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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Stevie Bill "Fan" © Monique Penders
Columns, Music, Today's SongMarch 1, 2025<March 1, 2025

“Don’t Spoil My Appetite”: Stevie Bill’s “Fan” Is a Euphoric Love Letter to the the Fever of Fandom

Atwood Magazine's 112th Editor's Picks!
Columns, Editor's Picks, Features, MusicFebruary 28, 2025<March 7, 2025

Editor’s Picks 112: Gordi, Mt. Joy, Carla Aakre, Father John Misty, Jensen McRae, & Sam Fender!

Love Spells © Dan Franco
Columns, Music, Today's SongFebruary 27, 2025<February 27, 2025

Today’s Song: Love Spells’ Dark & Stormy “Lovers Only” and the Haunting Ache of Unrequited Love

Goo Goo Dolls © Maxine Evans
Features, Interviews, MusicFebruary 26, 2025<February 26, 2025

Interview: Goo Goo Dolls’ Robby Takac Reflects on 30 Years of ‘A Boy Named Goo’ and the Band’s Never-Ending Evolution

Revelation - Leif Vollebekk
Features, Interviews, MusicFebruary 26, 2025<February 26, 2025

Interview: Leif Vollebekk on Music, Mysticism, and the Journey to ‘Revelation’

Atwood Magazine's 111th Editor's Picks
Columns, Editor's Picks, Features, MusicFebruary 21, 2025<February 21, 2025

Editor’s Picks 111: Merpire, Bad Suns, Soft Loft, milk., Housewife, & Ruby Gill!

Discus © Clare Byrne
Music, PremieresFebruary 19, 2025<February 19, 2025

Premiere: Discus Ache for the ‘Good Ol’ Days’ That Never Came in “O My Stars,” a Haunting Reflection on Fleeting Youth & Fading Futures

Mumford & Sons' Marcus Mumford, Ben Lovett, and Ted Dwane © 2025
Columns, Music, Today's SongFebruary 19, 2025<February 19, 2025

“Light me up, I’m wasted in the dark”: Mumford & Sons Embrace Their Restless Hearts in “Rushmere,” a Folk Rock Fever Dream

Bartees Strange © Elizabeth De La Piedra
Features, Interviews, MusicFebruary 14, 2025<February 14, 2025

“Super Dark Times”: Bartees Strange on Turning Fear into Fuel in ‘Horror,’ a Record of Musical & Emotional Deconstruction

Alessia Cara 'Love & Hyperbole' © Alex Loucas
Features, Interviews, MusicFebruary 14, 2025<February 14, 2025

Interview: Alessia Cara on ‘Love & Hyperbole,’ Feeling Big Feelings, and Learning to Choose Joy

Atwood Magazine's 110th Editor's Picks
Columns, Editor's Picks, Features, MusicFebruary 13, 2025<February 13, 2025

Editor’s Picks 110: James Bay, The Aces, Bren Joy, Stevie Bill, Julien Baker & TORRES, & Gabriel Jacoby!

Luke Tyler Shelton © 2025
Artist to Watch, Columns, Music, Today's SongFebruary 13, 2025<February 13, 2025

Today’s Song: Luke Tyler Shelton’s Sun-Soaked “Love on My Mind” Shines With Vintage Warmth & Timeless Sound

Disaster Kid © 2025
Music, Music Videos, PremieresFebruary 12, 2025<February 12, 2025

Premiere: Chicago’s Disaster Kid Embrace Love & Schmaltz on “Wine/Weapon”

Juice Mazelee © Dennis Thompson & Jeremiah Fristoe
Features, Interviews, Music, Track-by-TrackFebruary 12, 2025<February 12, 2025

Feature: Chicago Rapper Juice Mazelee on Legacy, Identity, and Why He’s ‘HERE NOW N FOREVER’

Julia Logan © Olof Grind
Features, Interviews, Music, Track-by-TrackFebruary 12, 2025<February 12, 2025

‘Faraway Nearby’: Julia Logan Explores Connection, Distance, & the Human Experience on Her Soul-Stirring Sophomore Album

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Recent Posts

  • Premiere: Masahiro Okamura Finds Beauty in the Uncertainty of Being Alive on “A Wonderful World of Death” October 22, 2026
  • Editor’s Picks 169: Jahson Paynter, Sarah Crean, St. Panther, Jaïr Faria, Sesame Girl, & Grace Robinson! October 21, 2026
  • “Something Within Us Continues to Sing”: Valerie June Makes “Trouble in Mind” Unmistakably Her Own October 20, 2026
  • “I’m Happy to Be Messy”: Adelide Dances Through the Chaos of Her Twenties on Sun-Kissed Soul Pop EP ‘The Way Up’ October 20, 2026
  • “The Beauty Is a Strategy”: Laila Smith Conjures a Spellbinding World of Grief, Games, & Tenderness on ‘Something Dreadful Is Going to Happen,’ Her Visionary Debut EP October 20, 2026
  • “Two Things Can Be True”: Lottie McLeod Embraces Heartbreak & Hilarity on ‘The Boathouse,’ a Coming-of-Age Indie Pop Triumph October 20, 2026
  • Music & Cities: Aitana’s ‘CUARTO AZUL’ in València, Spain October 20, 2026
  • Nick Stefanacci Captures a Late-Night Allure on “Midnight Affair” October 20, 2026
  • “There’s a Lot of Freedom in Letting Go”: MUANH Reclaims Her Voice on ‘hush,’ a Spellbinding Debut of Love and Self-Trust October 19, 2026
  • “Dream or Die”: N8NOFACE on Sobriety, Keeping His Inner Child Alive, and ‘Tomorrow’s World’ October 19, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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