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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Kirsten Ludwig © Kristina Dittmar
Features, Interviews, Music, Track-by-TrackDecember 5, 2023<December 5, 2023

“Expansive, Oscillatory, & Resplendent”: Kirsten Ludwig Basks in the Glow of ‘Sunbeam,’ Her Radiant Indie Pop Reverie

HUNNY BUZZ © 2023
Artist to Watch, Debut, Interviews, MusicDecember 5, 2023<December 12, 2023

Artist to Watch: The Buzz About Bristol’s HUNNY BUZZ, an Indie Pop Band With an Irresistible Sound

Daisy Grenade © Sabrina DiGeorge
Features, Interviews, Music, Track-by-TrackDecember 1, 2023<December 1, 2023

“Glittery, Gory, & Grungy”: Daisy Grenade’s ‘Cult Classic’ Is a Sparkling Pop Punk Explosion

pen pin © 2023
Columns, Music, Today's SongDecember 1, 2023<December 1, 2023

Palm Desert’s pen pin Dwell in Sun-Soaked Doldrums on “The Boredom”

Ethel © Victor Jacques Sebb
Columns, Music, Today's SongNovember 30, 2023<November 30, 2023

Today’s Song: Sparks Fly in Ethel’s Ethereal, Enchanting “Pixie Dust”

Blind Pilot © Fawn DeViney, 2023
Interviews, MusicNovember 30, 2023<November 30, 2023

Interview: Blind Pilot’s Israel Nebeker Discusses Two New Albums in 2024

Will Knox & néomí "Christmas Song" © Liz Van Den Akker
Mistletones, Music, PremieresNovember 30, 2023<November 30, 2023

Premiere: Will Knox and néomí’s “Christmas Song” Aches With a Beautiful Sadness

Lily Seabird © Patrick Hintz
Artist to Watch, Music, Music Videos, PremieresNovember 29, 2023<November 29, 2023

Artist to Watch: Lily Seabird Aches With Cathartic Pain & Raw Melancholia in “Cavity”

two blinks, i love you © 2023
Columns, Music, Today's SongNovember 29, 2023<November 29, 2023

Today’s Song: The Scuzzy Seduction of two blinks, i love you’s “sentiment”

Tafari Anthony © Joshua Rille
Debut, Features, Interviews, MusicNovember 29, 2023<November 29, 2023

Premiere: Tafari Anthony Dives into Love on Empowering Debut Album ‘When I Met Your Girlfriend’

Dweller © courtesy of the artist
Artist to Watch, Debut, Features, Interviews, MusicNovember 28, 2023<December 1, 2023

“No filter, no filler, just love”: Meet Dweller, Your New Favorite Indie Supergroup

Milan Ring "Mangos" © James Evans
Interviews, Music, Today's SongNovember 28, 2023<December 13, 2023

“Summertime romance, making love, and glistening in the sunlight”: The Sweet, Love-Soaked Seduction of Milan Ring’s Juicy “Mangos”

The Mellons © Vern Tooley
Interviews, Music, Music Videos, PremieresNovember 27, 2023<November 27, 2023

Premiere: The Mellons Reinvent ’60s Power Pop in “Make Me Feel,” a Psych-Soaked, Smile-Inducing Seduction

Slothrust © Marcelo Mayen
Interviews, MusicNovember 22, 2023<November 22, 2023

“If you’re horny, let’s do it”: Slothrust Deliver Seductive Slow Thrusts in Hot n’ Sweaty “Pony” Cover

Abby Sage "Hunger" © cloudyytots
MusicNovember 22, 2023<November 22, 2023

Today’s Song: The Haunting “Hunger” and Sexual Liberation of Abby Sage

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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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