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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Large Brush Collection © Syd Fuller
Debut, Features, Interviews, MusicMay 2, 2024<May 2, 2024

Feature: Austin’s Large Brush Collection Find Their Balance on ‘Off Center,’ a Delicate & Sweeping Tapestry of Folk

Joshua Hyslop © Emma Rossum
Features, Interviews, Music, Track-by-TrackApril 30, 2024<April 30, 2024

“The golden days will come”: Joshua Hyslop’s Inner Light Shines on ‘Evergold,’ a Warm & Wistful Folk Reverie

Mia Dyson © Brendan Willing James
Features, Interviews, Music, Track-by-TrackApril 30, 2024<April 30, 2024

“Dare turn and face me”: Melbourne’s Mia Dyson Wears Her ‘Tender Heart’ on Her Sleeve in a Radiant Record of Life, Love, & Human Connection

Bridget Kearney © Rodneri
Features, Interviews, Music, Track-by-TrackApril 30, 2024<May 15, 2024

“You sink or swim or you learn to fly”: Bridget Kearney Rises and Shines in ‘Comeback Kid,’ a Record of Resilience, Rebirth, & Reconnection

Jae Soto © Sara Laufer
Music, PremieresApril 29, 2024<April 29, 2024

“A slow way down to your world inside”: The Achingly Beautiful Fragility & Vulnerability of Jae Soto’s “Honesty”

denn. © Emma Pilkington Mead
Columns, Music, Today's SongApril 29, 2024<April 29, 2024

“I’ve been losing everything that I believe in…”: NYC’s denn. Spills His Heavy Soul in “think,” an Intimate Inner Reckoning

steinza © courtesy of the artist
Artist to Watch, Columns, Music, ReviewsApril 29, 2024<April 28, 2024

Artist to Watch: Steinza Says the Quiet Parts Out Loud in “Visions of You,” an Achingly Intimate Folk Rock Singalong

Pacifica © Mateo Gonzáles
Debut, Features, Interviews, Music, Track-by-TrackApril 26, 2024<April 26, 2024

“Laughing at the life we’re wasting”: Argentine Indie Sleaze Duo Pacifica Are Unleashed on Debut ‘Freak Scene’

BAILEN © Erica Snyder
Interviews, MusicApril 26, 2024<April 26, 2024

“There’s something both awful and liberating about it”: NYC’s BAILEN Are Crying on the Subway, but “You Would Never Know”

Wifey © Owen Bigler
Columns, Debut, Music, Today's SongApril 25, 2024<April 25, 2024

Today’s Song: Wifey’s “Mary Ann Leaves the Band” Is a Fun, Dumb, and Instantly Memorable Pop/Rock Debut

Yot Club © Ariel Fisher
Features, Interviews, MusicApril 25, 2024<January 28, 2026

“Bigger and Bolder and Louder”: Yot Club’s Ryan Kaiser Invites Us into the Wonderful World of ‘Rufus’

fucales © Linn Heidi Stokkedal
Music, PremieresApril 25, 2024<April 25, 2024

“Headfirst, hijack my prophecy”: Bergen’s fucales Whip Up a Nordic Storm on “It Was Decided,” a Sweaty Psychedelic Reverie

Gizmo Varillas © Gati Varillas
Music, Reviews, This Just InApril 25, 2024<April 24, 2024

Gizmo Varillas’ Dreamy “Ojos Nuevos” Is an Achingly Beautiful Rite of Passage & Spiritual Cleanse

THEM © Ericka Clevenger
Columns, Music, Today's SongApril 24, 2024<April 24, 2024

Today’s Song: Seattle’s THEM Emerge With a Grunge-Laced Pop/Rock Fervor on “Can’t Call It Mine”

Joh Chase © Shervin Lainez
Features, Interviews, Music, Premieres, Track-by-TrackApril 24, 2024<April 24, 2024

Track-by-Track: Joh Chase’s Triumphant & Liberating ‘SOLO’ Album Is a Record of Connection, Self-Assurance, & Life Lived to the Fullest

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Recent Posts

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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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