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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Floral Couches © Elle Stanion
Music, PremieresJanuary 25, 2024<January 25, 2024

Premiere: Nashville’s Floral Couches Aches With Warm Psych & Soul in “Where’d You Go?” Off New LP ‘Xtra Mild’

emmersonHALL © Hannah Judge
Debut, Features, Interviews, Music, Track-by-TrackJanuary 24, 2024<January 24, 2024

Track-by-Track: The Alt-Folk Charm of emmersonHALL’s Loving, Honest, & Impulsive Debut Album

Observe the 93rd © Danielle Marshall
Features, Interviews, Music, Track-by-TrackJanuary 24, 2024<January 24, 2024

“Past, Present, Future”: Inside Observe the 93rd’s Ontological Alt-Rock Reckoning, ‘Eternalism’

coldbrew's Austyn Moffat
Features, Interviews, Music, Track-by-TrackJanuary 24, 2024<January 24, 2024

“I wanted to make an album that sounded like life”: Inside coldbrew’s Jazzy Lo-Fi Seduction, ‘no time to waste’

Valley (L to R): Mickey Brandolino, Rob Laska, Karah James, Alex Dimauro © Becca Hamel
Features, Interviews, MusicJanuary 24, 2024<January 24, 2024

“Everyone’s dealing with a four-way marriage”: Valley Talk Band Therapy, the Album Experience, and Sophomore LP ‘Lost in Translation’

Lee Lewis © Shamaal
Artist to Watch, Columns, Music, Today's SongJanuary 23, 2024<January 23, 2024

Today’s Song: Lee Lewis’ “Delusion” Is a Dark and Moody Pop Song “for the Gays & the Girls”

Stolen Jars' Cody Fitzgerald and Sarah Coffey © Tonje Thilesen
Features, Interviews, MusicJanuary 23, 2024<January 23, 2024

Interview: Brooklyn’s Stolen Jars Steal Our Hearts on Cathartic, Introspective, & Personal 4th LP, ‘I Won’t Let Me Down’

Willow Avalon © Kristin Karch 2024
Debut, Features, Interviews, MusicJanuary 23, 2024<January 23, 2024

“I still feel like a stranger to my listeners, and that’s something I want to change”: A Conversation With Willow Avalon

Slow Fiction "Apollo" © Miles Wilson
Music, PremieresJanuary 22, 2024<January 23, 2024

Premiere: Brooklyn’s Slow Fiction Burn Bright on “Apollo,” a Raw & Raging Indie Rock Eruption

Fetch Tiger © Nicole Miller
Music, PremieresJanuary 22, 2024<January 22, 2024

Premiere: Fetch Tiger’s Radiant & Relentless “Psychosomatic” Is a Hot n’ Heavy Indie Pop Fever Dream

Wynona © Lachlan Chester
Columns, Music, Today's SongJanuary 19, 2024<January 19, 2024

“Finding stillness in the chaos”: Wynona’s Spirited Alt-Rock Anthem “Feeling for Edges” Is a Cathartic Release of Angst & Upheaval

Dogstar © Brian Bowen Smith
Interviews, MusicJanuary 18, 2024<January 18, 2024

Interview: Reunited After 21 Years, ’90s Alt-Rock Band Dogstar Set a High Bar on ‘Somewhere Between the Power Lines and Palm Trees’

Haley Blais © Mackenzie Walker
Features, Interviews, Music, Track-by-TrackJanuary 18, 2024<January 18, 2024

“I want my therapist to think I’m cool”: Haley Blais Is Beautifully Exposed on ‘Wisecrack,’ Her Unapologetic & Unfiltered Sophomore LP

Joan & The Giants © 2024
Columns, Music, Today's SongJanuary 18, 2024<January 18, 2024

Joan & The Giants’ Love-Soaked “Good Time” Is a Sweet Surrender to the Moment

Lizzie Esau © Storm Hudspith Walker
Columns, Music, Today's SongJanuary 17, 2024<January 17, 2024

Today’s Song: Newcastle’s Lizzie Esau Churns Through an Anxious Mind on “Impossible + Strange”

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