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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Cry Baby © Gabe Ruckus
Artist to Watch, Columns, Music, Today's SongSeptember 13, 2023<September 13, 2023

Artist to Watch: Cry Baby Usher in a New Era on “Pretend,” a Soul-Stirring Eruption of Noughties Nostalgia & Modern Charm

Ethansroom © Noah Tidmore
Music, PremieresSeptember 12, 2023<September 12, 2023

Premiere: ethansroom Learns to Let Go in “Laughing Out Loud,” a Dusty & Cinematic Indie Rock Reverie

Wilderado © Laura Webster
Columns, Music, Today's SongSeptember 12, 2023<September 12, 2023

Today’s Song: Wilderado Paint a Warm Western Landscape Somewhere “In Between” Right Here and Now

Looms © 2023
Music, PremieresSeptember 11, 2023<September 11, 2023

Premiere: Looms’ New Single “The Water” Depicts the Heavy Weight of a Sinking Friendship

Boyish © Stolen Besos (Maya)
Features, Interviews, Music, Track-by-TrackSeptember 8, 2023<September 8, 2023

Feature: Boyish Turn Teenage Trauma into Soul-Stirring Sound on ‘Little Demon Boy’

PRONOUN © Merissa Blitz
Columns, Music, Today's SongSeptember 8, 2023<September 8, 2023

THWACK! PRONOUN Takes the Hits in “SLAP ME IN THE FACE,” Reckoning with a Big, Ugly World

Pearl - Bobby Bazini
Features, Interviews, Music, Track-by-TrackSeptember 7, 2023<September 7, 2023

Track-by-Track: Bobby Bazini Breaks Down ‘Pearl,’ His Cinematic, Cathartic, & Soul-Stirring Fifth LP

Barbaro © Wolfskull Creative
Columns, Music, Today's SongSeptember 7, 2023<September 7, 2023

Today’s Song: The Beauty & the Aching of Barbaro’s Evergreen “Gardens”

Anna Rose "Last Girl of the Rodeo" © Alexa King
Features, Interviews, Music, Track-by-TrackSeptember 6, 2023<September 8, 2023

“Truth in Costume”: Anna Rose Is Unleashed & Empowered on ‘Last Girl of the Rodeo,’ Her Tragic, Soul-Stirring Reckoning

Tom Speight © Scarlet Page
Features, Interviews, Music, Track-by-TrackSeptember 6, 2023<September 14, 2023

‘Love & Light’: Tom Speight Goes Track-by-Track Through His Breathtakingly Beautiful Third Album

The Brook & The Bluff © Noah Tidmore
MusicSeptember 6, 2023<September 6, 2023

“A lighthouse out in the storm”: The Brook & The Bluff Dive “Headfirst” into a New Era As ‘Bluebeard’ Approaches

S. Carey & John Raymond © Kyle Lehman
Music, PremieresSeptember 5, 2023<September 5, 2023

Premiere: John Raymond & S. Carey Rise Up From the Shadowlands to Coalesce in “Chrysalis”

deary © Emelie Eckerud
Columns, Music, Today's SongAugust 31, 2023<March 2, 2025

“A vision equally glamorous and dirty”: The Tender Turmoil of deary’s “Beauty in All Blue Satin”

Paris Paloma © Jennifer McCord
Music, PremieresAugust 31, 2023<August 31, 2023

“Loving Oneself Under Patriarchy Is a Revolutionary Act”: Paris Paloma’s “as good a reason” Is a Liberated, Empowering Feminist Anthem

No Guitar - Curling
Features, Interviews, Music, Track-by-TrackAugust 30, 2023<August 30, 2023

“Eclectic, Spontaneous, and Still a Bit Neurotic”: Inside Curling’s Labor of Love, ‘No Guitar’

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