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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

The National Parks © Katie Seaman
Features, Interviews, MusicAugust 23, 2024<August 23, 2024

“Dreaming all day, wandering all night”: The National Parks Embrace Their ‘Wild Spirit’ in an Album of Wilderness, Folk, & Adventure

'In the Shadow of the Holy Mountain'
Features, Interviews, Music, Track-by-TrackAugust 22, 2024<August 29, 2024

Human Connection: The Story of Blind Pilot’s Fourth Album, ‘In the Shadow of the Holy Mountain’

Gabe Goodman © Charlie Weinmann
Columns, Features, Interviews, Music, Today's SongAugust 22, 2024<August 22, 2024

“How to love and be loved”: Gabe Goodman Explores Life’s Big Questions on Debut Album ‘The Rock’

The Noisy © Uv Lucas
Debut, Features, Interviews, Music, Track-by-TrackAugust 21, 2024<August 21, 2024

“Queer Metabolism”: Inside The Noisy’s Charged & Charming Debut LP ‘The Secret Ingredient Is More Meat’

Palomino Blond "Understand" © Dennis Ho
Music, PremieresAugust 21, 2024<August 21, 2024

Premiere: Miami’s Palomino Blond Unleash Their Angst in Alt-Rock Tempest “Understand”

The Staves © Josh Shinner
Columns, Music, Today's SongAugust 21, 2024<August 21, 2024

Today’s Song: The Staves Are “Waiting for the Joy” to Come in Their Invigorating, Harmony-Soaked Anthem of Angst & Existential Dread

MAITA 'want' © Tristan Paiige
Features, Interviews, Music, Track-by-TrackAugust 20, 2024<August 20, 2024

Track-by-Track: The Tender Turbulence of MAITA’s Passionate, Subtle, & Potent Third Album, ‘want’

Marlin's Dreaming © Jake Munro
Features, Interviews, Music, Track-by-TrackAugust 20, 2024<August 20, 2024

“Happy, Sleepy, & Sad”: Inside Marlin’s Dreaming’s Tranquil, Triumphant & Charged Fourth LP, ‘HIRL’

Novo Amor's Ali Lacey in his art room © 2024
Features, Interviews, MusicAugust 19, 2024<August 19, 2024

“I’m setting free”: Novo Amor’s Ali Lacey Finds Strength in Fragility on ‘Collapse List,’ an Album of Upheaval & Rediscovery

OMBIIGIZI © Natasha Roberts
Music, Music Videos, PremieresAugust 19, 2024<August 19, 2024

“Smothered by the dream”: OMBIIGIZI Premiere “Laminate the Sky,” a Song of Freedom, Place, & Truth Off Sophomore LP ‘Shame’

Isabel Dumaa "C'est La Vie" © Breanna Lynn
Columns, Interviews, Music, Today's SongAugust 16, 2024<August 19, 2024

Interview: Isabel Dumaa’s “C’est La Vie” Is an Anthem of Angst, Liberation, & Acceptance

Billy Keane © 2024
Music, PremieresAugust 15, 2024<August 14, 2024

Premiere: Billy Keane’s Feel-Good “Girl Ain’t Mine” Is Breathtaking, Soul-Shaking Blues Rock at Its Finest

Stevie Bill © Monique Penders
Columns, Music, Today's SongAugust 14, 2024<August 14, 2024

Stevie Bill’s “Lalala” Is an Irresistible Ode to Our Favorite Songs – And It’s Ready to Become One

The Killers "Bright Lights" © 2024
Music, Reviews, This Just InAugust 14, 2024<August 14, 2024

The Killers Turn the “Bright Lights” on in a Larger-Than-Life Anthem of Passion, Purpose, & Chasing Dreams

nicholas © Tim Nagle
Music, PremieresAugust 13, 2024<August 13, 2024

“Waiting on a lonesome dream”: The Soulful Ache of nicholas’ “Belinda”

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Recent Posts

  • The Runarounds Ask for Belief in Their Music First – “Arrhythmia (I Hope You Stay)” Still Points Toward Greater Potential February 20, 2026
  • Editor’s Picks 148: MARIS, Brigitte Calls Me Baby, midori jaeger, Brown Horse, Hayden Everett, & Happy Landing! February 19, 2026
  • Album Premiere: Drexler’s ‘Olympia-5’ Is a Montage of Memories, Charting the Process of Grief, Hope, & Reckoning February 19, 2026
  • “I Talk About You to Anybody Who’s Gonna Listen”: Donovan Woods Offers a Beautifully Devastating Act of Remembrance in a Stirring Folk Elegy February 19, 2026
  • ‘Big Changes’ Are Coming: Adam Sturgeon of Status/Non-Status on Identity, Responsibility, and Endurance in Modern Canada February 18, 2026
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  • “Sweet July, Could You Stay Here Forever?”: The 4411 Bottle the Ache of Growing Up in a Golden Indie Folk Ode to Friendship & Time February 18, 2026
  • “Let’s Slow Down and Be Brave”: Konradsen Embrace Enduring Love With “Efficiency,” a Smoldering Indie Folk Reverie February 17, 2026
  • “You say that it’s love, but you don’t even know me”: Grace VanderWaal’s “Prettier” Explores the Haunting Cost of Being Admired February 14, 2026
  • Editor’s Picks 147: Almost Heaven, Philine Sonny, Carter Vail, Haute & Freddy, Florentenes, & Endearments! February 13, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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