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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

h. pruz © Felix Walworth
Debut, Features, Interviews, Music, Track-by-TrackMay 8, 2024<May 8, 2024

“Vinegar in a stream”: Brooklyn’s h. pruz Bares Their Soul in Debut ‘No Glory,’ an Achingly Raw Album of Change, Guilt, & Growth

Quiet Canyons © Casey Curry
Features, Interviews, Music, Track-by-TrackMay 8, 2024<May 8, 2024

“It’s ok to be a work in progress”: Quiet Canyons’ Tim Williams on His Heartfelt & Therapeutic New Album ‘Chairs’

Britti © Jim Herrington
Debut, Features, Interviews, Music, Track-by-TrackMay 7, 2024<May 7, 2024

“Timeless, Passionate, & Breathtaking”: NoLa’s Britti Spills Her Soul in ‘Hello, I’m Britti.’ a Smoldering Coming-of-Age Debut

snarls © Sumner Howells
Features, Interviews, Music, Track-by-TrackMay 7, 2024<May 7, 2024

“A damn love letter”: Snarls’ Sophomore LP ‘With Love,’ Basks in the Heat of Intimate Connection, Raw Emotion & Alt-Rock Energy

Ethel © Victor Jacques Sebb
Debut, Features, Interviews, Music, Track-by-TrackMay 6, 2024<May 6, 2024

‘The Burden of Fever Dreams’: Parisian Artist Ethel Dwells in Hazy, Dreamy Depths on Seductive & Smoldering Debut EP

'somebody's daughter' by néomí © Liz van den Akker
Debut, Features, Interviews, Music, Track-by-TrackMay 6, 2024<May 6, 2024

“Don’t forget I’m still somebody’s daughter”: néomí’s Breathtaking Debut Album Shines With Her Real, Raw, & Unfiltered Humanity

Isaac Dunbar 'Beep Beep Repeat' © Thom Kerr
Music, ReviewsMay 6, 2024<May 5, 2024

“A whole lot of glitter to shake off”: NYC Comes to Life in Isaac Dunbar’s ‘Beep Beep Repeat,’ a Record of Glitz, Glam, Dreaming Big Dreams & Dancing All Night Long

Eden Rain © 2024
Music, Reviews, This Just InMay 6, 2024<May 5, 2024

“If it isn’t broke, don’t fix it”: Eden Rain Mourns Another “Great Nothing” In Her Angsty & Aching Non-Lovers’ Lament

Joy Oladokun © Republic Records
Music, Reviews, This Just InMay 5, 2024<May 5, 2024

“I have traveled all the world looking for songs and girls and God”: Joy Oladokun Sits in Her Grief on “Questions, Chaos & Faith,” a Spiritual, Soul-Stirring Exhale

Skylar Simone © Nick Walker
Features, Interviews, MusicMay 3, 2024<May 3, 2024

Interview: R&B Artist Skylar Simone on Her Def Jam Signing, Sensual New Single “Shiver,” & Ten Years in the Music Industry

Mae Krell © Alex Lyon
Debut, Features, Interviews, Music, Track-by-TrackMay 2, 2024<May 2, 2024

‘I think I might be grown’: Mae Krell Charts Her Coming-of-Age in a Debut Album of Healing, Hope, & Choosing Life

Leslie Mendelson © Mary Ellen Matthews
Music, PremieresMay 2, 2024<May 2, 2024

“Won’t you cut yourself some slack?”: Leslie Mendelson Cheers to “The Good Life” With a Gentle Song of Light and Love

Brie Stoner © Mark Andrus
Debut, Features, Interviews, Music, Premieres, Track-by-TrackMay 2, 2024<May 2, 2024

“An Erotic Sigh of Surrender”: Brie Stoner Premieres Her Empowering and Vulnerable Debut Album ‘Me Veo’

Large Brush Collection © Syd Fuller
Debut, Features, Interviews, MusicMay 2, 2024<May 2, 2024

Feature: Austin’s Large Brush Collection Find Their Balance on ‘Off Center,’ a Delicate & Sweeping Tapestry of Folk

Joshua Hyslop © Emma Rossum
Features, Interviews, Music, Track-by-TrackApril 30, 2024<April 30, 2024

“The golden days will come”: Joshua Hyslop’s Inner Light Shines on ‘Evergold,’ a Warm & Wistful Folk Reverie

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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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