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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

meadows © 2024
Music, PremieresAugust 29, 2024<August 29, 2024

“I’m falling apart in the red car”: Winnipeg’s meadows Brace for Loss on “If You Go,” a Brooding Slowcore Daydream

Evan Honer © Harrison Hargrave
Features, Interviews, Music, Track-by-TrackAugust 28, 2024<August 28, 2024

Truth, Resilience, & Longing: Evan Honer Finds What He’s ‘Fighting For’ With His Soul-Stirring Sophomore Album

Del Water Gap 'I Miss You Already + I Haven't Left Yet (Deluxe)' album art
Columns, Music, Today's SongAugust 27, 2024<August 27, 2024

“Everything I touch turns eventually to dirt”: Del Water Gap Declares Himself King “Midas” in Reverse on Gut-Wrenching Anthem

Trousdale © Caity Krone
Debut, Features, Interviews, Music, Track-by-TrackAugust 27, 2024<August 27, 2024

Feature: Trousdale Breathe New Life into Their Sun-Kissed Debut With ‘Out of My Mind (Deluxe)’

Dhruv © Stefan Kohli
Debut, Features, Interviews, Music, Track-by-TrackAugust 23, 2024<August 23, 2024

Track-by-Track: Dhruv’s Soul Shines on ‘Private Blizzard,’ His Intense, Confessional, & Beautifully Messy Debut Album

Emily Wurramara 'NARA'
Features, Interviews, Music, Track-by-TrackAugust 23, 2024<August 27, 2024

“Hydrate your soul”: Emily Wurramara Embraces Her Truth in ‘NARA,’ a Triumphant Album of Nothing & Everything

The National Parks © Katie Seaman
Features, Interviews, MusicAugust 23, 2024<August 23, 2024

“Dreaming all day, wandering all night”: The National Parks Embrace Their ‘Wild Spirit’ in an Album of Wilderness, Folk, & Adventure

'In the Shadow of the Holy Mountain'
Features, Interviews, Music, Track-by-TrackAugust 22, 2024<August 29, 2024

Human Connection: The Story of Blind Pilot’s Fourth Album, ‘In the Shadow of the Holy Mountain’

Gabe Goodman © Charlie Weinmann
Columns, Features, Interviews, Music, Today's SongAugust 22, 2024<August 22, 2024

“How to love and be loved”: Gabe Goodman Explores Life’s Big Questions on Debut Album ‘The Rock’

The Noisy © Uv Lucas
Debut, Features, Interviews, Music, Track-by-TrackAugust 21, 2024<August 21, 2024

“Queer Metabolism”: Inside The Noisy’s Charged & Charming Debut LP ‘The Secret Ingredient Is More Meat’

Palomino Blond "Understand" © Dennis Ho
Music, PremieresAugust 21, 2024<August 21, 2024

Premiere: Miami’s Palomino Blond Unleash Their Angst in Alt-Rock Tempest “Understand”

The Staves © Josh Shinner
Columns, Music, Today's SongAugust 21, 2024<August 21, 2024

Today’s Song: The Staves Are “Waiting for the Joy” to Come in Their Invigorating, Harmony-Soaked Anthem of Angst & Existential Dread

MAITA 'want' © Tristan Paiige
Features, Interviews, Music, Track-by-TrackAugust 20, 2024<August 20, 2024

Track-by-Track: The Tender Turbulence of MAITA’s Passionate, Subtle, & Potent Third Album, ‘want’

Marlin's Dreaming © Jake Munro
Features, Interviews, Music, Track-by-TrackAugust 20, 2024<August 20, 2024

“Happy, Sleepy, & Sad”: Inside Marlin’s Dreaming’s Tranquil, Triumphant & Charged Fourth LP, ‘HIRL’

Novo Amor's Ali Lacey in his art room © 2024
Features, Interviews, MusicAugust 19, 2024<August 19, 2024

“I’m setting free”: Novo Amor’s Ali Lacey Finds Strength in Fragility on ‘Collapse List,’ an Album of Upheaval & Rediscovery

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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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