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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Chance Peña © John N. Choi
Debut, Features, Interviews, Music, Track-by-TrackSeptember 25, 2024<October 2, 2024

“Just chasing the music”: Chance Peña Goes Track-by-Track Through His Debut LP ‘Ever-Shifting, Continual Blossoming,’ a Soul-Stirring Labor of Love

Holly Hebe © 2024
Columns, Interviews, Music, Today's SongSeptember 25, 2024<September 25, 2024

“I didn’t earn my stripes until I threw a punch”: Melbourne’s Holly Hebe Is Embracing Identity Crises & Self-Discovery on Dreamy Anthem “Bottle Blonde” & ‘Ruby’ EP

Emile Mosseri © Cameron Perkins
Music, PremieresSeptember 24, 2024<September 24, 2024

Premiere: The Gentle Heartache & Breathtaking Beauty of Emile Mosseri’s “Don’t Fall Back So Easily”

ARK IDENTITY © Noah Mroueh
Music, Music Videos, PremieresSeptember 24, 2024<September 24, 2024

Premiere: Toronto’s ARK IDENTITY Channels Conviction into Hazy Dream Pop on “Bleed Out in the Night”

Bo Staloch "Santa Fe" © Travis Bailey
Features, Interviews, Music, Today's SongSeptember 23, 2024<September 23, 2024

“Something’s Gotta Break”: Bo Staloch Lets Go of Fear in “Santa Fe,” His Spirited Folk Rock Singalong

tiny but scary - Juliet Ivy
Features, Interviews, Music, Track-by-TrackSeptember 23, 2024<September 23, 2024

Track-by-Track: Juliet Ivy Soundtracks Existential Girlhood With Soul-Baring EP ‘tiny but scary’

Leif Vollebekk © Nicholas Sutton Bell
Columns, Music, Today's SongSeptember 22, 2024<September 22, 2024

Today’s Song: Leif Vollebekk Gives Us “Peace of Mind” With a Dreamy, Soul-Stirring, Feel-Good Reverie

Sydney Sprague © Tyler Ann
Columns, Music, Today's SongSeptember 21, 2024<September 21, 2024

“Grab at the string, pull at the end”: Sydney Sprague’s Spirited Self-Soothing Anthem “i tried my best” ft. Kevin Devine

Joan & the Giants "Feels Like Heartache" © 2024
Columns, Music, Today's SongSeptember 20, 2024<September 20, 2024

Joan & the Giants Pull Us in on “Feels Like Heartache,” a Brutally Honest Song of Love, Loss, & Longing

Wilderado © Cassidy Mandel
Features, Interviews, Music, Track-by-TrackSeptember 20, 2024<October 5, 2024

Track-by-Track: Wilderado Embrace Intentionality on ‘Talker,’ Their Spirited & Soul-Stirring Sophomore Album

Lily Kershaw © Cort Wilson
Features, Interviews, Music, Track-by-TrackSeptember 18, 2024<September 18, 2024

Feature: Lily Kershaw Unpacks Depression, ‘Pain & More’ on Her Honest, Intimate, & Revealing Third Album

Rodeo Parade © 2024
Artist to Watch, Music, PremieresSeptember 18, 2024<September 18, 2024

“Strangers in another life fell hard at the right time”: Rodeo Parade’s Heart Shines on “Seasons Waiting,” a Timeless Love Song of Warmth, Wonder, & Sweet Romance

Ziyad Al-Samman © Austn Fischer
Music, PremieresSeptember 18, 2024<September 18, 2024

Premiere: London’s Ziyad Al-Samman Breaks Out With a “Bang” of Love, Madness, & Disco Pop Flare

Dino Expedition © Riley Natalova
Music, PremieresSeptember 18, 2024<September 18, 2024

“My skin was blue, but that’s okay”: Brooklyn’s Dino Expedition Premiere “Marie,” an Aching Indie Folk Song of Trauma, Innocence, & Trust Betrayed

'Light Sides' EP art - Angie McMahon
Artist to Watch, Columns, Music, ReviewsSeptember 18, 2024<September 18, 2024

“Breaking this open meant starting a riot”: Angie McMahon’s “Untangling” Is a Masterclass in Cinematic Vulnerability

Posts pagination
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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