Occasions Unpack 2022’s ‘Attaboy’ EP, an Exhilarating & Undeniably Fun Indie Rock Record

meadows © 2024
Music, PremieresAugust 29, 2024<August 29, 2024

“I’m falling apart in the red car”: Winnipeg’s meadows Brace for Loss on “If You Go,” a Brooding Slowcore Daydream

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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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