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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

The Howl & The Hum "Same Mistake Twice" © 2024
Columns, Music, Today's SongMay 27, 2024<May 25, 2024

The Howl & The Hum’s “Same Mistake Twice” Is a Dynamic, Dramatic, & Deeply Sentimental Return

Sinkane's Ahmed Gallab © Chloe Morales-Pazant
Features, Interviews, MusicMay 24, 2024<May 24, 2024

“A love letter to the Black experience”: Sinkane’s Ahmed Gallab Talks New Album ‘We Belong,’ Finding Purpose Through Community, & the Joys of Music Theory

Ava Vegas "Saddest Disco Girl" © Izzy Offer
Music, PremieresMay 23, 2024<May 23, 2024

“I came here for the drama”: Dance Away the Heartache With Ava Vegas & French Horn Rebellion’s “Saddest Disco Girl”

King Kyote © 2024
Music, PremieresMay 23, 2024<May 23, 2024

“Baby we’re a ghost town”: King Kyote’s Soul-Soaked “Weapon” Is a Smoldering, Heartfelt Call for Love Over War

Joshua Idehen © Vega Salomonsson
Music, Music Videos, PremieresMay 23, 2024<May 23, 2024

“Most days I’m far from a Phoenix”: Joshua Idehen’s Spirited “All You Can Do Is Try” Channels Sage Advice into a Feel-Good Revelry

Niina Soleil "See Red" © Sherman Chen
Debut, Music, Music Videos, PremieresMay 22, 2024<May 22, 2024

“Sinking down into the blue”: Niina Soleil Unleashes Her Inner Fire on “See Red,” an Intimate Eruption of Crimson Passion

Dipsea Flower © Will Tiong
Artist to Watch, Music, PremieresMay 22, 2024<May 22, 2024

“A love letter to being young and loving really hard”: Dipsea Flower Embrace the Present’s Beauty in “Sundance,” a Sweet & Summery Folk Rock Singalong

Valley's Karah James, Alex Dimauro, and Rob Laska © Becca Hamel
Columns, Music, This Just In, Today's SongMay 21, 2024<May 21, 2024

“Your secret life cut me open”: Valley Return With a Fiery Roar on “When You Know Someone,” an Anthem of Abandonment & Betrayal

Jon Muq © Jim Herrington
Music, Music Videos, PremieresMay 21, 2024<May 21, 2024

“I’ve always been driven by my search for music”: Jon Muq Spreads His Wings in “Flying Away From Home,” a Sunny & Soulful Song for Dreamers Everywhere

Spyres © 2024
Features, Interviews, Music, Track-by-TrackMay 20, 2024<May 20, 2024

“Fun, Fast, & Honest”: Glasgow’s Spyres Are Loud n’ Proud ‘Karaoke Sellouts’ on Soaring Sophomore EP

Arsun 'Babe I Hear Thunder in Your Heart' © Tasmin Meyer Ersahin
Debut, Features, Interviews, Music, Track-by-TrackMay 20, 2024<May 20, 2024

Track-by-Track: NYC Singer/Songwriter Arsun Delivers a Timeless, Instant Classic With Debut ‘Babe I Hear Thunder in Your Heart’

Rosalie James © Julie Minichova
Columns, Music, Today's SongMay 18, 2024<May 17, 2024

“I’m a soft target and you know it”: Rosalie James’ Neurodivergent Indie Rock Anthem Is a Powerful Mission Statement

Sweetest Ache - Victoria Victoria
Features, Interviews, Music, Track-by-TrackMay 17, 2024<May 22, 2024

Track-by-Track: Victoria Victoria Hurts So Good in ‘Sweetest Ache,’ an Album of Angst, Soul-Searching, & Soothing Pop Songwriting

Riah © Abagail Reid
Artist to Watch, Columns, Interviews, Music, Today's SongMay 17, 2024<May 17, 2024

“‘Bed’ feels like a window into my mind”: Artist-to-Watch Riah on Her Exhilarating, Anxiety-Fueled Indie Pop Anthem

Ant Enoch © James Smithers
Debut, Features, Interviews, Music, Track-by-TrackMay 17, 2024<May 17, 2024

Crying on the Dance Floor: Sydney’s Ant Enoch Dwells in Soul-Stirring Depths on Dreamy Debut EP ‘Big Talk Big Party’

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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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